The objective of the “Re-Structuring Seunsangga Citywalk” competition in Seoul is to renovate the deck and nearby public space of Seunsangga Complex to improve the pedestrian environment and connect with surrounding areas of various nature and thereby re-establish a pedestrian axis from north to south through Bukaksan Mountain, Jongmyo~Seunsangga Complex, and Namsan Mountain. Not only is Seunsangga Complex Seoul’s “urban-architectural heritage,” it is a compound of history, culture and industry that connects the surrounding area and various activities.
This project will revitalize Seunsangga Complex’s status as a center of pedestrian axis and urban industry by creating a space with new cultural value that will breathe life into the Seun District. The winning commission will be awarded “Phase 1 design contract.” More information and registration details, here.
The Foundation Bauaus Dessau is accepting letters of interest now through March 31 to participate in the upcoming Bauhaus Lab 2015. The program, open internationally to post-graduates of architecture, curatorial, fine arts, and design programs, will run from May 4 through August 9, 2015. Eight applicants will be selected to participate by an international jury by April 4. Read on after the break for more information.
Born in 1929, internationally acclaimed architect Frank Gehry has been headlining architectural news platforms since he established his Los Angeles practice in 1962 and remodeled his home in Santa Monica. Notorious for his expressive use of form (and its sometimes inflationary effect on project budgets), Gehry is best known for the Guggenheim Museum in Bilbao, which fellow architect Philip Johnson once dubbed “the greatest building of our time.”
Brazilian planner, preservationist and modernist thinker Lucio Costa (27 Feburary 1902 – 13 June 1998) is best known for his 1957 plan of Brasília that shaped the Brazilian capital into a monument to utopian modernism. A resolute and often controversial figure in the Brazilian establishment, Costa’s contributions to Brazilian architecture helped to shape the distinctive modernism that was practically Brazil’s official style until the 1980s.
URBAN TALES will showcase three distinct architectural artwork series exploring visions of narrative based city redevelopments. Featuring RIBA Presidents Medal-winning work, these original and engaging threads of imagery from UCL architecture graduates Ned Scott, Nick Elias and Anja Kempa objectify fiction and challenge political reality. The exhibitors question the role of architecture in a changing world and use fictional narratives to design fantastical, but possible, cities. URBAN TALES will kick off with an opening party on Friday, March 6 and remain on view through April 10, 2015 at Carousel London. Read on to learn more.
The Lyceum Fellowship Inc. and Transsolar KlimaEngineering have been awarded the American Institute of Architects’ (AIA) Institute Honors for Collaborative Achievement. The annual award is intended to “recognize and encourage distinguished achievements of allied professionals, clients, organizations, architect teams, knowledge communities, and others who have had a beneficial influence on or advanced the architectural profession.” Both winners will be honored at the 2015 AIA National Convention and Design Exposition in Atlanta.
The American Institute of Architects (AIA) has selected Thomas E. Lollini, FAIA, and Thomas Luebke, FAIA, to receive the 2015 Thomas Jefferson Award for Public Architecture, recognizing their excellence for architectural advocacy and achievement. This year’s award recipients will be honored at the 2015 AIA National Convention and Design Exposition in Atlanta. Learn more about the winners, after the break.
Architects interested in proposing ideas for a new public space in Kristall City, a former territory of legendary Moscow distillery, have until Tuesday (February 24) to submit applications. Organized by KRAYS development and the CENTER Agency of Strategic Development, the competition is calling on all architects and designers to consider three sites to host the cities premier public space. The newly developed area aims to “share the future look of the quarter” and establish a “new type of public space made out of form industrial city territories. Learn more and apply, here.
To many, the harsh turns the modern city has taken are not apparent. We see benches and bus stops that masquerade as shelters, but Guardian writer Alex Andreou’s sudden plunge into homelessness opened his eyes to the hostile realities of these and other structures. In “Anti-Homeless spikes: ‘Sleeping rough opened my eyes to the city’s barbed cruelty’,” he sheds some light on misconceptions about homelessness and explains the unfortunate trend of designing unlivable architecture to deter those affected.
From pavement sprinklers to concrete sidewalk spikes, the modern city is littered with defensive techniques, discouraging the homeless from habitation and encouraging instead an “out of sight, out of mind” mentality to make spaces more comfortable for others. However Andreou argues that the dehumanizing effects of these harsh gestures affect everyone, acting as physical manifestations of society’s intolerance and making public spaces that bit less welcoming for us all – homeless or not. Read the full article, here.
