CLOG explores, from multiple viewpoints and through a variety of means, a single subject particularly relevant to architecture now. Their latest issue, REM, is now accepting submissions until March 20.
Apple’s signature glass design has come with its fair share of mishaps – from errant snowblowers to, of course, dying birds. To determine the risk posed by Apple’s latest approved store to San Francisco’s protected bird population, Apple hired avian collision risk consultants (really) who determined that the risk is “acceptable” (for non-avian species at least). Read the full bird analysis here.
The Missing 32% Project has a mission: to understand why in the US women represent about 50% of students enrolled in architecture programs, but fewer than 18% of licensed architects (and fewer in leadership roles). If you too are curious about this unusual discrepancy, you can help find an answer by participating in the Equity in Architecture Survey. The Missing 32% Project (along with AIA San Francisco) will use the results to determine best practices for attracting, promoting, and retaining talent in architecture.For more information about the project and to take the survey, go to http://themissing32percent.com/.
Image of pie chart via shutterstock.com
Architectural photographer Agnese Sanvito will be exhibiting a selection from her portfolio at The Building Centre in London. Her works, which include photographs of buildings by Renzo Piano, Jean Nouvel, Santiago Calatrava, Wilkinson Eyre, and Sou Fujimoto, focuses on the ways color shapes our sense of buildings.
The exhibition will run from March 17 to April 26, 2014.
Title: Exhibition: Agnese Sanvito – Absorb/reflect/scatter
Organizers: The Building Centre
From: Mon, 17 Mar 2014
Until: Sat, 26 Apr 2014
Venue: The Bulding Centre
Address: 26 Store Street, London WC1E 7BT, UK
Will the peeling shell of Santiago Calatrava’s Palau de les Arts in Valencia be saved by an innovative, new paint? Calatrava’s $455.6 million project, which surpassed its budget four times over, has sprouted many defects over the years, but none more damning than its peeling facade – a defect that spurred the city of Valencia to sue Calatrava’s office. However, Spanish paint manufacturer Graphenano has proposed an innovative solution: Graphenstone, a mixture of limestone powder and the allotrope graphene, which should just prevent further deterioration. Whether the solution could also relieve some courtroom tension, remains to be seen. Read more on Inhabitat and The Architect’s Newspaper.
The American Institute of Architects (AIA) has selected the recipients of the 2014 Institute Honors for Collaborative Achievement. The award, to be presented at the 2014 AIA National Convention and Design Exposition in Chicago, recognizes and encourages distinguished achievements of allied professionals, clients, organizations, architect teams, knowledge communities, and others who have had a beneficial influence on or advanced the architectural profession. Among this year’s winners include the ACE Mentor Program, the National Building Museum, the AIA New York’s “Post-Sandy Initiative,” and computer-aided design pioneer Rick Smith. You can learn more about the awardees here.
In this Metropolis Magazine post on MoMA‘s planned demolition of the American Folk Art Museum, Karrie Jacobs asks a strangely unasked question: How has the Nouvel Tower – in its day the most controversial of MoMA’s expansion plans - not been brought into the debate? The Jean Nouvel-designed tower was predicated up a circulation plan that, by necessity, ignored the (then occupied) Folk Art Museum entirely. Why is this plan no longer possible? Read the fascinating argument here.
Construction has begun on KWK Promes’ lakeside hotel in Poland. Inspired by traditional mountain homes that found refuge from flooding on a neighboring hilltop, the building’s low profile burrows into the ground at its entrance while opening up to the Czorsztyn waters as topography descends. Similar to the regions typical layout, two massive gable roofs, which appear as two separate structures, are designed to house the elevated sleeping quarters.
The American Institute of Architects (AIA) has selected James L. Abell, FAIA, Carole J. Olshavsky, FAIA, and Robert G. Shibley, FAIA, as recipients for the 2014 Thomas Jefferson Award for Public Architecture. The award recognizes excellence in architectural advocacy and achievement in three categories: Private-sector architects who have established a portfolio of accomplishment in the design of architecturally distinguished public facilities (category 1); public-sector architects who manage or produce quality design within their agencies (category 2); and public officials or other individuals who by their role of advocacy have furthered the public’s awareness and/or appreciation of design excellence (category 3). Learn more about the recipients, after the break.
Last night, another pamphlet launched its sixth issue, DEFAULT!, at New York’s Printer Matter, Inc. With contributions from CODA’s Caroline O’Donnell (winner of the 2013 MoMA PS1 Young Architects Program), critic Sylvia Lavin, Urtzi Grau and Cristina Goberna (of Fake Industries) and others, this installment tackles the presupposition that “design inherently denies the default, and that the default is by definition un-designed.” Copies of DEFAULT! are available through their website. More information after the break.
