Films & Architecture: “The Fountainhead”

We jump back to the end of 1940′s to remember the film based on ’s acclaimed book, . The movie talks about the architectural debate between the industrialisation of the profession and the individual creation. An issue that we can consider still questionable nowadays.

I guess most of our readers have seen this classic or have read the book instead. Let us know your thoughts about the “creation” concept in architecture.

CMA-CGM Headquarters / Nabil Gholam Architects

© Geraldine Bruneel

Architects: Nabil Gholam Architects
Location: Beirut,
Photographs: Richard Saad, Geraldine Bruneel, Fouad el Khoury

Digital Handy Work / IKEA

Digital or Real? Image 1 via the WSJ

Although our digital age allows us to peruse the latest in fashion, furniture and leisure all digitally, sometimes, there’s nothing quite like mindlessly flipping through the pages of a catalogue.  Yet, the digital world is quickly penetrating even the tangible pages of furniture magazines, such as IKEA’s latest 200+ million print copies which are replacing labor intensive sets with digital renditions of furniture layouts and color combinations.

As architects who are constantly bombarded with renderings and spend hours perfecting that chosen perspective, can we spot what’s real and what’s not in the catalgoue pages below?  Does that glossy kitchen countertop or fluffy blue couch really exist? Or, did ’s digital modelers work their magic and fool us with the renderings – a move that saves money and still maintains the desired effect.

More after the break. 

See ArchDaily's exclusive coverage of the 2012 Venice Biennale

A History of the Venice Architecture Biennale

The Corderie at the Arsenale © ArchDaily

For over a century, the (La Biennale di Venezia) has been one of the most prestigious cultural institutions in the world. The avant-garde institution has remained at the forefront in the research and promotion of new artistic trends, while leading international events in the field of contemporary arts that are amongst the most important of their kind. Over the past thirty years, the Biennale has given growing importance to the Architecture Exhibition, which is still a young component of the Biennale considering that its first exhibition was held in 1975. Today, the Venice Biennale captures a multitude of interest from around the globe and attracts over 370,000 international visitors.

Before the festivities of the 13th Venice Architecture Biennale begin tomorrow, read up on the origin of this highly acclaimed international exhibition.

A timeline history of the Venice Architecture Biennale:

Gallery House / Lekker Design

© Darren Soh

Architects: Lekker Design
Location:
Design Team: Ong Ker-Shing, Joshua Comaroff, Germain Goh, Sio Lim, Peter Then
Project Year: 2012
Project Area: 3,500 sqm
Photographs: Darren Soh

Courtesy of Kamvari Architects
Courtesy of Kamvari Architects

AA Muscat Visiting School

Taking place September 4-15, the AA Muscat Visiting School, held by Kamvari Architects, will generate new architectural and urban solutions based on an investigation of patterns – which are seen as a means to translate the performance or appearance of…

Cooroy Library / Brewster Hjorth Architects

© Mushenko & Jackson

Architects: Brewster Hjorth Architects
Location: Sunshine Coast, Queensland,
Project Year: 2010
Project Area: 1,650 sqm
Photographs: Mushenko & Jackson

Koloro Exhibition / Torafu Architects

© Akihiro Ito

The Koloro Exhibition by Torafu Architects features their complete range of ‘koloro-desk / koloro-stool’, including versions which they collaborated with Mina Perhonen. Shown in CLASKA Gallery and Shop “DO” in , the name ‘koloro’ is an Esperanto word, meaning color, many colors are used at the exhibition. They also display many colorful “airvase” throughout the space, including a new version where we collaborated with photographer Mikiya Takimoto, and a special version of“airvase”, which is enough large to cover your whole body, floating up and down with the help of a motor. More images and architects’ description after the break.

Natural History Museum Proposal / Kengo Kuma & Associates + Erik Møller Arkitekter + JAJA Architects

Courtesy of , , JAJA Architects

The proposal for the Natural History Museum of Denmark, designed by Kengo Kuma & Associates, Erik Møller Arkitekter, and JAJA Architects, focuses on creating a coherent and inseparable experience which mixes the experiences of the conventional museum and the classical garden into a series of remarkable spaces. Its location within the beautiful and historical setting of the city’s botanical garden creates a potential for a museum that is more authentic, more engaging and more open for everyone. More images and architects’ description after the break.

115 Norfolk / Grzywinski + Pons

© Floto + Warner/OTTO

Architects: Grzywinski + Pons
Location: , NY, USA
Design Team: Matthew Grzywinski, Amador Pons
Project Year: 2011
Project Area: 27,000 sq ft
Photographs: Floto + Warner/OTTO

ASH House / I.R.A

Courtesy of I.R.A.

Architects: International Royal Architecture
Location: ,
Design Team: Akinori Kasegai , Daisuke Tsunakawa
Project Year: 2010
Photographs: Courtesy of I.R.A.

