In the following interview, presented by ArchDaily Materials and originally published by Sixty7 Architecture Road, Canadian firm Campos Leckie Studio defines their process for designing site-specific, beautiful architecture that speaks for itself. Enjoy the firm’s stunning projects and read the full interview after the break.
We asked Michael Leckie, one of the principals of Vancouver-based Campos Leckie Studio, about the importance of discovery in design and the textural differences between projects. Your website states that your firm is committed to a rigorous process of discovery. How do you explain that to clients?
Process is extremely important in our work. When we meet with clients we do not immediately provide napkin sketches or an indication of what form the work will ultimately take on. Rather, we focus on the formulation of the ‘design problem’ and the conditions that establish the basis for exploration and discovery. These contextual starting points include the site, program, materiality, budget, as well as cultural reference points. This is challenging for some clients, as our culture generally conditions people to expect to see the final product before they commit to something.
Architects: Mcfarlane Green Biggar Architecture + Design
Location: Gambier Island, Sunshine Coast F, BC, Canada
Design Team: Steve McFarlane, Michelle Biggar, Josie Grant, Daniel Marcotte, Lydia Robinson, Tomas Machnikoski
Area: 1700.0 sqm
Photographs: Courtesy of office of mcfarlane biggar (omb)
Green, or living, walls have begun popping up and growing across commercial interiors everywhere over the last decade. To understand how a living wall functions, and how to design one, we went straight to a pioneer in the profession: Ms. Birgit Siber of Diamond Schmitt Architects in Toronto. The synthesis of natural systems and building systems had been in her mind since her days as a student, but the major break came in 2000, when her team constructed a massive living wall for The University of Guelph-Humbar. To understand how architects are closing the gap between interior and exterior via the living wall, read the full interview after the break.
Daniel Libeskind’s “elongated Star of David” has been announced today, the architect’s 67th birthday, as the winner of an international design competition for Canada’s National Holocaust Monument. Selected from a shortlist of six, the winning ”Landscape of Loss, Memory and Survival” monument is expected to be constructed in the Canadian capital of Ottawa on the corner of Wellington and Booth Streets sometime next year.
“You don’t need big and flashy starchitecture to make a statement; the most powerful architecture is often that which blends into the landscape and reveals itself slowly.” In this article on Monocle, written by Nelly Gocheva, the late Canadian architect Ron Thom is remembered for just this reason. To learn more about Thom’s architectural approach and works, including his masterplan for Trent University, which celebrates its 50th anniversary this year, read the article here.