“Living the City in the City” / Paolo Brescia and Tommaso Principi + Margherita Del Grosso + Openfabric
The project “Living in the City in the City” by the team composed by Paolo Brescia and Tommaso Principi (architecture), Margherita Del Grosso (architecture), Openfabric (landscape), Marco Manzitti (urban marketing), Buro Happold (energy and environmental strategies), D’Appolonia …
Portuguese photographer Nelson Garrido shared with us one of the most recents projects by Pritzker laureate architect Alvaro Siza in Porto, Portugal. According to the client itself, “in stark contrast to the main building’s Belle Epoque opulence, The Spa is a minimalist oasis of clean lines and white marble. Designed by acclaimed architect Alvero Siza-Vieira, the modern, zen-like space has a distinctly calming quality which promotes an immediate sense of well-being – even before a single treatment has been enjoyed.”
Enjoy the rest of the images after the break.
Fourth Annual Leonore and Walter Annenberg Award for Diplomacy through the Arts Presented to I.M. Pei
The Foundation for Art and Preservation in Embassies (FAPE) recently announced that it will honor architect I.M. Pei… with the fourth annual Leonore and Walter Annenberg Award for Diplomacy through the Arts. The award will be presented at a dinner
Architects: gmp Architekten
Location: Kiev, Ukraine
Design: Volkwin Marg with Christian Hoffmann and Marek Nowak
Project Leader: Martin Bleckmann
Cooperation With: Personal Creative Architectural Bureau Y. Serjogin
Client: National Sport Complex “Olympiysky”
Photographs: Marcus Bredt
Thousands of architects crammed into the grand ballroom of the Walter E. Washington Convention Center this morning to kick-off the 2012 National Convention hosted by the American Institute of Architects. Invigorating speeches, led by AIA President Jeff Potter, urged architects to re-envision the profession and question the role of today’s architect. Although the economic downturn has caused many hardships, it presents a unique opportunity for architects to reshape the profession.
Mecanoo recently won the commission to design a new primary school in Mill, the Netherlands through a European procurement competition in combination with Giesbers-Wijchen Bouw. The 4,200 m² school building will be the new home for primary schools De Kameleon and De LenS, and houses a preschool, day and youth care and a youth and family center. Construction is to begin in 2013 with doors opening at the end of the summer in 2014. More images and architects’ description after the break.
Accompanied by Mayor Bloomberg yesterday in an early morning ribbon cutting, New York City-based practice Weiss/Manfredi celebrated the grand opening of the new Brooklyn Botanic Garden Visitor Center. Embedded into an existing hillside at the Garden’s northeast corner, the sinuous glass building appears as a seamless extension to the existing topography as it leads into the 52-acre garden. In addition, the $28-million Visitor Center incorporates numerous environmentally sustainable features—most notably a 10,000-square-foot living roof—that are aimed toward earning LEED Gold certification. The project has been recognized by the New York City Public Design Commission with an Award for Excellence in Design.
Continue reading after the break for the architects’ description.
In her recent Next American City article, “An IPO for Cities”, Diana Lind proposes employing the financial mechanisms of Wall Street to fund urban development and maintain public infrastructure. This would be fundamentally dangerous to already fragile municipal finance systems.
Is it possible that, now four years in, we still haven’t learned anything from Depression 2.0? Is Wall Street, the cause celebre of our financial system’s downslide, really a good model for funding our cities? Would this go over well in Europe?
Cities are struggling, but raising capital through a financial tool designed to infuse cash into corporations is not the answer. Cities neither function like publicly-traded corporations nor were they intended to perform in such manner.
Today, over 17,000 architects and designers, contractors and project managers, magazines and bloggers (including us) will converge on the Capital for the American Institute of Architects’ (AIA) 144th National Convention, Design Connects. So let’s take a moment to reflect on this Association’s long history, intertwined with our nation’s history, and look at how it’s evolved to become both a vital resource for working/emerging architects and the voice of the architecture profession today.
The new extension for the Crossroad Offices by OFIS Arhitekti acts as a crossroad regulator between the existing villa and its approach from the street on the south side and the underground parking on the east side. The actual form derives from the main logical directions on the site to the main destinations as the new volume is positioned behind the existing villa with individual cut outs, ‘green bays’, in function of the extended external park coming into the pavilion. Inside they form divisions between internal spaces and create dynamic, light and calming atmosphere. More images and architects’ description after the break.
According to its Web Site, The American Institute of Architects (AIA) aims to be two things for the architecture profession: a resource and a voice.
There’s no doubt that as a resource, the AIA plays its part well. But what does it mean to be a “voice”? Can an association speak for a profession? And, if so, what is it saying?
Today, over 17,000 architects and designers, contractors and project managers, magazines and bloggers (including us) will converge on the Capital for the AIA’s 144th National Convention, Design Connects. Over the course of three days, connections will be made, conversations had, and three keynote speakers present.
If the AIA represents how we conceptualize and communicate architecture, then let’s take a closer look at those speakers who will be its living mouthpieces: a famed historian, a member of the Obama administration, and the architects who participated in the 9/11 Memorials. The past, the present, the future. Taken together, they tell a story – of where we’ve been, yes, but, more importantly, where we’re going.
And, we are back with our monthly updates of the Architecture Billings Index. Last month looked promising as March marked the fifth consecutive positive rating. However, April’s index has been calculated as 48.4 – a drop from March’s 50.4. The index has been a roller coaster ride of slight positive trends followed by negative setbacks, and AIA Chief Economist, Kermit Baker, explains, “Considering the continued volatility in the overall economy, this decline in demand for design services isn’t terribly surprising. Also, favorable conditions during the winter months may have accelerated design billings, producing a pause in projects that have moved ahead faster than expected.”
More about April’s index after the break.