The new museum - which will have approximately 15,000 sqm, a total area similar to that of Serralves Foundation building – will host an important collection of pieces from the famous German school of arts and design, Bauhaus, founded by Walter Gropius in 1919.
Each year 6.5 million children around the world die from diseases directly related to substandard housing conditions. Dirt floors in particular are carriers of parasites, bacteria, and viruses contributing to many fatal diseases. In response to this and with the aim of dramatically reducing child mortality rates, New York-based non-profit Architecture for Health in Vulnerable Environments (ARCHIVE), has launched a new initiative to replace dirt flooring with concrete in Bangladesh.
The International Architecture Biennale Rotterdam (IABR) has announced Maarte Hajer as the Chief Curator of IABR-2016-. Hajer, a professor of Public Policy at the University of Amsterdam and Director General of the PBL Netherlands Environmental Assessment Agency, was selected for his proposed theme, "The Next Economy." More on Hajer's appointment after the break.
Our friend Federico Babina's latest illustrations blur the lines of art and architecture in this series: ARTISTECT. These 25 images, he explains, represent "possible and impossible encounters between artists and architects," emphasizing the "probable and improbable connections between forms of expression and aesthetic languages sometimes distant and sometimes very close."
In this exercise of overlapping styles, it is perhaps easier at first glance to identify the artist. But careful inspection of these stunning drawings reveals the idiosyncratic and stylistic tendencies of some of our most beloved architects.
Babina writes, "The project’s main idea is to reinterpret famous paintings using a brush soaked in architectural tints…These images are a metaphor for an imagined and imaginary dialogue between creative minds: Le Corbusier talks with Picasso and Kandinsky discusses with Wright... The wires that connect and intertwine this relations can be thin and transparent or robust and full-bodied."
The results of the Royal Institute of British Architects (RIBA) Future Trends Survey for July 2014 show that the Workload Index among UK practices fell back to +28 (from +34 in June) with confidence levels among RIBA practices about the level of future workloads remaining "very strong in practices of all sizes across the whole of the UK." Whereas last month’s survey saw Scotland top the index with a balance figure of +50, London showed the greatest strength in July with a balance figure of +38. Practices located in Wales and the West were the most cautious about prospects for future workloads, returning a balance figure of just +12. The survey shows that actual workloads have been growing for four consecutive quarters and the overall value of work in progress last month was 10% higher than this time last year.
The new airport not only plans to solve overcrowding at the current terminal, but also to “develop economically and socially one of the most densely populated and marginalized regions” of Mexico. The project is set to be finished by the end of 2018.
Learn more about the airport and the winning design team after the break…
Asked to design an interactive facade for an existing parking structure at the new Eskenazi Hospital in Indianapolis, Urbana principle Rob Ley had a conundrum to deal with: "With Indianapolis’ really extreme weather patterns, we gave a lot of thought to: how can we make something that’s interactive but won’t be broken in a year?” he told the Architect's Newspaper. “Unfortunately, the history of kinetic facades teaches us that that they can become a maintenance nightmare."
His solution came from turning the question on its head - how could they design and fabricate a static facade that appears to change when the viewer moves? The resulting design appears highly complex, while in fact using aluminum fins bent at just three different angles. Find out more about the challenges of fabricating this facade, and inserting it into an existing structure, through the video above or at the Architect's Newspaper Fabrikator blog.
Chinese company WinSun Decoration Design Engineering has constructed a set of ten single story, 3D-printed homes which it produced in under 24 hours. The homes, printed in prefabricated panels which fit together on site, were created using WinSun's custom-built 3D printer which measures 10 meters by 6.6 meters, and took the company twelve years to develop.
Formed with a cement-based mixture containing construction waste and glass fiber, each of the houses cost just $5,000 to build. Read on after the break for more on the development.