The UK government's Department for Communities and Local Government (DCLG) has concluded that UK architecture should continue to be governed by "light-touch regulation based on protection of title," following the first phase of a review into the future of the Architects Registration Board (ARB). Now, a second phase of the review promises to investigate options to deliver this regulation, determining whether or not it is best achieved by the ARB.
A statement released by the DCLG says that it will now work "with all parts of the profession to identify opportunities to simplify the role of the regulator," with BD Online reporting that the available options including absorbing the role of the ARB into that of the Royal Institute of British Architects (RIBA), or to keep the ARB as an independent body - but with the DCLG warned that "it should not be assumed that an independent regulatory body would necessarily have the same form or role as the existing regulatory body."
What does it take for a 22-year-old art school drop-out to start a lifelong professional relationship with "the greatest American architect of all time"? Originally published by Curbed as "How a 22-Year-Old Became Wright's Trusted Photographer," this article reveals that for Pedro E. Guerrero, it took some guts and a lot of luck - but once they were working together this unlikely pairing was a perfect match.
When Frank Lloyd Wright hired Pedro E. Guerrero to photograph Taliesin West in 1939, neither knew it would lead to one of the most important relationships in architectural history. Wright was 72 and had already been on the cover of Time for Fallingwater. Guerrero was a 22-year-old art school drop-out. Their first meeting was prompted by Guerrero's father, a sign painter who vaguely knew Wright from the neighborhood and hoped the architect would offer his son a job. Any job.
Young Guerrero had the chutzpah to introduce himself to the famous architect as a "photographer." In truth, he hadn't earned a nickel. "I had the world's worst portfolio, including a shot of a dead pelican," Guerrero said later. "But I also had nudes taken on the beach in Malibu. This seemed to capture Wright's interest."
Imagine the ideal city—one where residents are happy, healthy, financially secure, and living in a community that is both beautiful and safe. How do we bring our own neighborhoods up to that standard? The Liveable City, a series of (free!) seminars and events starting this week at the University of Manchester, can offer a few answers. A collaboration between the University, the Danish Embassy in the UK, and RIBA North West, The Liveable City is an exploration in urban design and planning. It invites architects, businesses, and the general public to participate in dialogue that seeks to improve the quality of life in cities in the United Kingdom and in Denmark. The schedule of events runs from November 20th to the 27th, and will take place in the Benzie Building of the Manchester School of Architecture. See more details after the break!
The Pazzi Chapel is a landmark of architecture in the city that was once the cradle of the Italian Renaissance: Florence. Located in the Santa Croce church complex (the largest Franciscan church in the world), the chapel was designed by Filippo Brunelleschi - the goldsmith-turned-architect who dedicated his life to engineering the dome of Florence's Santa Maria del Fiore. It is "a prime example of 15th-century architectural decoration in grey pietra serena sandstone, colourful maiolica, and terracotta."
550 years have taken their toll on this structure and its decoration. Concern for the state of the loggia of the chapel is now so great that the non-profit institution in charge of the church’s administration - the Opera di Santa Croce - have raised 50% of the funds needed to carry out a restoration, set to begin in early 2015. They are now looking to crowdfunding to source the remaining half ($95,000) and, in so doing, are inviting people from around the world to become part of the 720-year-long history of Santa Croce.
The IV annual Moscow Urban Forum is quickly approaching. To be held from December 11-14, the forum is an international conference on city planning, urban development and related subjects. With the overarching theme of “Drivers of City Development,” this year’s forum will feature talks by Uma Adusumilli, Pablo Allard, Dan Hill, Sergei Kapkov, Maksim Liksutov, Antanas Mockus and Hui Wang, among many others.
The Forum will look at infrastructure, economy, social development and culture as the main drivers of city development, with day one starting by discussing the global development of megacities as well as the agenda for Russian city development. Day two will focus specifically on Moscow’s city agenda, while days three and four will feature the Forum speakers as well as special events for urban communities.
In this interview, conducted by the Council for Tall Buildings and Urban Habitat, Ole Scheeren discusses the ideal height for sustainable buildings. Drawing reference from two of his projects, MahaNakhon and The Interlace, he speaks to the difference between height and density, and how those two interplay when creating livable spaces in urban areas. He goes on to talk about how large buildings such as skyscrapers can be made more open to the surrounding city, both visually through programming. Watch the full clip above!
Phoenix—Neal Jones, AIA (principal in charge), Eddie Jones, AIA (principal designer), Brian Farling (lead designer), Jacob Benyi (project director), Melissa Farling, FAIA, Maria Salenger, AIA, Joanna Noonan, Rob Viergutz, Bill Osborne, AIA, J. Barry Moffitt, AIA, Tom Conner, Kevin Jones, Brian Lee, Ashley Kenneally, Brett Marinoff, Nick Nevels, David Takeuchi, Amit Upadhye, Eric Weber
Fundamentals, the title of the 2014 Venice Biennale, will close its doors in a matter of days (on the 23rd November). From the moment Rem Koolhaasrevealed the title for this year’s Biennale in January 2013, asking national curators to respond directly to the theme of ‘Absorbing Modernity 1914-2014’, there was an inkling that this Biennale would be in some way special. Having rejected offers to direct the Biennale in the past, the fact that Koolhaas chose to act not only as curator but also thematic co-ordinator of the complete international effort, was significant. This announcement led Peter Eisenman (one of Koolhaas' earliest tutors and advocates) to state in one interview that “[Rem is] stating his end: the end of [his] career, the end of [his] hegemony, the end of [his] mythology, the end of everything, the end of architecture.”
The Czech Republic-based Arendon Development Company has selected seven British practices and three Czech practices to work together on Oaks Prague, a new €400 million, 220-home "residential and lifestyle development" 20 kilometres South-East of Prague within the commune of Popivičky.
Selected through a competition organized by Malcolm Reading Consultants, the ten practices will join the team of Edward Durell Stone Jr and Associates, who masterplanned the development to include a golf club, hotel and spa at its centre, and John Thompson & Partners, who developed a pattern book and style guide for Oaks Prague.
Read on after the break for the full list of selected architects
Istanbul Modern has announced five finalists to compete in the 2015 Young Architects Program (YAP). Now in it’s 2nd edition, the competition will challenge a group of emerging architects to design a temporary installation within the confines of Istanbul Modern's courtyard that will host a series of events and visitors throughout the summer of 2015.