With the aim to generate a broader discussion of possibilities for Vancouver’s affordable housing crisis, Jessie Andjelic, Albert Dijk and Philip Vandermey submitted their Meta Vancouverism and Vancouver Islands proposal for the Re:think Housing competition held by the City of Vancouver. These concepts are focused on on being grenade projects in response to perceived contradictions within dominant themes of Vancouver urban planning – affordability, sustainability, nature, speculative urbanism, sprawl and the condo rush. More images and architects’ description after the break.
Covering a full city block in the center of downtown Vancouver, Canada, Pop Rocks is a temporary installation fabricated entirely from post-consumer and post-industrial waste from the metropolitan Vancouver region. A collaboration between Matthew Soules Architecture and AFJD Studio (Amber Frid-Jimenez & Joe Dahmen), the project engages tactically with these materials to produce soft forms that extend the typical range of active and passive social activities, fostering unexpected social encounters and new perspectives on the city. More images and architects’ description after the break.
Yesterday, October 10, Studio Daniel Libeskind celebrated the “Topping Off” ceremony for Toronto’s “L Tower” with aerial acrobatics dancing across the North face of the structure. The 58-storey skyscraper, located at the intersection of Yonge Street and The Esplanade, is part of the redevelopment of the Sony Centre for the Performing Arts. It was designed to be an architectural transition between the towers of the financial district to the west and the historic residential St. Lawrence neighborhood to the east. A 5000 square-feet public plaza along the redevelopment’s west side will serve as an additional public space for the theater, L Tower residents and the downtown community. Continue reading for more.
David Mirvish, founder of Mirvish Productions, and Toronto-born starchitect Frank Gehry have officially unveiled a massive, mixed-use project that will transform Toronto’s downtown arts and entertainment district. The multi-phase project will significantly alter the city’s skyline with three, “sculptural” residential towers perched atop two, six story podiums.
Mirvish describes, “I am not building three towers, I am building three sculptures that people can live in.”
Continue reading to learn more.
The Winnipeg Art Gallery has selected six architectural teams to be shortlisted for the design of its new Inuit Art and Learning Center (IALC). The Center will house the WAG’s celebrated collection of contemporary Inuit art, the largest of its kind in the world, and the Studio Art and Learning programs.
Selected from 64 international submissions, the six shortlisted teams are:
Established in June 2010, 100Landschaftsarchitektur shared with us the current status of Jardin de la Connaissance which is still up and thriving. With the knowledge truly disappearing into the forest, the book structures have decayed in the natural setting, but have also provided various micro-environments for a range of local creatures. Interacting with the forest, seedlings and insects have activated the walls, carpets and benches while mushrooms – those cultivated and those who have come by themselves – have made the garden their home. More images and architects’ description after the break.
We visited “Migrating Landscapes”, the installation at the Canada pavilion for the 13th Venice Biennale. This exhibit has been organized and curated by Winnipeg- based 5468796 Architecture and Jae-Sung Chon, who joined together for this project to form the Migrating Landscapes Organizer (MLO). MLO invited, through a national competition, young Canadian architects and designers from a wide range of cultural and educational backgrounds to create scale models of ‘dwellings’ and accompanying videos that draw on cultural memories.
The installation uses pieces of unfinished wood in different sizes, a wooden landscape, where each of the participants “fit” their projects and a panel with a short video. A mix between the roughness of the wood, and the precision you can achieve with this material. My favorite? The Pickle House.
You can find more details about this exhibit in our previous article. More photos by ArchDaily after the break, and soon an interview with the curators!