An installation and exhibition by Luis Callejas / LCLA office
Exhibition Opening: October 11, 7—10 pm
October 11—November 23, 2014
Neutra VDL Research House, Los Angeles, CA
Host: Natural Histories for Los Angeles presents Wet Horizons, an installation and exhibition by architect Luis Callejas / LCLA OFFICE in the Neutra VDL Research House. Located in the existing context of the Neutra-designed penthouse—its glazed walls, rooftop reflecting pools, and views of the Silver Lake Reservoir, Wet Horizons articulates environmental connections between Callejas’s landscape and architecture practice and the architecture of the house itself. Veiled textile drawings, re-inserted into the domestic space of the house, were created in collaboration with textile artist Charlotte Hansson. Combined with digital projections and models, the installation merges the reading of landscapes from distant geographies with actual views of Los Angeles.
matterbetter has launched an international open-ideas competition for a Malaysia Airlines Flight 17 (MH17) Memorial and Park in Amsterdam. MH17 was a scheduled international passenger flight from Amsterdam to Kuala Lumpur that was shot down near the Ukraine–Russia border on July 17, 2014, killing all 283 passengers and 15 crew members on board.
The competition, open to all architects and students, is initiated to remember and honor the victims of the MH17 tragedy. It is hoped that the memorial park could form a new public space, free from the political overtone, at the Marine Establissement site in the center of Amsterdam that could be used as a place for remembrance, ceremonies, recreation, and private gatherings The deadline for registration is December 10th, 2014. Learn more about how to participate here on the competition’s official website.
Danish architect Bjarke Ingels is often cited as one of the most inspirational architects of our time. At an age when many architects are just beginning to establish themselves in professional practice, Ingels has already won numerous competitions and achieved a level of critical acclaim (and fame) that is rare for new names in the industry. His work embodies a rare optimism that is simultaneously playful, practical, and immediately accessible.
Alejandro Zaera-Polo, the head of Alejandro Zaera-Polo & Maider Llaguno Architecture, today announced that he is stepping down as the Dean of Architecture at Princeton University’s School of Architecture. Zaera-Polo was appointed to the position in 2012 having been a visiting lecturer at the school since 2008, but stepped down in order to devote more time to his research and professional activities. He will continue to serve as a professor at the school, and his predecessor Stan Allen will take up the role of Acting Dean until a permanent replacement is found.
The Solomon R. Guggenheim Museum is planning to construct a second location in New York City. As reported on the Art Newspaper, the expansion project, known as the “Collection Center,” aims to “consolidate its staff and art storage into one efficient, multi-use building with a dynamic public programming component.” The news broke with the release of a curatorial job position, seeking personnel to assist in the center’s planning and a possible architecture competition that will ensure the “Guggenheim’s reputation for being a visionary architectural patron” is preserved. Meanwhile, the Guggenheim is expected to narrow its selection to six for its new Helsinki location in November.
The highly anticipated 3D film series Cathedrals of Culture has now opened around the world. Directed by Wim Wenders and a team of five other acclaimed directors (Robert Redford, Michael Glawogger, Michael Madsen, Margreth Olin and Karim Aïnouz), the collection – according to The Guardian’s Oliver Wainwright - “feels more like a series of vapid promotional videos.” Arguing that in most of the films (with the exception of Michael Madsen’s) the narrative is lost in favour of cinematic shots, “Cathedrals of Culture presents a limited and internalised view of what architecture is, a fault perhaps driven by the obsession with the 3D camera. [...] It has a self-satisfied, sometimes cultish, air that makes you feel like you’re taking part in some collective brainwashing exercise.” Wainwright concludes that Living Architectures is the best place to go. See some of their films featured in ArchDaily’s 40 Architecture Docs to Watch in 2014.
Helicopter landing pads will no longer be required atop new buildings in Los Angeles, California. The rule’s elimination, which was announced yesterday by the city’s mayor and fire chief, allows architects the freedom to break away from LA’s “boxy” skyline. “I want to see innovative design,” Mayor Eric Garcetti said. “I want to see good design, but we’re going to take the handcuffs off of you when we ask you to do that. I want neighborhoods to look good, and I want our buildings to look iconic.” You can read more about the change, here.
WHAT: With its fifth biennial competition and exhibition, the AIANY New Practices Committee is proud to recognize six emerging architecture and design firms working in New York City. These firms will be featured in an exhibition opening on October 1 at 6pm at the Center for Architecture, 536 LaGuardia Place. This year, the opening of New Practices New York 2014 will also kick off Archtober 2014, Architecture and Design Month.
