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With the political, economic, social and ecological rollercoaster seemingly careering out of control, we are discovering what might be considered by some as the blooming obvious but by much of the business world who often like to box consumers, a hurdle: we humans are multifaceted and changeable. For Baiju Shah of Accenture Song, the creative arm of the consulting conglomerate, the term life-centric is replacing customer-centric, as people grapple to focus in on themselves, their health, happiness and survival, while panic planning for the future of the planet.

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Our quest today for the natural, the hand-crafted and the original in our built environments is righting some of the wrongs we’ve inflicted on our land and seas with the mass production of products made from synthetic materials. It’s also exposing a contemporary yearning for warmth, comfort and poetry in our surroundings, not seen perhaps since the seventies slump – the last economic happening that opened design doors to bamboo and rattan, and cosseting ‘fat’ furniture. 

Even if you have never engaged with the ins and outs of a building’s acoustics, you will, no doubt, have had many a meeting or passing conversation eased by Rockfon’s sound-absorbing solutions. They may have invisibly clad a ceiling above you in tile form or seamlessly formed the white walls that surrounded you. Rockfon – a part of Rockwool Group – specialises in banishing acoustic bounce with sound absorbing products made from organic stone wool. The products have been part of the fabric of our public spaces – offices, schools, restaurants and libraries – for more than 60 years.

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As our collective conscience challenges the ethics of mass production and the manufacturers of high-end furniture make moves towards more mindful and individually specified making, a design-and-make mentality is becoming ever more present in the industry. It’s new but old. It’s workshops coming to the fore and it’s happening when design entrepreneurs are committed to the very 2022 preoccupations of waste-free production, individualisation and durability.

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Don't be fooled. Size really does matter. Particularly when it comes to new urban housing developments, where the challenge of squaring housing density with quality of life and sustainability remains key.

Hospitality is an industry made of people being hospitable to people, and our interaction with places is its foundation. If the zeitgeist of our era lies in the perpetual dance of shock and awareness of how we treat each other and the planet we live on, what considerations should we pose to inform and shape what’s next for hotels? If there’s ever been a moment to think about the future of hospitality, this is it.

Anyone who has been writing about design for 25 years has seen many trends come and go. In retrospect, I even have to smile when I think about some of the theories – such as the one that things would ‘disappear’. That was actually predicted a good two decades ago with the advance of digitalisation.

Even before the ‘C’ word came to dominate our lives, homes were starting to be viewed as sanctuaries, and our furniture required to work ever harder in form and function to coset us. Straight lines have been warping and chairs starting to envelop, while the soothing textures and patterns of nature are in high demand.

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The new NOA outdoor living centre in Belgium offers boundless inspiration for the realisation of creative outdoor concepts, thanks to the collaboration of 24 high-end outdoor-living brands. Watch the video to find out more.

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The story of the memorable curtain brightening up the DAAily bar at Swiss Corner during Milan Design Week is about more than just its colourful, natural patterns. As the Swiss-born artist Douglas Mandry, creator of the work in collaboration with Bally and Christian Fischbacher, explained during his Live Talk alongside the installation at the DAAily bar, "My work is driven by the global change we’re facing, addressing issues of climate change and environmental consciousness through visible elements."

Slow living is a trend inspired by growing interests in mindfulness and sustainability – and our growing cultural need to escape from the negative effects of fast-paced digital living and high consumption. Yet how exactly can the design of our interior and exterior spaces interpret this trend and help us slow down?

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As companies rattle their social and environmental consciences and define new goals toward the achievement of absolute circularity, the whole lexicon of furniture design and manufacture is on the move. While exploring ways to limit its impact on the world’s ecological balance to zero, the industry is mobilising a whole army of r’s: from reuse and repurpose, to recycle and repair, remanufacture and replace, and increasingly also rental.

In a world where our understanding of what makes something luxury is being turned on its head, the once humble construction material, MDF, is coming off pretty well. When it comes specifically to the realm of design and architecture, what is now considered luxurious is not so much the shiny, rare resource, but the thoughtfully and sustainably produced. It’s defined not by carat or lustre, but by circularity, durability and adaptability. In the right hands, humble can become noble.

'You'll always find me in the kitchen at parties,' goes the old pop song from the 1980s.

BoConcept‘s Chelsea chair is designed by Karim Rashid, an industrial designer well known for his organically shaped products. With its rounded corners and simple format, it seems utterly natural and basic, almost like a non-design. Yet, obviously, a lot of thought and experimentation has gone into the process of creating such an unambiguous object.

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Thirty years ago, a contemporary classic was launched by Dornbracht: TARA. The bathroom series became the brand's best selling offering, as its versatility and timeless modernism allowed for its widespread use. As the German luxury fittings manufacturer celebrates thirty decades of its most popular bathroom series, it's looking ahead and introducing new product variants and finishes to the modern classic.

To start the day in a relaxed state of mind, it is good to have a natural sense of inner calm, or, failing that, a peaceful space to retreat to where stress can be left outside. In their first collaboration, Duravit and designer Sebastian Herkner transform the bathroom into a place of true well-being – for the restorative cleansing of body, mind and soul. Here, there really is nothing to remind one of everyday life, as the Zencha bathroom series transports us away, paying homage to the traditional tea ceremonies of Japan.

The following applies to all creative disciplines: truly unique, high-quality works of design are almost always the result of certain favourable constellations. This is just as true for directors and musicians as it is for architects and designers. Because great creative ideas can often only be realised in a team, in cooperation with collaborators.