As New York begins to thaw after record breaking winter conditions, city dwellers are forced to be on high alert for falling ice. Streets surrounding the 1,776-foot One World Trade Center have been closed following reports of ice shearing from its surface. Some blame the more energy efficient buildings for the deadly occurrence, believing that because the newer structures are able to hold in more heat their exteriors remain colder which aids the formation of ice. Materials and building form can help prevent this phenomena. You can learn more here.
The School of Visual Arts MFA Design Criticism invites you to join them for a two-week intensive to research and write about design. Participants will be introduced to a range of techniques for constructing compelling narratives about images, objects,and spaces. You will experiment with different research methods, writing formats, and complete several projects across media, including a collaboratively produced publication.
Along with working closely with leading writers, editors, curators, and researchers, each participant will have their own workstation in D-Crit studio at Chelsea district in NY. A series of seminars, lectures, workshops, one-on-one consultations, along with visit to design collections, archives, libraries, design and architecture studios, will be part of the daily activities.
Application are due April 1, through the event’s official website.
Title: Design Writing and Research Summer Intensive
From: Mon, 02 Jun 2014
Until: Fri, 13 Jun 2014
Venue: School of Visual Arts, NY
Address: 209 East 23rd Street, New York, NY 10010, USA
What unites contemporary design? What is the through line that connects designers between continents and across decades? This spring, The MA program in Design Studies at Parsons The New School for Design presents a two-day symposium that will bring together a rare interdisciplinary group of professionals and academics to explore narratives surrounding the field of design, and attempt to answer these questions. The conference, Narratives and Design Studies: A Task of Translation, will be held March 7 – 8.
This is the conference’s second year. In 2013, it was one of the first events held by the then-new MA in Design Studies. It brought together an international roster of scholars, practitioners, and entrepreneurs who considered how design shapes specific experiences and embodies fundamental assumptions about our relationship to the world and each other.
For more information, please click here.
Zaha Hadid Architects, Adam Architecture, Hopkins Architects, Eric Parry Architects, Allford Hall Monaghan Morris and Studio Weave have all unveiled, what AJ describes as, six “jaw-dropping” proposals for new water kiosks planned for central London. As part of a competition, conducted by the British journal, the architect-designed drinking fountains will be on view at The Building Centre from February 20 through March 14. View them all and vote for your favorite here.
Back in September 2013, we told you about PXSTL. Organized by the Pulitzer Foundation for the Arts and the Sam Fox School of Design & Visual Arts at Washington University in St. Louis, PXSTL challenged US artists, architects and designers to propose a small-scale intervention for a vacant lot in the St. Louis Grand Center cultural district that could possibly spark large-scale urban transformation. Freecell Architecture was announced as the winner of the competition, with their proposal “Lots”.
Today, the Pulitzer Foundation for the Arts announced an open call for community program proposals that respond to “Lots”. The structure will be open from May 9 to October 5, 2014, during which several curated events will be taking place. Up to $1,500 will be granted to individuals, community groups or organizations whose proposals help in engaging the community exchange at the site. For more information regarding criteria, site, and submission guidelines, please click here.
Beyond the Supersquare brings together a select group of contemporary artists whose insightful work addresses the remnants of the Modern Movement in Latin America and the Caribbean. While the exhibition will address how Modernism defined a number of decisive aspects related to contemporary architecture, urbanism, and art in Latin America, this exhibition will also examine the larger political and social underpinnings of these cultural and environmental developments.
Through drawings, photography, sculpture, installation, and video, Beyond the Supersquare presents a series of responses to the aggressive rise of Latin America’s urban centers and the ways in which they have evolved since the mid-twentieth century.
For more information on this exhibition, please click here.
Title: Exhibition: Beyond the Supersquare
Organizers: The Bronx Museum of the Arts
From: Thu, 01 May 2014
Until: Sun, 11 Jan 2015
Venue: The Bronx Museum of the Arts
Address: 1040 Grand Concourse, Bronx, NY 10456, USA
Although Arizona developer Novawest was determined to build BIG’s 420-foot observation tower in downtown Phoenix before the 2015 Super Bowl, failed negotiations has left them without a site. Once planned for the interior courtyard of the Arizona Science Center, the privately-funded project is now being considered for an undisclosed downtown site with completion rescheduled for 2016. Considering the project has received a considerable amount of support from city officials, it seems inevitable that the BIG pin will eventually be built despite harsh criticism from nearby residents. Modifications for the new site will be minimal. You can review the design here.
Between Hurricane Sandy in the USA and ongoing storms and floods damaging large areas of Britain, the issues of flood prevention and coastal defense are now a top priority for planners on both sides of the Atlantic. This article in the Guardian asks whether it might be time to give in to the sea and rethink our affinity for coastal living; and this one on Architecture Boston asks to what extent society should be expected to foot the bill for those in high-risk areas, and wonders how, legally, the state could encourage people to live elsewhere.