The Brazilian Institute of Architects and Rio de Janeiro department (IAB-RJ) have announced architects Pedro Évora and Pedro Rivera of RUA Arquitetos as winners of a competition to design the 2016 Olympic golf course clubhouse. The competition, open to professionals who graduated within the last 15 years, attracted entries from 82 teams of architects and landscape architects from across Brazil.
RUA Arquitetos’ winning scheme captures the atmosphere of Rio by showcasing the lush tropical landscape of Barra da Tijuca with a large veranda whose lightweight roof collects rainwater to irrigate the course.
Continue reading for the architects’ project description.
Niemeyer, who will turn 105 this December, was admitted to the same hospital for about 2 weeks in May after suffering from pneumonia.
According to The Huffington Post, Niemeyer’s doctor, Fernando Gjorup, has said that the architect is “fine” and in stable condition, although “a bit dehydrated. He entered the hospital complaining of nausea, but little else.”
Congresso Nacional dos Municípios (CNM) Headquarters Winning Proposal / Luis Eduardo Loyola and Maria Cristina Motta
The primary condition for the first prize winning design of the new headquarters of Congresso Nacional dos Municípios (CNM) is the creation of a metropolitan area in line with the urban context of the city of Brasilia. Designed by Luis Eduardo Loyola and Maria Cristina Motta, the project is embodied along an axis in the form of a white metallic volume floating gently on a concrete basement. The transparency of the volume creates a special relation with their surroundings. More images and architects’ description after the break.
Designed by Ana Cecília Tourinho, Analu Brandão, Gabriel Kozlowski, and Beni Barzellai, their competition entry for the City Hall Várzea Paulista creates a unity among all the planned projects for the downtown of Várzea Paulista. By proposing an infrastructural ring, the project functions as a public connector to embrace the existing green space and north and south. Connected to the public transportation system, it distributes and negotiates the confluence and flow of pedestrians while building a coherent image of the city’s entry. More images and architects’ description after the break.
A cultural and educational space for creative industries, such as movie, TV, web design, fashion and performing arts, the first prize winning proposal for the CASA FIRJAN da Indústria Criativa unifies the educational, cultural and corporate segments. Designed by Lompreta Nolte Arquitetos, the project, located in Rio de Janeiro, creates a hub for producers, consumers, and investors of these disciplines to provide interaction, networking and business opportunities. More images and architects’ description after the break.
PAX.ARQ, in collaboration with Vazquez Junqueira Arquitetura, designed this concept for the CAD SP (Digital Arts Center of São Paulo) as a study for São Paulo’s secretary of culture. The transparent, prismatic cube arises from the concepts of inter-connectivity, transparency and respect to pre-existing architectural surroundings. Learn more after the break.
Conceived by Mexican architect Ivan Juárez from X-Studio, the Lightweave Palm Observatory consists of a dialogue with the natural landscape context of Bahia de Todos os Santos, Brazil. The project explores a local artisanal textile technique using the coconut palm leaf found in the island as raw material. It then forms an interior space for personal reflection which creates a visual dialogue between the interior and exterior landscape that it delimits. More images and architects’ description after the break.
The Brazilian Pavilion brings together two outstanding professionals from two different generations: Lucio Costa (1902-1998) and Marcio Kogan (b. 1953). Costa is the world renowned urban planner who conceived Brasília, the country’s new capital inaugurated in 1960, with public buildings designed by Oscar Niemeyer (b. 1907). Costa was one of the core ideologues of Brazilian modernism and the author of some of the master-pieces of modern Brazilian architecture.
Marcio Kogan, an architect and movie director, stands out in the contemporary scene with major projects both in Brazil and other countries. Costa’s installation Riposatevi -a masterpiece, albeit not familiar to all- will be exhibited. Marcio Kogan has created an original piece for Venice.
Designed by Aleph Zero + Juliano Monteiro, the [DES]dobrar Memorial is a space composed by reflective elements which is therefore a cloudy limited space: in, out, far and near, front, back, unique, multiple, real reflection. An important element of the project is one that activates and gives meaning to the objects: the user / observer. Unlike a mere passive spectator, is the observer who composes the piece through its position and its motion in space. Such movement is yet ‘reflected’ by objects that “dance” as the passage of passersby and accuses them of being they, too, actors in a multiple reality, dynamic and interconnected. More images and architects’ description after the break.
Representing Brazil at the 2012 Venice Biennale will be StudioMK27 and Lúcio Costa‘s 1964 installation “Riposatevi”. The exhibit takes an intimate look at the lives of multi-generational households in modern Brazilian architecture. Curated by Lauro Cavalcanti, the Brazilian pavilion will investigate the intersections between traditional and contemporary artistic tendencies and will feature the movie installation, “Peep”, by Lea Van Steen and Marcio Kogan, with photography by Cleisson Vidal. The event will take place between August 29th and November 25th in the Giardini and Arsenale buildings in Venice.
More after the break.
BoomSPDesign is at it again! Now in its fifth addition, the creative design, architecture and art forum has quickly become known for attracting elite creatives from around the globe to share their passions in this unique, Sao Paulo forum. Centered around all things creative, the three day event will commence on August 22nd at the Centro Universitario Belas Artes de Sao Paulo.
Curator and cultural promoter Roberto Cocenza stated: “This year we are connecting, via Sao Paulo, two continents, Old World with the New World: We have the German Juergen Mayer H. bringing the sophistication of European thought and sensibility, with his intricate architectural patterns, and then we have Fernando Romero, a young talent from Mexico that with his rambunctious Sumaya Museum quickly entered the pantheon of iconic contemporary architecture.”
Continue after the break to learn more!
Architects: Studio mk27 – Marcio Kogan + Renata Furlanetto
Location: são paulo . sp . brazil
Architect In Charge: Diana Radomysler, Fabiana Cyon, Fernando Falcon, Oswaldo Pessano
Project Manager: Nelson Batista
Design Team: Carolina Castroviejo, Eduardo Chalabi, Eduardo Glycerio, Eduardo Gurian, Elisa Friedmann, Gabriel Kogan, Lair Reis, Luciana Antunes, Marcio Tanaka, Maria Cristina Motta, Mariana Simas, Samanta Cafardo, Suzana Glogowski
Co Architect : Renata Furlanetto
Project Year: 2011
Photographs: Nelson Kon
With a seating capacity of 46,000, the Pernambuco Arena will host the games in the group stage and quarter-finals of the World Cup 2014. Designed by Fernandes Arquitetos Associados, the main peculiarity of the project, and what makes it stand out from other projects of cities hosting the FIFA World Cup 2014, is that it is not being built in a consolidated urban area. The design challenge of this project is the creation of a building that is fully integrated into the natural environment and that in a second moment can establish a relationship of unity with the future urban development planned for the region. More images and architects’ description after the break.
The design for the 2014 World Cup Final Stage Stadium by Fernandes Arquitetos Associados will provide a feeling of continuity as if the Maracanã, which is the original conception of the Journalist Mario Filho stadium, has scarcely changed. Once inside the main public areas, the old and the new will work together to create a modern yet familiar look and feel. The pinnacle of which occurs upon reaching the stands, revealing an entirely new stadium carved out of the original. The facade will be preserved, ensuring that, from the outside, the Maracanã appears almost untouched. The roof is one of the main new elements introduced, but will not bring any visual impact as it will not be visible from the outside. More images and architects’ description after the break.