The purpose of the competition is to select five architectural and town-planning concepts for the creation of a multifunctional city unit with a well-developed infrastructure, integrated into the city pattern and meeting the requirements of environmentally sustainable developments. The acceptance of competition applications closes October 9.
For complete details on the rules, jury and documentation, please go to the competition’s official website.
The AA (Architectural Association) is one of the world’s most renowned Schools of Architecture. It offers twice a year, since 2011, AAtelier: a 10-day highly international AA visiting school in Paris. What makes this course unique in the world today is its crossover approach between architecture and fashion.
The course is an intensive studio-based program that requires full-time participation and is run by Jorge Ayala whom graduated from the Architectural Association School in 2008. An AA certificate will be awarded upon completion.
More information after the break.
The ISARCH Awards are international awards targeting students of architecture. The aim is to provide a platform for debate surrounding the architecture solutions students contribute within the framework of their university studies.
A further objective of the ISARCH Awards is to encourage young people to join the debate on architecture, contributing their unique vision and opinions.
More info after the break.
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Today, September 20th, citizens, artists and activists have transformed hundreds of metered parking spaces worldwide into temporary public places with mission to call attention to the need for more open space. Since the establishment of PARK(ing) Day in 2005, by the San Francisco art and design studio Rebar, PARK(ing) Day has quickly become an international phenomenon. In 2011, close to 1000 parks were created in 162 cities, 35 countries and 6 continents.
Whether you are a participator or an observer this year, be sure to check out the official PARK(ing) Day Map and see what may be happening in your area of town. Learn how to map your park here. (more…)
In this first solo project by Andrés Jaque / Office for Political Innovation in Los Angeles, the architect prepares an exhibition, with a series of architectural case studies based in the city of L.A., in which he problematizes the importance of such cases as places of socialization and community, leaving behind the stereotypes that characterize them as disconnected spaces, symbols of ultra-individuality and comfort.
In an interview with Orson Welles in 1964 about the witch-hunt being carried out against Hollywood celebrities during the McCarthy-era, the filmmaker pointed out a strange paradox: while many people during the Second World War had betrayed their friends to save their own lives, in the golden-age of Hollywood, people did it to save their swimming pools. Far from downplaying Orson Welles’ observation, it is nonetheless interesting how these aquatic scenarios and backyard gardens have always been seen as something superficial, destroyers of social cooperation and enemies of the political.
For Andrés Jaque, it is in these interior spaces where decisions are made, the heterogeneity that underlies the garden city is casually discussed, and the conflicts and negotiations of domestic space are established. These are almost invisible architectures, hidden betweenpalapasand high hedges, conceived from the rhythms of the human body and its daily choreography. In that sense, Andrés Jaque understands his work in a way that is very similar to performance art that since the 70s has focused on the body and its relationship to its surroundings, as the main site of artistic practice. This is a dynamic architecture, one that is in constant tension, and that prioritizes its performative quality to engage daily transformations and conflicts.
In the architect’s installation, the body is present through its absence, and the performative quality is represented symbolically by water—one of the main actors in the Californian backyard gardens. It is not arbitrary that this exhibition takes its name from David Hockney’s drawing, “Different Kinds of Waters Pouring into a Swimming Pool, Santa Monica,” 1965, made during his first years in the city. Fascinated by the way people in Los Angeles used water to help shape their private gardens into social spaces, the painting shows a series of simple pipes pouring water into a swimming pool that can’t be seen. Although the material quality of water is elusive, its representation reaches a quasi-architectural dimension, without losing its ephemeral and dynamic aspect. As such, each waterfall becomes an exclusive portrait of a common situation. This might read as a metaphor for the everyday stories that the great narratives of urbanism have left out, but these are certainly places where certain forms of citizenship and interaction essential to architectural processes occur.
The exhibitionDifferent Kinds of Water Pouring into a Swimming Poolis accompanied with a small publication by the same name that features an essay by the architect, further discussing the ideas presented in the gallery.
