From the architects:
The Hong Kong and Shanghai Bank was designed by Norman Foster in 1979. At the core of the project is the attempt to create a civic space, a piece of common ground for the city. Though the building’s design went through many variations – culminating in the final scheme, completed in 1985 – the common denominator throughout was a desire to create a public arena by lifting the building up to ensure a flow of pedestrian movement across the site. This covered space is lit naturally by an external “sunscoop”, which reflects sunlight down through the glazed “underbelly” of an atrium at the heart of the building. Through the medium of models, sketches, drawings, and photographs, this exhibition shows the evolution of the design of the space and the tower that defines it.
Designed by Space Group + Superunion Architects, their winning proposal for Ruten competition reflects the city of Sandnes’ development and establishes Ruten as a natural center and Sandnes as a future city with strong roots and a proud local history. The proposal, titled ‘Lysning’, consists of a ring that connects and creates the new transport hub and public space below for an attractive unifying roof. As the Central Park in New York was built before the Manhattan grid was condensed around it, Ruten has remained as a buffer in the urban development in anticipation of something bigger. More images and architects’ description after the break.
Designed by MAD Architects… for the 2011 international competition for a new national museum in Beijing, their proposal aims at being a city-sized museum where the public space is the greatest good. Situated on the central axis of the 2008
Born in Finland, Eero Saarinen (1910 – 1961) is recognized today as one of America’s most influential architects of the 20th Century. The exhibition Eero Saarinen: A Reputation for Innovation…, opening tomorrow at the A+D Architecture and Design Museum in
Almost two years ago, on November 13th 2010, I had the chance to attend to a very special seminar to celebrate the 80th birthday of Kenneth Frampton at Columbia’s GSAPP. During that intense day, five north american practices presented their work followed by an interesting debate: Rick Joy Architects, Stanley Saitowitz / Natoma Architects, Patkau Architects, Steven Holl, and Shim Sutcliffe Architects.
For the 13th Venice Biennale, Kenneth Frampton was invited to have his exhibit at the Arsenale, where the works of these five practices was presented on a series of videos, on a simple installation designed by Steven Holl.
While we don’t have the videos shown during the Biennale, we present you the full video of the seminar (almost 6 hours), made available online by the GSAPP.
More information about the “Five North American Architects as a Common Ground” videos shown at the Biennale:
Opening tonight in Los Angeles at the WUHO Gallery: Inside Marina City: A Project by Iker Gil and Andreas E.G. Larsson.
For more than two years, Iker Gil and Andreas E.G. Larsson… documented the lives of residents in the
The Museum of Copying, curated by British architect’s FAT, was one of my favorite exhibitions at the Venice Biennale. The subject of copy in architecture has always interested me, in relation to how the series of copies in the form of iterations are what make architecture evolve. The concept is explored in this exhibit with three installations, starting with Villa Rotunda Redux, the iconic Palladio building copied (or reinterpreted?) through history now digitally fabricated and casted.
More about the Museum of Copying from the architects after the break.