Tarvo Hanno Varres

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To Think In Actual Space, With Actual Materials: An Interview with Siiri Vallner of Kavakava Architects

Estonian contemporary architecture is diverse in nature. Here, one can find the spark and freshness of Danish- and Dutch-influenced architecture as well as the tradition-carrying conservatism of Nordic Modernism. A third trend that can be highlighted in contemporary Estonian architecture is a context-sensitive approach to built environment, in which particular emphasis is placed upon the historical, social, as well as spatial contexts. Siiri Vallner’s works may be classified into the latter of these three groups. The buildings she has designed do not number many, but by way of their spatial ideas and solutions they have strongly influenced and enriched Estonia’s architectural culture.

Siiri Vallner is currently sharing her office Kavakava with Indrek Peil, another relatively young Estonian architect. Vallner has received several awards over the last few years. In 2013, together with Indrek Peil, Katrin Koov, and interior architect Hannes Praks, she was awarded the National Culture Award for their architectural solution for the University of Tartu’s Narva College in Narva, Estonia. She was likewise one of three female architects to be given special international recognition at the “arcVision Prize – Women in Architecture” competition in Italy (2013). I spoke with Vallner about both her work and her projects.

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A Recap of Tallinn Architecture Biennale 2013: Recycling Socialism

Modernism and socialism formed the powerful spacio-political tandem of the 20th century that shaped much of the urban and rural environments of Central and Eastern Europe, including Estonia and its capital Tallinn. Those environments are still there - like fossils of paradigms, one declared dead, the other exiled. Today we consider them as nothing more than a collection of somewhat interesting material substances or formal oddities - after all, we would rather like to believe this era is not relevant to us today. But is there more to those fossils that we’re not examining?

The architects and researchers that were brought together by the Tallinn Architecture Biennale raised interesting discussion and questions that showed how much intertwined history (in this case, the 1960s to the 1980s) and historical ideas are still with us today, especially in a world where freedom might be just as illusional as it was back then.

The Pier / Kavakava Architects

Pier was part of the "lift 11" urban installations festival (www.lift11.ee). The aim of the installation was to encourage temporary uses and bring out beauty of decaying place.