Louis Kahn, (February 20th 1901 – March 17th 1974) was born Itze-Leib Schmuilowsky in Pärnu, in what is now Estonia. His family emigrated to Philadelphia when he was just a child, where Kahn would remain for the rest of his life, completing many of his later works there. Though he did not arrive at his distinctive style until his early 50s, and despite his death at the age of just 73, Kahn became known for combining Modernism with the weight and dignity of ancient monuments, and in a span of just two decades came to be considered by many as part of the pantheon of modernist architects which included Le Corbusier and Mies van der Rohe.
Speaking of the public image of the architect, Stephanie Garlock laments that it is often akin to “Ayn Rand’s Howard Roark— arrogant, individualistic, and committed to the genius of artistic vision above all.” In a feature piece for the March/April edition of Harvard Magazine, Garlock explores the potential for architects to affect wider social change and move “[b]eyond ‘Design for Design’s Sake’.”
From John Peterson’s pro-bono architecture nonprofit Public Architecture to Michael Murphy’s MASS Design Group (MASS shorthand for Model of Architecture Serving Society), the article examines the ways in which the line between “architect as artist” and “architect as social actor” can be eroded. Providing commentary on the “traditional mode of corporate architecture,” Garlock reiterates the importance of designing for the public interest and a cross-disciplinary approach that incorporates professionals in proximal fields of planning, landscape architecture, and urban design. Read the full article here.
In the Spanish suburb of Alfafar, conditions were looking grim as economic hardships plunged over 40% of its residents into unemployment and left significant portions of its housing vacant. In response, a group of young architects have developed a co-housing plan for the area to accommodate its shifting needs, enabling residents to exchange and share space as needed. Using the existing buildings as the framework, the line between public and private will evolve over time with changing conditions, following in the footsteps of other European countries that have successfully employed similar undertakings. Read more about Alfafar’s co-housing plan, here.
We’ve just learned that the Pritzker Prize will be announced on Monday, March 23rd at 10am EDT. This prize — architecture’s most prestigious — has been awarded annually since 1979. Past winners include Philip Johnson, Zaha Hadid, Rem Koolhaas, Oscar Niemeyer, Norman Foster and Toyo Ito (full list). You can see ArchDaily’s coverage of the prize here. Stay tuned for the latest updates on this year’s winner. Who do you think deserves to win?
With the Charles Rennie Mackintosh retrospective opening today at the Royal Institute of British Architects in London Rowan Moore, writing for The Guardian, asks ”which architect could restore Mackintosh’s masterpiece [in Glasgow]?” The Glasgow School of Art, parts of which were devastated by fire in May of last year, is in the process of selecting a restoration architect from a shortlist of five. Yet for Moore ”there are examples of clumsiness and stodginess in some of the past projects of those included that should be allowed nowhere near the School of Art.”
An upcoming conference at the University of Manchester will tackle the idea of Model Making In The Digital Age. Based on the premise that the world of architecture is dominated by digital tools today more than ever, from design and manufacturing to the ways in which we visualise complex spaces and structures physically and virtually, this symposium seeks to shed new light on the practice of model making and its uses.
The Edinburgh College of Art have announced that they will be creating a ‘Domesday Book’ catalogue of every multistory post-war housing project in the UK. The project – called Tower Blocks – Our Blocks! - will contain over 3,500 publicly accessible photographs from the 1980s, documented “at a time when post-1945 high-rise housing is continuously under threat threat across the [UK].” All images will be made searchable in a digital archive.
According to Colin McLean, Head of the Heritage Lottery Fund in Scotland, “as the high rise towers that have dominated many towns’ and city’s skylines begin to disappear, it is important for us to capture this heritage and give voice to the experiences of those who live in these flats and communities. The Heritage Lottery Fund is delighted to be able to help make this happen.”
The project is set to be completed by 2017.
Story via AJ
The Fentress Global Challenge is an international design competition created to engage students worldwide in the exploration of future design possibilities in public architecture. This year the annual competition is challenging students to imagine “The Airport of the Future.”
Participants are encouraged to re-envision the terminal building, taking into consideration current technological trends and applying them to the near future. The participant should consider every element of the passenger experience and seek to improve every dimension of the building. The terminal/concourse building should comprise 30 gates with a third of them being international. Things to consider are urbanization, globalization, technological innovations, flexibility, security, adaptability, and the traveler experience from “curbside to airside.” The submission with the highest aesthetic quality and the most fully developed vision will receive the grand prize – $5,000 and a four-week paid internship at Fentress. Submissions are due May 1, 2015. Learn more, here.
From February 20 the Vitra Design Museum will host “Architecture of Independence – African Modernism,” an exhibition curated by architect and author Manuel Herz. Featuring numerous photographic contributions by Iwan Baan, “Architecture of Independence” explores the experimental and futuristic architecture produced in 1960s Central and Sub-Saharan Africa during the region’s period of newfound independence.