New Practices New York 2014 will showcase the work of:
The Bittertang Farm (http://bittertang.com/)
dlandstudio architecture + landscape architecture (http://www.dlandstudio.com/)
Fake Industries Architectural Agonism (http://www.fakeindustries.org/)
NAMELESS Architecture (http://namelessarchitecture.com/)
The six winners have created floor-to-ceiling installations that play with the ideas of structure, reflection, and transparency, designed specifically for the Center for Architecture’s double-height storefront window. Other exhibition materials will include models, project images, renderings, and videos. Pentagram/Natasha Jen, the exhibition designer, has created a custom font for New Practices New York 2014 that will be used throughout the exhibition to highlight the firm’s design philosophies.
A roundtable discussion will precede the exhibition opening. On October 1 from 5-6pm, Beatrice Galilee, curator of architecture and design at The Metropolitan Museum of Art, will moderate a conversation with members of the winning firms.
Roundtable Discussion: Wednesday, October 1, 5:00 PM – 6:00 PM
Exhibition Opening: Wednesday, October 1, 6:00 PM – 8:00 PM
Center for Architecture
536 LaGuardia Place
New York, NY
Susanna Drake, AIA, dlandstudio architecture + landscape architecture
Cristina Goberna + Urtzi Grau, Fake Industries Architectural Agonism
Ajmal Aqtash + Richard Sarrach, form-ula
Unchung Na, Sorae Yoo + Kiseok Oh, NAMELESS Architecture
Jon Lott, PARA-Project
Beatrice Galilee, Curator of Architecture and Design, The Metropolitan Museum of Art (moderator)
ADMISSION: Free and open to the public
Title: New Practices New York 2014
Organizers: AIA New York Chapter
From: Wed, 01 Oct 2014 18:00
Until: Sat, 17 Jan 2015 18:00
Venue: Center for Architecture
Address: 536 LaGuardia Place, New York, NY 10012, USA
Online Master Class
Real Estate in the Corporation – More than just an Expense
Date: Oct 7th 2014 at 18:00 Madrid time.
Speaker: Sharon Liebowitz, VP of Global Real Estate, JPMorgan Chase
Registration: click here to register to the event.
Brought to you by: IE School of Architecture & Design
Real Estate is among the top three expenses for most corporations, and as such, needs to be aggressively managed. But, in addition to managing real estate as an expense item, real estate also needs to be managed as a strategic asset. This can include using the workspace to attract talent, developing a location strategy to situate offices near the best labor pool, or creating an office environment that supports collaboration. Deploying the capabilities of real estate as a strategic asset enables businesses to achieve their priorities.
Biography of the speaker:
Sharon Liebowitz is a vice president of Global Real Estate at JPMorgan Chase, where she focuses on real estate strategy and planning for the NYC Metro area. Prior to real estate, she directed technology projects at JP Morgan Chase, and other firms including UBS, Deutsche Bank, and a web start-up, IPO.com. Ms. Liebowitz is a registered architect, earned an undergraduate degree in Art History from Harvard University, a master degree in Architecture from Columbia University, and is interested in the confluence of real estate, technology, and business. Ms. Liebowitz serves on the board of directors of the Columbia Alumni Association, the GSAPP Alumni Association (Past President) and the Center for Architecture Foundation.
This Online Master Class focuses in one of the areas developed in the Master in Architectural Management & Design at IE. Students receive intense training in managerial skills that are applied to the Architecture, Engineering and Construction (AEC) field. To learn more about the program, click here.
The Royal Institute of British Architects (RIBA)’s Future Trends Survey for August showed that confidence among UK practices has remained stable at “a very positive” balance figure of +28. The positive outlook was shared by the whole country, with every region returning a balance figure of above +20 – a significant improvement for Wales and the West, who last month were at a more reserved +12. “Sentiment about future workload prospects for the architects’ profession has been strong throughout 2013 and 2014, and we are now beginning to see this reflected in increased levels in the aggregate value of work in progress,” said the RIBA, adding that the increasing workload is being “driven primarily by growth in the commercial and private housing sectors.”
RIBA Director of Practice Adrian Dobson said: “The most optimistic forecasts this month were from our practices in Scotland, Northern Ireland and the Midlands and East Anglia, indicating that the high confidence levels have now spread right across the UK as all nations and regions begin to see an improving workload situation.” Figures from practices of all sizes were positive, with small practices (under 10 staff) returning a balance figure of +24. However, medium and large practices showed much more confidence, returning figures of +65 and +40 respectively.
