How to visualize architectural concepts in SketchUp using D5 Lite for faster design exploration.

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Videos

The first 3D-printed model home built by ICON and Lennar and co-designed by BIG-Bjarke Ingels Group is now open for visits at the 100-home community of Wolf Ranch in the city of Georgetown, near Austin, Texas. The house is part of the largest-scale development of 3D-printed homes in the world, currently under construction. Several of the homes have already been sold. With more than 80 of the home sites actively under construction and nearing completion, the first homeowners are scheduled to move in this September.

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In his latest photo series, Paul Clemence captures Haus Balma, a residential and commercial building designed by Kengo Kuma Architects. Situated in Vals, at the foothills of the Graubünden Mountains, the building was designed for Truffer AG, a family business founded in 1983, specializing in processed Valser quarzite stone slabs. Typically used as a flooring and roofing material, many architects have used quartzite stones in this region, including Peter Zumthor in his Therme Vals, Norman Foster, and Philippe Stark.

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Nowadays, homes are built in increasingly smaller spaces in densely populated cities. The kitchens, which today serve not only to prepare meals but also as meeting spaces where we receive guests, are the places that have undergone the most transformations in recent decades. Whether by integrating with other living areas or by the super functional design of a single counter, there is an increasing search for innovation in this fundamental part of a home.

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The project contemplates the development of a building and a square that aims to articulate and integrate the Jorge Tadeo Lozano University with the center of Bogotá, revitalizing and converting what was once a deteriorated residential and industrial suburb into an open and public campus. The building results from overlapping a volume of 47 meters in width and depth with another volume of 40 meters in width and depth, creating a covered perimeter walkway on the first floor that extends along the sidewalks of the surrounding streets. With a total height of 30 meters, the building consists of 4 large floors, with clear heights ranging from 3.4 to 6.1 meters.

The idea of integration between art and architecture dates back to the very origin of the discipline, however, it took on a new meaning and social purpose during the Avant-Garde movement of the early twentieth century, becoming one of the most defining characteristics of Modernism. This close relationship is evident in the works of some of the greatest modern architects, such as Mies van der Rohe, Le Corbusier, and Oscar Niemeyer, to name a few.

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This article was originally published on Common Edge.

Recently I traveled to Ljubljana, Slovenia, in search of the religious architecture of the celebrated (but largely unknown in the U.S.) Slovenian architect Jože Plečnik (1872–1957). I write a lot about the architecture of spirituality, and I was curious about Plečnik’s churches and chapels—what the architect’s idiosyncratic form of classicism said about faith in a Modern age. What I didn’t expect to find was the universal nature of Plečnik’s work as an urbanist: a re-maker of the Slovenian capital that holds lessons for us today.

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Organized by the Association of Architects of the Province of Buenos Aires (District I) and promoted by the Association of Land Surveyors of La Plata, the Provincial Preliminary Design Competition was launched for a new headquarters building for the Association of Land Surveyors of La Plata. Seeking to transform the workspaces of the Professional Council of Land Surveying of the Province of Buenos Aires – District V, the initiative aimed to rethink and design new spaces that foster exchange across multiple activities, opening the Association to both professionals in the discipline and the community.

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IAAC presents the II REDES Summit: The Proximity Urbanism, part of the second edition of the Online Master in Cities (MOeC).

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