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There are a plethora of benefits associated with urban green spaces, namely pollution control, temperature regulation, and biodiversity--all of which ultimately add to the quality of life of city dwellers. Like other urban common areas used for sports and recreational activities, green spaces have a direct impact on the health and well being of the residents who use them.

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Power Station of Art (PSA) has announced the curatorial team and theme for the 13th Shanghai Biennale, proposed by its Chief Curator, the architect and writer Andrés Jaque (Office for Political Innovation).

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Herzog & de Meuron have created a new design for a supertall skyscraper in Toronto. If built as planned, the project would rise to 1,063 feet and become the tallest residential building in Canada. Working together with project architect Quadrangle, the team was commissioned by Dutch real estate development companies Kroonenberg Geoep and ProWinko to design the new landmark for Toronto.

A lightweight material par excellence, zinc is a non-ferrous metal that provides an effective solution for coating buildings exposed to adverse weather conditions, while simultaneously delivering a creative response to the requirements of a project.

When in contact with humidity during the summer, zinc panels generate a self-protecting layer that isolates heat from indoor spaces. Rain and snow slide easily over its surfaces, and its modular panels can wrap curved shapes or be perforated according to the architectural design, and combined in facades and/or ceilings through different shades, brightness, and colors.

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Videos

Throughout history, people from all walks of life with little in common have found ways to unite in neighborhood parks and filled stadiums to put those differences aside for the sake of the sports they love. Sports, and sports fandom, is a source of global unity, and perhaps fewer events in the world can generate such a wide range of emotions quite like a live match.

This article was originally published on Common Edge.

New York City: locked down, empty. It was heartbreaking, of course, but it was also beautiful. For artist Edgar Jerins, that revelation was something of a surprise. Who knew this bustling, chaotic, dirty, vibrant, profane, amazing city could look so … gorgeous when stripped of people and activity? For years, Jerins rode the subway to his studio near Times Square. When news of the spreading pandemic first surfaced—more as a vague, undefined threat, initially—he fled out of fear to the bus, and then, after the severity of the event became apparent and the lockdown began, he borrowed his daughter’s bicycle.