Andrés Jaque and the Office for Political Innovation was founded in Madrid in 2005. This architecture office explores the potential of post-foundational politics and symmetrical approaches to the sociology of technology to rethink architectural practices.
They are authors of reference buildings including Plasencia Clergy House, awarded with the Dionisio Hernández Gil Prize and finalist of the VIII Bienal Española de Arquitectura y Urbanismo; House in Never Never Land, finalist of FAD Awards and Mies van der Rohe European Award. Recently, the Museum of Modern Art of New York (MoMA) acquiredIKEA Disobedientsas the first architectural performance piece to be included in its collection. In 2012, they presented their interventionPHANTOM. Mies as Rendered Societyat Mies van der Rohe Pavilion in Barcelona. Their work has been featured in Gwangju Biennale, 2011, and the Biennale di Venezia 2010.
Andrés Jaque has been Tessenow Stipendiat in Alfred Toepfer Stiftung FVS, and he is now professor at GSAPP Graduate School of Architecture, Planning and Preservation at Columbia University in New York.
Opening: Saturday, September 21 | 7–9 PM
Artist talk: Saturday, September 21 | 6 pm
Funded in part with generous support from Acción Cultural Española AC/E. The Standard is the official hotel of REDCAT.
The OAO HOTEL UKRAINA, with the support of the non-state educational institution Strelka Institute for Media, Architecture and Design, are pleased to announce the opening of a competition for the redesign of the entryway to this cultural heritage site of regional significance. This two-stage competition, lasting from 17th September 2013 to 25th February 2014, gives architects from all over the world the rare chance to work with an example of Moscow’s unique Stalinist architectural heritage.
The Ukraina Hotel is one of seven original Soviet skyscrapers (‘sisters’) that form a famous silhouette on Moscow’s skyline. Built in the 1950s, the Ukraina is today a landmark, marking the beginning of Kutuzovsky prospekt, one of the city’s main transport arteries.
Complete details after the break.
Launched in 2007, FuturArc Prize aims to generate forward-thinking, innovative Green building design ideas for Asia. The Competition offers a platform to professionals and students who are passionate about the environment. Through the force of their imagination, it aspires to capture visions of a sustainable future. This is open to architects and architecture students in Asia and the world.
The FuturArc Green Leadership Award was launched in 2009 to seek out innovative and ecologically responsible buildings in Asia. The competition recognises the team behind a completed project: the developer, consultants and contractors, who have collectively pushed the limits and definition of what a Green building is in Asia.
Design Corps and the Social Economic Environmental Design (SEED) Network announce the Call for Entries in the fourth annual SEED Awards for Excellence in Public Interest Design competition. Recognizing excellence in social, economic and environmental design, the SEED Awards represent the confluence of forces needed to create truly sustainable projects and change in the world.
Deadline for applications is Tuesday, November 12, 2013 by 11:59 p.m. EST. Winners will be announced January 22, 2014. For application details and guidelines, go to www.designcorps.org/awards.
More information after the break.
Far-out Voices presents a selective insight into the pioneering, counter-cultural origins of what we today call green design. Organized around a series of oral histories (filmed interviews) collected by Caroline Maniaque-Benton in 2002, the exhibition offers a point of entry into the thinking of some of the advocates of “sustainable” planning within the alternative architecture movement of the 1960s and 1970s.
DIY-manuals, photographic documentation, artifacts and ephemera linked to the work of Steve Baer, Mike Reynolds, Jay Baldwin, Graham Stevens and others reveal a legacy of direct action and experimentation driven by a desire for autonomy from the state and its infrastructures.
The National Museum is one of six partners co-producing the Oslo Architecture Triennale. The 2013 triennale, titled Behind the Green door – Architecture and the desire for Sustainability, features an innovative and critical examination of the concept of sustainability in architecture, urban development, and design. The Belgian group Rotor are curators for the main exhibition at DogA (the Norwegian Centre for Design and Architecture). For further information, see oslotriennale.no.
