About a decade’s passed since Foster+Partners won the competition to re-design Avery Fisher Hall (as part of Lincoln Center’s campus-wide re-haul, designed by Diller Scofidio + Renfro), and the famous music hall is finally ready to go through with it – just not necessarily with Foster+Partners.
After Lincoln Center and the New York Philharmonic failed to raise the $300 million they needed to cover construction costs, and due to concerns that displacing the orchestra would jeopardize potential revenue, Foster+Partners’ plans languished. However, the Philharmonic is now under new leadership, and its young directors are anxious to transform the conventional music hall, hence why they’ve decided to solicit new proposals for the building.
As the Orchestra’s new executive eirector, Matthew VanBesien, told the New York Times: “If you’re not thinking about the way in which our art form and music and audiences are evolving, you’re not serving the art form long term. You really want to build this next great hall in a new way, to do the kinds of things you maybe are doing but want to do in a more compelling way or maybe can’t even imagine yet.”
More info about the proposal for the new Avery Fisher Hall, after the break…
Architecture is fundamentally existential in its very essence, and it arises from existential experience and wisdom rather than intellectualized and formalized theories. We can only prepare ourselves for our work in architecture by developing a distinct sensitivity and awareness for architectural phenomena.” With these declarative words, Finnish architect, educator and critic Juhani Pallasmaa resounds the call of his 2005 volume, Encounters: Architectural Essays, in this second volume of essays, Encounters 2.
AllesWirdGut…, together with the German climate engineering experts Transsolar and the Dutch-born urban planning avant-gardist Ton Matton, recently developed their concept for the BIO Campus. The project consists of a huge site just outside Istanbul that is becoming one
Since 1851, World Fairs have offered glimpses into specific moments in time – giving us insight into what was once innovative, high-tech, and down-right radical. But the structures, the icons of each Fair, don’t always stand the test of time – no matter their architectural pedigree. In Flushing Meadows Park, New York, for example, Modernist icon Philip Johnson‘s 1964 New York State Pavilion now stands neglected, overgrown in ivy. Mies van der Rohe‘s German Pavilion for the 1929 Barcelona Expo didn’t even get the chance to decay as it was promptly demolished (although eventually reconstructed).
On the other hand, the Eiffel Tower, although considered “vulgar” in its day (1889), was maintained – mostly because its height made it well-suited for emitting radio signals. It’s now Paris’ most important tourist attraction.
The fate of World Fair Structures is the theme of New York-based photographer, Jade Doskow, who has already shot 19 former World’s Fair sites. Take a peek at Doskow’s images and find out how World Fair structures have fared, some better than others, after the break…
Designed for the 8th China Flower expo, which will be held in 2014, the design for the information center by Lab Architecture Studio… aims to create a very subtle expression. By blending it into nature, the project is able to
Architects: Tsushima Design Studio
Location: Shanghai, Changning, China
Design Architects: Tsushima Design Studio (TDS), Kobayashi Maki Design Workshop, Inc. (KMDW)
Principal: Mr. Toshio Tsushima (TDS), Mr. Hiroto Kobayashi/Mrs. Naomi Maki (KMDW)
Collaborators: Shanghai Vanke: Shikyo Fu (Design Director)
Landscape: Studio On Site
Area: 15,000 sqm
Photographs: Masao Nishikawa
OFIS Arhitekti shared with us a video they put together for their project, Alpine Hut. Situated in a small Alpine village, part of Triglav national park with very strict rules of construction and architectural design, the client bought the site together with existing construction permit for the generic project. Basically, the main task was to give the hut a new look, create a new veranda around the house and position the openings towards the views and increasing its sustainability.
Situated in the new green heart of Helsinki, the ‘Light Forest’ proposal for the Helsinki Central Library intends to replace the existing green that the architects will subtract to the park in a perfectly controlled indoor environment. Occupying 4500m² of…
Architects: Roger Ferris + Partners
Location: Sag Harbor, NY, USA
Design Team: Roger Ferris, AIA, RIBA, Robert Marx, AIA, Myron Mirgorodsky, AIA, Tiziano Fabrizio
Structural Engineer: Robert Silman Associates
Mechanical: D’Antonio Consulting Engineers
Area: 6,400 sq ft
Photographs: Arch Photo Inc, New York
As a follow up to a previous post we recently published regarding the positive look on the Architecture Billings Index (ABI), forward-looking indicators for building and construction activity have been turning increasingly positive over recent months, which is the good news. Current market conditions for architecture and the near-term outlook for the construction industry in the US is a two-sided story, with forward-looking indicators showing steady improvement but serious concerns arising out of an impending ‘fiscal cliff’. To be sure, the good news is not evenly spread across sectors and regions. Buoyed by lower interest rates, growing demand for rental accommodation and the progressive subsiding of the mortgage crisis, the residential building sector (57.3) is improving quickly whereas activity in commercial and industrial building remains flat. More information after the break.