With Alexander Eisenschmidt as curator, five chicago-based practices presented together “Team Chicago: City Works”. In our age of extreme urbanization, says Eisenschmidt, “architects have been placed in the critical predicament that calls for a new attitude towards the city that highlights its potentials, engages with its problems, and understands itself as a catalyst”.
Team Chicago believes that Chicago has been particularly receptive to this new attitude. In the exhibition, the five practices pursued the concept through the presentation of projects -both real and imagined.
Eisenschmidt itself presents Phantom Chicago Panorama, “where the city is recreated through unbuilt visionary projects across the twentieth century -from Adolf Loos’s Tribune Tower to Griffin’s Plan for a Better Chicago to Greg Lynn’s Stranded Sears Tower.
See more pictures of Team Chicago: City Works exhibition after the break.
Thomas Fisher, Professor in the School of Architecture and Dean of the College of Design at the University of Minnesota, discusses the subject matter of his most recent book, Designing To Avoid Disaster: The Nature of Fracture-Critical Design.
Fisher believes we have been engaged in a “Ponzi scheme” with our planet, as fracture-critical design has lead to a number of recent catastrophic events in our infrastructure, politics and economy. The I-35W bridge collapse in Minneapolis, New Orleans’ flooding, the BP oil spill, Port au Prince’s destruction by earthquake, Fukushima nuclear plant’s devastation by tsunami, the Wall Street investment bank failures, and the housing foreclosure epidemic are all examples of fragile systems that were created by this failed system. The solution? Integrating resiliency back into our lives. Watch the video to learn more.
The Israeli pavilion at the 13th Venice Architecture Biennale, titled Aircraft Carrier, deals with the dramatic changes in Israeli architecture since 1973, and the American influences that made them possible.
Curators Erez Ella, Milana Gitzin-Adiram and Dan Handel defined four major architectural phenomena that demonstrate these changes – Signals, Emporiums, Allies and Flotillas – and invited five leading Israeli and international artists and architecture photographers to reflect on them. Participants include Portuguese photographer Fernando Guerra (Check out an interview with Guerra here!), along with Assaf Evron, Florian Holzherr, Nira Pereg and Jan Tichy. Continue after the break for more.
The term “common ground” claims something shared: relationships between people and things. This installation intends to awaken an appropriate sense within the soul of the visitor.
When the Twin Towers came down 11 years ago (almost to the day), the world was struck numb. Even New Yorkers, who felt the trauma rumble through their veins, couldn’t get past the initial disbelief: how can this be happening? How can something so big, so invincible, actually be so vulnerable?
Hundreds of comments have been hurled at Renzo Piano’s “Shard,” the massive, reflective skyscraper that hulks over the London skyline – it’s big, no, huge; it’s out of the context of its Victorian neighborhood; its exclusive price tag could only be footed by Qatar royalty (as it is) – but few, beyond writing off the tower as a symbol of arrogance or hubris, have stopped to consider its impetus.
For that, we must look at the Shard in the context of 9/11. Only then can the Shard be understood for what it is: the amplification and perfection of the glass tower Piano began in post-9/11 New York, a utopian vision that stands defiantly in defense of the city itself.
Yesterday, a good friend of mine wrote “It doesn’t count, unless it’s built.”
I read this, and thought. “I completely agree with this”. And, then my head began to hurt. More.
Because, what does that say about my work? (I don’t mean the obvious reference to my lack of built work the last few years). No, I mean in general, my work isn’t about a built project. It’s about a vision of an unbuilt project. Or more specifically, my work is about visualizing an as yet realized building. My work isn’t a physical thing that you can order from Amazon. My work is not a thing at all. It’s a path to a thing.
I meet with a client. I listen to them describe their idea of this thing that doesn’t exist yet, and then I begin to work. I slowly use the tools of my trade to bring into focus an image of what that idea can become. It’s a poetic endeavor really; making these images of forms and light that point towards someone else’s hopes for their future. It’s a translucent profession, not an opaque craft.
more after the break
In honor of Renzo Piano’s 75th (gasp!) birthday, we offer an update on his latest projects. The septuagenarian has several large-scale works in various stages of construction scattered across the world, and has celebrated the opening of others within this past year. While we have been continuously following the conceptualization, construction and completion of the Shard, Renzo’s talent is sweeping across major cities both in the States and Europe, including: a satellite museum in New York; a cultural hub for Athens; an urban cultural catalyst for Santander, Spain; an interior renovation for Los Angeles; a recently completed museum wing for Boston; plus, a redeveloped brownfield site turned science center for Trento, Italy. No matter the project location, scale, or program, Piano’s ability to craft an architecture with a sense of lightness, strong attention to detail and overall aesthetic elegance sets him in a very particular category of the profession.
So, here’s to a happy 75th and 75 more years of great architecture, Renzo!
More after the break.
Nanjing Ecological and Technological Island / AAUPC Agence Patrick Chavannes + G.C.A. Design Consulting
Located on the Yangzi River to the north-east of Nanjing in Jiangsu Province, the proposal for the Nanjing ecological and technological island, by AAUPC Agence Patrick Chavannes + G.C.A. Design Consulting…, consists of a development strategy for the Yangzi
Santa Fe University of Art and Design and the Santa Fe Art Institute recently announced the Ricardo Legorreta Tribute event, a weekend of activities across the city honoring Legorreta’s influence on Santa Fe design. Taking place October 19-20, the event…
Venice Biennale 2012: Le quattro stagioni. L´architecttura del Made in Italy da Adriano Olivetti alla Green Economy / Italy Pavilion
The theme of the 13th International Architecture Exhibition, Common Ground, seems particularly apposite in describing the sense of rapport and relationship that is one of Italy’s primary characteristics in the development of cultural research and inquiry. This relationship has always been attained through reference to and an exchange between not only the purview of the contemporary, but also the past and our always compellingly tangible history.