Title: Exhibition: Far-out Voices
From: Sat, 21 Sep 2013 15:00
Venue: National Museum of Art, Architecture & Design
Address: Sankt Olavs plass bedriftssenter, 0164 Oslo, Norway
In yet another twist to the ongoing story of the Southbank Centre redevelopment, the Architects’ Journal reports that the Southbank Centre has agreed to back a fundraising campaign to keep the famous skate park (if you missed the potential re-designs, click here), with the stipulation that a plan B be put in place in case the fundraising fails. And with at least £17 million needed to replace the revenue that the Centre would have gained by filling the undercroft with retail units, it could be time for the thousands who objected to the proposals to put their money where their mouth is. Find the full article here.
Even if you’re a 3D printing whiz (if so, consider entering our exciting 3D Printing Challenge), to many people it remains something of a mystery: how does it work, what can it do and how much does it cost? Thankfully, this recent article and infographic by Line//Shape//Space, aimed at “early adopters” of the technology, covers all this information (and even some common pitfalls to be avoided). You can read the full article here.
The skyline rises in tandem with the population of the city. Demographers predict that New York alone will add one million more residents by 2040. Finding housing will pose a crisis for hundreds of thousands of them, unless new residential towers are built to house this urban influx.
The Living Cities design competition asks professionals and students in architecture and engineering to share their vision of multi-use residential towers for the 21st century. All proposals must use a steel structural system, be 30 to 40 stories, and be sited within the five boroughs of New York. Considerations of changing workforce demographics and tenant lifestyle amenities with the role that a building’s form and features play related to constructability and sustainability are vital.
The submissions are due January 3, 2014. For more information about the design brief and official rules, please go to the competition’s official website.
In the wake of Hurricane Katrina, design charettes involving the Gulf coast community led to many proposals, ranging from the large-scale (establishing Gulfport as a major harbor city) to the more personal (bike paths). Eight years after the fact, many of these projects are still in progress, or have yet to begin – but the outlook remains bright. The Sun-Herald‘s Michael Newsom explores the background behind these efforts, and explains the hurdles they’ve faced along the way. Read the full piece here.
Jimenez Lai, founder of Chicago-based Bureau Spectacular has been selected as winner of the first Lisbon Triennale Millennium BCP Début Award. The award, presented by Millennium BCP president Fernando Nogueira, distinguishes a young architect or studio under 35 on outstanding work, development of original design thinking and the pursuit of critical ideas with a monetary prize of €5,000.
Jimenez Lai was chosen from 180 candidates for the “originality and range of his body of work, whose uncompromising and thought-provoking approach to formalism lends it an exploratory vein that,” in the words of the jury, “is crucial to the future of architecture.”
Cricklewood, a North London suburb devoid of public space, is finding a new lease of life through a series of pop-up interventions - including a mobile town square designed by Studio Hato and Studio Kieren Jones - put together by civic design agency Spacemakers. While the project might have a bit further to go before any benefits are truly felt by the local residents, the project is part of a wider scheme financed by the Mayor’s Outer London Fund which will hopefully lead to the rejuvenation of more of the capital’s suburbs. Read Liam O’Brien’s full article in The Independent here.
A large scale architectural installation, informative exhibition and free two day conference will take place at The Building Centre WC1 during the 2013 London Design Festival to launch a four year study into the effects of natural light.
A typical new home in the UK has an average of only 12% of the walls glazed. Natural light in the home and workplace can reduce energy costs and improve health and wellbeing, so why do we have so little natural light in our buildings?
The Photon Project is a major four-year scientific study to investigate the impact of natural light on biology and wellbeing. To launch the project a prototype fully-glazed ‘Photon Pod’ will be built in Central London, complete with seating and landscaping. The installation and exhibition will be in place during the London Design Festival (14 – 22 September). During this week the public are invited to experience ‘life under glass’ and take part in simple scientific tests, designed specifically for the event by Harvard University to test the effects of daylight on the human body.
Complete information after the break.