For Planetary Governance is an open call for papers, projects, and research related to the topics of planetary governance, and how they are now and will continue to affect urban life, systems, and futures.
This collaboration between The Terraforming and Strelka Mag intends to solicit original and provocative outcomes that engage with the context of a (perhaps as-of-yet non-existent) “governance” in multiple guises—legal, political, cognitive, computational, linguistic, protocological, biological etc.—and, for this and through it, our capacity for collective autocomposition.
This initiative will feature ideas and projects that are surprising, pragmatic, unconventional, and honest—even if productively controversial. We presume that the work that most directly confronts the implications of today is full of risk.
Submit your proposal through this form by April 10. Selected participants will receive an honorarium of €150 for their pieces.
These themes below are prompts, not instructions or strict categories for potential submission. We invite departures from these starting points. The inquires for other geopolities are not against governmentality but on behalf of its reimagining, not the end of history but a long-delayed synthetic beginning.

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This video explores how the settings and spaces in the first season of HBO’s Westworld contribute to the overall interpretation of the show. From the lawless town of Sweetwater, to the tightly controlled offices of Delos, Westworld uses architecture precisely to establish its intricate worlds. While the show is set within a theme park of the near future, books like Michael Sorkin’s Variation on a Theme Park argue that we are already treating the cities we live in — in real life — as theme parks. So, while Westworld shares a number of architectural strategies with places like Disneyland, it is also not too far away from places like Chicago, New York, or London. After all, it was the architect Charles Moore that declared Disneyland the most influential urban environment built after World War 2. Getting to the bottom of this rabbit hole includes lots of train rides and an introduction to Michel Foucault’s concept of heterotopia, which helps explain what happens when worlds collide.

In an ideal world, architects would have free reign to design whatever they imagined. But the reality of the profession is that it comes with strings attached, and our visions are limited by clients, budgets, and perhaps the most dominating force, building codes. These codes have restricted and reshaped architecture so much, that it has forged a new type of building- the “stick frame over podium”, or “five over two” design. The result is a very distinct aesthetic of buildings and a notable monotony that has nearly redefined mid-rise residential architecture across the country.

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Paul Clemence has released a new series of images, showcasing the on-going construction works on 111 West 57th, designed by SHoP. Located in New York, the residential tower is set to become the second-tallest building in the city by roof height, and the most slender tall building in the world, once completed.

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Architecture firm Urban Agency is currently working on the second project in the sister development Merronian Living in Dublin, Ireland. The new residential typology draws on the iconic Dublin terrace and reimagines the spatial potential of the roofscape. Like the first scheme, Merronian Living 2 is premised on architectural integration, drawing inspiration from the surrounding built heritage.

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Did you know that, in almost every part of the world, people build their homes every day without the help of architects and engineers?

Common in Brazil's peripheral areas, self-construction is an option for those who want their own customized home without facing unwanted bureaucracy or long-term debt. However, the choice to build one's own residence without the technical support of engineers and architects is often accompanied by a lack of information, which can lead to irregularities, poor construction quality, and risks for the residents.

While some aspects of comfort and well-being in an indoor environment are related to external factors, such as natural lighting and ventilation, others are directly associated with the interior layout and the sensations created by architecture in the people living in that space.

It is always challenging to balance all of the elements that can provide greater comfort and well-being in interior design, particularly in small environments that must be fully optimized since it is not always possible to create large openings to the outside or even to accommodate the whole architectural program in a conventional manner.

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Building on the success of our first NextGen Event in March, we would love to invite you to the next one on the series, led by Lee Butz, CEO of District Technologies. Lee will speak about her journey to build a workplace experience platform that allows communities to navigate the workplace and stay connected from anywhere.

Paulo Mendes da Rocha often says that the function of architecture is nothing more than ‘supporting the unpredictability of life’. Spaces stand everyday life, meetings, landscape, art. Something like a frame, which is often also considered a supporting element of a work of art, since it highlights and, mainly, directs the viewer's gaze to the main object. The phrase of the Brazilian architect combines well with the way that the Lacaton & Vassal office works. The French couple's award raises some questions about how accurate their choices are for the current moment in the world. This includes the philosophy of their work, the design solutions adopted and the material palette generally adopted.

This article was originally published on Common Edge as "Kate Wagner on McMansion Hell, Criticism, and Her Love of Cycling."

Contrary to movie myth, there is no such thing as an overnight sensation. The moment when a cultural presence bursts upon the scene, seemingly fully formed, is almost always preceded by unwitnessed years of DIY training and single-minded obsession. Such is the case for Kate Wagner, who broke the architectural internet in 2016 with the introduction of McMansion Hell, a sharp and hilarious skewering of the bloated American home, in all its garish and desperate striving. A year later, the real estate listing site Zillow served the then-23-year-old Wagner with a cease-and-desist letter, claiming that her use of photographs violated copyright (even though they didn’t own the photographs either!). It was a clumsy move, resulting in an eventual corporate about-face and scads of free publicity for McMansion Hell.

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