CB71 / La Proyectería

© Iván de la Luz

Architects: La Proyectería
Location: México City,
Project Leader: Alejandra Elizarrarás, Marisol Quevedo
Project Team: Miguel Guzmán
Project Year: 2012
Photographs: Iván de la Luz

See ArchDaily's exclusive coverage of the 2012 Venice Biennale

Venice Biennale 2012: Reduce/Reuse/Recycle / German Pavilion

© Nico Saieh

Dealing with existing infrastructure has become the most important task facing German architects today. The greatest, most problematic challenge that lies ahead is the downsizing and conversion of postwar buildings, erected from 1950s to the 1970s, which are described as “too unsuitable, too slipshod, too inefficient to serve as housing in the future”. A complete reevaluation of not only of the structures themselves but also the social and historical implications of their unbuilt energy and resources is necessary in order to improve the urban fabric and achieve climatic goals.

In response, the German contribution to the 13th Venice Architecture BiennaleReduce/Reuse/Recycle, presents sixteen strategies that demonstrate the high degree of creative and architectural potential inherent in an affirmative approach to built architecture.

Continue after the break to learn more.

See ArchDaily's exclusive coverage of the 2012 Venice Biennale

Venice Biennale 2012: Possible Greenland / Denmark Pavilion

© Nico Saieh

The Danish Pavilion for the 2012 Venice Biennale will feature a collaboration between Greenlandic and Danish Architects called “Possible Greenland”. The exhibition will address the current development of the Arctic Region as Greenland undergoes a shift towards political independence and business development in the midst of dramatic climate changes. “Possible Greenland” attempts to look optimistically at the climate changes that are causing ice melts throughout Greenland. The shifting planes result in the exposure of vast mineral resources that can kickstart new industries and allow new urban cultures to emerge.

© Nico Saieh

It is interesting to see how global warming is making Greeland a new center, as water around can now be navigable. But we have been warned. While 38 billions worth of oil can be exploted in the area, a disaster can cost way higher (the Deepwater Horizon spill costed 60 billion). The exhibitions approaches every angle to think about the possible future of Greenland. Visitors are exposed to all this facts in a series of diagrams, projects and videos, including a traditional Greenland house with smoked fishes which give the exhibit a particular atmosphere.

More details about this exhibition can be found in our previous article. More photos after the break:

See ArchDaily's exclusive coverage of the 2012 Venice Biennale

Venice Biennale 2012: Walk in Architecture / Republic of Korea Pavilion

© Nico Saieh

The pavilion aspires to shed new light onto the status of Korean Architecture allowing the outside world to acquire a deeper and more in-depth understanding of what is currently relevant in the field of architecture in the country. “Walk in Architecture” expresses an idea and at the same time its paradox; it treats architecture as a place or a subject, like “Walk in ” or “Walk in a forest”. Walk is a collective action which combines associations: when you walk you think, you meditate, you observe, you dream, you wonder.

The exhibit is is supported by thin wooden supports, holding drawings, diagrams and video displays. Great examples from a country where pedestrians are taking more space than cars. This takes place at the Korean Pavilion at the Giardini, designed by Seok Chul Kim and Franco Mancuso in 1995.

Wuxi Grand Theatre / PES-Architects

© Jussi Tiainen

Architects: PES-Architects
Location: Wuxi, ,
Project Year: 2012
Project Area: 78,000 sqm
Photographs: Jussi Tiainen, Pan Weijun, Kari Palsila, Martin Lukasczyk

See ArchDaily's exclusive coverage of the 2012 Venice Biennale

Venice Biennale 2012: Croatian Pavilion

‘Unmediated Democracy demands Unmediated Space’ – Courtesy of Pulska grupa

This year’s Croatian pavilion at the 13th International Venice Architecture Exhibition presents different struggles currently taking place in various Croatian cities. The exhibition, Unmediated Democracy demands Unmediated Space, interprets the topic of common ground by directly asking the protagonists of those collective conflicts how they imagine a common future across and beyond market or state, private or public mediation. The “desires, constrains and potentials expressed in these sites of conflict” are a part of the wider wave of international protests that are demanding a real direct and unmediated democracy. The demands, gathered on the ground through a series of investigative interviews, form the basis for a possible planning strategy, while their resistance tactics become patterns that could shape a common territory.

The Croatian pavilion focuses on how these demands could allow us to imagine the configuration of possible unmediated spaces. It is organized around three sections: Context, Map and Devices.

Continue reading for more details.

See ArchDaily's exclusive coverage of the 2012 Venice Biennale

Venice Biennale 2012: Migrating Landscapes / Canada Pavilion

© Nico Saieh

We visited “Migrating Landscapes”, the installation at the pavilion for the 13th Biennale. This exhibit has been organized and curated by Winnipeg- based 5468796 Architecture and Jae-Sung Chon, who joined together for this project to form the Migrating Landscapes Organizer (MLO). MLO invited, through a national competition, young Canadian architects and designers from a wide range of cultural and educational backgrounds to create scale models of ‘dwellings’ and accompanying videos that draw on cultural memories.

The installation uses pieces of unfinished wood in different sizes, a wooden landscape, where each of the participants “fit” their projects and a panel with a short video. A mix between the roughness of the wood, and the precision you can achieve with this material. My favorite? The Pickle House.

You can find more details about this exhibit in our previous article. More photos by ArchDaily after the break, and soon an interview with the curators!