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Architects: Yamagata Arquitetura
- Area: 904 ft²
- Year: 2016



Originally written as a final paper for the elective course Traditional Dwellings (Moradias Tradicionais) at Escola da Cidade in 2017, this essay addresses the little-known presence of large-scale pre-Columbian structures in the heart of the Amazon Rainforest.
Over the last 40 years, hundreds of massive geometric formations carved into the ground—known as geoglyphs—have been discovered in the state of Acre. These structures show that the Amazon was inhabited thousands of years ago and that its vegetation was managed, debunking the notion of the region as an untouched, pristine wilderness.



Designing residential projects constantly involves finding ways to enhance the daily lives of those who will occupy these spaces every day. The desire to radically subvert the housing program is bounded precisely by the realities of everyday life—domestic activities, practical dynamics, and the long-term presence of the residents. Consequently, innovation and creativity in these cases are usually manifested in details, spatial transitions, points of interest, furniture, and thoughtful approaches to interior design that are both pleasant and tailored to the inhabitants.
One way to create elements of surprise and break the monotony of standard residential layouts is the strategic, selective use of color in interior spaces. Pairing architectural elements such as beams, columns, floors, fireplaces, panels, and cabinetry with contrasting tones offers a fresh take on familiar components, innovatively transforming the perception of interior environments. Below, we have curated a selection of Brazilian projects that explore this approach in their interior designs.



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Arizona is located in the western region of the United States. It has geographical borders with Utah, Colorado, and New Mexico, in the United States, as well as with Sonora in Mexico. The state is also situated on the Sierra Madre Occidental and is home to a segment of the Colorado River, as well as the Grand Canyon. Part of Aridoamerica, Arizona's landscape is composed, in its majority, of Cactaceae and desert species.

As part of their partnership in art-education and cultural mediation exchanges, the Tomie Ohtake Institute and the Astrup Fearnley Museum in Oslo have launched the digital publication Our Home Is Where We Are. The project is supported by the Royal Norwegian Embassy in Brasília.

We are in an unholy mess. It is a pandemic, with insane politics, and centuries of hideous racial injustice screaming out humanity’s worst realities. Each day reveals more disease, more anger, more flaws in our culture than anyone could have anticipated.
This season’s inscrutable fears are uniquely human. The natural world flourishes amid our disasters. But architecture is uniquely human, too. Architecture’s Prime Directive is to offer up safety. So in this time of danger, it is a good idea to think about the flip side of so much profane injustice and cruelty, Sacred Space? Architecture can go beyond playing it safe and aspire to evoke the best of us, making places that touch what can only be defined as Sacred.
What is Sacred Space? Whether human-made or springing from the natural world, Sacred Space connects us to a reality that transcends our fears. The ocean, the forest, the rising or setting sun may all define “Sacred”. But humans can make places that hold and extend the best in us beyond the world that inevitably threatens and saddens us. Architecture can create places where we feel part of a Sacred reality.