Although a large part of the growth of the last year has been driven by housing, we may be about to see the sector reach a plateau, as the balance figure for the private housing market dropped to +23, down from +29 in July. This prediction now puts it level with the commercial sector, which rose from +20 in July.
The RIBA Staffing index also rose in August, rising to +13 from +10 in July. A full 96% of practices expect their staffing levels to either increase or stay consistent in the coming three months. But, adds the RIBA, “we are not yet seeing this confidence manifest itself in a significant increase in aggregate staffing levels across the profession.”
The monthly survey is designed to “monitor the employment and business trends affecting the architectural profession throughout the period of economic downturn,” the data from which is analyzed by both the RIBA and the Fees Bureau. It is a “representative sample of the range of different practice sizes and geographical locations” with 1,600 British Architects from 226 firms contributing.
Read the June 2014 report in full here (PDF).
In an article for the Financial Times, Edwin Heathcote asks “what are design museums actually for?” Noting that we are living through a “boom time” for the typology, Heathcote argues that when we are overwhelmed by design in our day to day lives, what will fill these spaces? London’s Victoria & Albert Museum sprouted from the legacy of the 1850 Great Exhibition, where the concept of a design museum originated, as an attempt to “display the fruits of Britain’s industrial revolution.” Ironically in the very same museum in 2013, curator Kieran Long acquired a print of the world’s first 3D printed gun for the permanent collection. Will the ubiquity of ‘design’ soon negate the need for dedicated spaces? Read Heathcote’s conclusions in full here.
Continuing a curatorial program of experiments, collaborations and interdisciplinary projects, the Gallery at REDCAT presents Small Museum for the American Metaphor September 27 to November 30, 2014.
REDCAT gallery curator Ruth Estévez invited the Belgian architect Kersten Geers to develop the exhibition, which focuses on themes that are clearly evident in the architectural work he creates with his firm, OFFICE Kersten Geers and David Van Severen.
The evening of October 6th marks the grand opening of UNStudio‘s new exhibit, Motion Matters 4.0 at the Architektur Galerie in Munich. The opening ceremonies will coincide with the first day of the Expo Real International Trade Fair for Property and Investment and include a welcome speech by the Dutch Consul General Peter Vermeij, followed by an introductory talk about the exhibit from UNStudio co-founder and principal Ben van Berkel.
Michael Maltzan, Frederick Fisher, Predock Frane, MAD and Leong Leong have been shortlisted in a limited competition to design a new Los Angeles LGBT Center (formerly called LA Gay and Lesbian Center). Each have received a stipend of $20,000 to develop proposals for the new campus, which will include arts, educational and affordable housing programs on more than an entire city block in Hollywood. Once complete, the center hopes to serve LGBT community members of all ages by providing access to multigenerational affordable housing, healthcare, senior care and family services. You can learn more on KCRW here.
Starting October 18th, the Tchoban Foundation will be showing 65 art works of Hôtel particulier buildings – prestigious town houses, which were built in the first part of the 18th century and characterize Parisian architecture until today – in the exhibition “Lʼhôtel particulier à Paris.” After Sergei Tchoban, architect and founder of the Tchoban Foundation for Architectural Drawing, showed his collection of 24 drawings at the École des Beaux-Arts in 2011 with the exhibition “À la source de l’ Antique. La collection de Sergei Tchoban”, the two institutions now continue their collaboration, this time with a selection of works from Paris that will be displayed in Berlin.
Starting January, the City of Madrid will close off 190 hectares of its central core to traffic, expanding its restricted vehicular areas to 352 hectares. Vehicles not belonging to residents within the city’s four most central barrios will be restricted to large avenues. If a vehicle enters the car-less zone, and does not have access to one of the 13 official parking lots, the owner will be automatically ticketed €90 ($115 U.S). The new legislation is part of a larger goal to completely pedestrianization central Madrid by 2020.
Henry Hobson Richardson (29 September 1838 — 27 April 1886) was known across North America as the father of the Romanesque Revival. Although he only lived to age 48, Richardson is revered across the northeast United States for his appreciation of classic architecture and is the namesake for Richardsonian Romanesque, a movement he pioneered. Richardson studied engineering at Harvard University, a discipline he abandoned in favour of his interest in architecture.
Unbuilt Visions promotes critical debate about architecture and design by acknowledging excellence in unbuilt projects. This annual competition provides an opportunity to engage with architecture, urbanism, interiors, and designed objects at the conceptual stage by recognizing work that offers a critical contribution to worldwide architectural discourse.