Gentrification is seen as a rising menace in many cities. The process whereby rich “gentrifiers” move into neighborhoods, driving up property prices and thus driving out those unable to afford those prices, has drawn criticism from activists and planners for years. However, this article by io9 writer Annalee Newitz, first published by io9 as “This is What Gentrification Really Is“, tells us that the issue is not quite the struggle between good and evil that it first appears to be. Gentrification is a process dependent on economy, political climate, and the mercurial nature of urban development itself – and sometimes fighting against it only serves to exacerbate the problem. Find out what we can do in the face of gentrification after the break.
Evoking the image of a dragon perched elegantly on water, the contours of the building seem to move gently in a perfect synergy between local symbolism and the subtle elements of Siza. Snaking around, the form escapes formal convention, emerging as an autonomous entity that contrasts with the orthogonal form of the factory complex. The delicate transition geometry of curves and bridges that connect the different spaces and pavements makes this project one of the most striking examples of Siza’s distinctive architecture.
Through different shades, reflections and his unmatched composition of light and shadows, Fernando Guerra’s striking images show a poetic scene and the perfect relationship between the building and its environment. We can envision the changes and transitions that the white concrete building goes through as a result of its contact with the water throughout the day.
Read on after the break to see the exclusive images…
The Turkish Council of State has ruled that the OnaltiDokuz Residence, a trio of towers between 27 and 37 stories tall in Istanbul‘s Zeytinburnu district, must be demolished in a landmark ruling that could have major ramifications for the country’s planning system.
As reported by Oliver Wainwright in the Guardian, the Turkish Council of State ruled that the development “negatively affected the world heritage site that the Turkish government was obliged to protect,” possibly in reaction to comments made by UNESCO in 2010, who threatened to put the city on its list of endangered world heritage sites.
Read on after the break for more on the ruling
PWFERRETTO, a practice split between London and Seoul, have won second place in a competition to design the National Park and Memorial in the Republic of Korea’s capital. In materialising the boundary of the site into an “active monument” that reconnects the forgotten history of the park into “a memorial for the Catholic martyrs who lost their life fighting for their beliefs,” the design hinges around the site’s constant struggle between belonging and being excluded from the city it is a part of. This paradoxical “inclusive / exclusive” premise is the starting point for the designers’ conceptual approach.
In this 2001 lecture titled “Architecture is Propaganda,” seminal architect, educator, and co-founder of OMA Elia Zenghelis discusses the development of ideologies that shape architectural discourse vis-a-vis architectural education. Arguing that architectural education is motivated by religious, socio-political, and economic principles, Zenghelis makes the case that the war-torn 20th century has been an era of upheaval and conflict, resulting in the loss of historical context and a confused state for artists and architects. Proposing the idea that architecture is a servant of power, and is thus intrinsically intertwined with political and societal trends, Zenghelis urges a return to a contextualized understanding of architectural history in order for contemporary architects to develop a sensitive and nuanced approach to their practice.
Discussing his relationships and collaborations with former students and colleagues Zaha Hadid, Rem Koolhaas, and Peter Eisenman, as well as the political and architectural legacy of such giants as Le Corbusier and Mies van der Rohe, Elia Zenghelis provides a compelling conversation about the inherent role of architecture in political discourse.
Don’t miss the other lectures in The Berlage Archive series:
Architects: JC Architecture
Location: Taipei City, Taiwan
Area: 178.0 sqm
Photographs: Kyle You
RMJM‘s Shenzhen studio has just been awarded the contract to build a 93 metre public observation tower inspired by the importance of water in the historic Doumen District, Guangdong Province, China. Perched at the confluence of two rivers, the Doumen Observation Tower will rise from the waterfront of the Zhuhai, and is inspired by the form of a fish soaring above the water, clad in aluminum scales to protect from the hot Chinese sun. The tower will occupy a minimal footprint and will be surrounded by a large public plaza.
Check out the complete specs of Doumen Observation Tower after the break.
Looking for your dream home? Picket fence, driveway (sedan included), basketball net, and terracotta pots complete with flowers in bloom, available now in the quiet neighbourhood of Rancho Santa Fe in Shanghai, China. According to this article in The Guardian, ”The Chinese Dream” is currently sweeping the People’s Republic, with Western planning models replicated with identical ineffective results. The article offers an intimate insight into the role of American architectural fetishism in modern China, and how the government is now fighting to curb the trend. Read the complete article here.
In this interview conducted by the Brigtje van der Haak maker of the documentary Lagos Wide & Close, Rem Koolhaas discusses his research on the urbanization of Nigeria‘s largest city, Lagos. While this research is as yet unpublished, Koolhaas discusses external influences on the city’s architecture, how his visits have affected his view of the profession, and Lagos’ future potential. The documentary by van der Haak, released on DVD in 2004, is an interactive exploration of Lagos from a multitude of scales. Now, it has been adapted for the web, and can be viewed in its entirety here!
As one of EMBT‘s Directors, Salvador Gilabert has helped guide the realization of some of the practice’s biggest projects in recent years – including as project director of Spain’s 2010 Shanghai Expo Pavilion and the recently completed Barajas Social Housing Block.
Last month, he took a week out of his schedule to lead a project at Hello Wood, where – with an energy and intensity that was almost out of place in the relaxing surroundings of the Hungarian countryside – he led a group of students to construct an ambitious, screw-free elevated platform that emerged from a cluster of trees and offered views of the setting sun. ArchDaily caught up with Salvador Gilabert during the week to find out more about his work.
Read on after the break for the full interview
How could hermit crabs teach us a lesson about world peace? In her project, titled, “Why Not Hand Over a “Shelter” to Hermit Crabs?” Japanese media design artist Aki Inomata is inspired by hermit crabs’ peaceable exchange of their shells, a metaphor for the peaceful exchange of land between countries. Exploring the theme further, she designs new shelters in the shape of world cities, and provides new homes for the crabs which represent the abstract perception of changing nationalities and identities.