The ‘Chronomanifestes’ exhibition by Bernard Tschumi, first presented at Les Abattoirs in Toulouse, will be re-exhibited again in 2014 at the Turbulences – Frac Centre. The radical period of architecture (Superstudio, Archizoom in Italy, Archigram in the United Kingdom to take just two examples) indeed proves itself extraordinarily rich in concepts and critical manifestos that challenge the discipline of architecture to form hybrids with artistic production and to advocate a political position.
Through his critical perspective Tschumi links the radicalism of experiments in the 1960-70 period and architecture that questions its own limits within a wider cultural and political field. For this internationally renowned French architect, ‘without an event, activity or function it is not architecture (…).’
To celebrate the 30th anniversary of the Frac (Regional Funds for Contemporary Art), a carte blanche was awarded to one or several designers in 2013 to conceive exhibitions from their collection or invent ways of presenting them. These 23 invitations vouched for the determination of the Frac to demonstrate the extent to which the artist is at the heart of their activities, from the collection to the production of works, including exhibitions.
At Les Abattoirs, Frac Midi Pyrénées in Toulouse, a group exhibition called ‘Les Pléiades’ took place from 28th September 2013 to 5th January 2014 to unite in a single venue all the different cartes blanches, that were presented regionally.
For this event, the Frac Centre chose to call upon a figure prominent in its collection: Bernard Tschumi. For this exhibition Bernard Tschumi used, for each of the years concerned, one or several projects by artists or architects that at some point made a proclamation or manifesto, a vision of the city and of architecture.
A book accompanies the exhibition, written by Bernard Tschumi, narrating the adventure experienced by radical avant-gardists, deconstruction and the emergence of digital, in conjunction with key events each year on an international level.
For more information visit http://www.frac-centre.fr/
The BBC’s Tony Hall has announced that Zaha Hadid will be presenting a 60-minute Secret Knowledge film based on Kazimir Malevich. The Russian painter and theoretician, who founded the Suprematist movement, inspired Hadid’s AA graduation thesis which transformed Malevich’s 1923 Arkitekton model into a 14-story hotel that stretched across London’s Hungerford Bridge. Hadid will be one of many influential art leaders enlisted to participate in the program, which intends to place the arts on “center-stage.”
As part of the CA Group’s lecture series, “Architour,” principal of Ensamble Studio, Antón García-Abril & Débora Mesa, will give a lecture at 15:30 on March 29th at Tongji Architectual Design (Group) Co.,Ltd.(TJAD) auditorium in Shanghai. For 2013 through 2015, “Architour” has as its theme “New Force of Architecture – Leading Young Architects”: each year, the CA Group will select nine young, global leaders in architecture (four from Asia and five from the West) to lecture on topics that cross typologies and disciplines, from architectural design, urban planning to interior design. Sou Fujimoto, Hirata Akihisa, Christian Kerez and Thomas Heatherwick were the series’ first speakers.
At the end of each year, an exhibition will be mounted; and at the end of the years, the contents of the lectures will be published as a book.
Title: Lecture: Antón García-Abril & Débora Mesa in Shanghai
Organizers: CA GROUP, TJAD, China Fortune Properties(GROUP)co., Ltd, China Vanke Co., Ltd., Bulthaup
From: Sat, 29 Mar 2014 15:30
Until: Sat, 29 Mar 2014 17:00
Venue: Tongji Architectual Design (Group) Co.,Ltd.(TJAD) Auditorium 1st floor
Address: Siping North Road, Jinshan, Shanghai, China
The London Festival of Architecture will be taking place from June 1 to June 30. Now in its 10th year, the Festival is initiated by The Architecture Foundation, British Council, New London Architecture and RIBA London to celebrate London as a global hub of architectural practice, discussion and debate.
Leading cultural institutions including the Barbican, Design Museum, National Trust, Royal Academy of Arts, Serpentine Gallery and Sir John Soane Museum will be presenting activities across the city. Now, the Festival is presenting a call for associated projects by independent practices, designers, artists and curators to form part of the Festival in 2014.
Participants need to respond the 2014 Festival’s theme: Capital. They will need to explore the dynamism of London, including ts architecture and open space. More information can be found here.
Life of an Architect’s Bob Borson has launched the 3rd annual Architect Playhouse Design Competition – a (free) competition open to all that benefits the abused children of Dallas CASA (Court Appointed Special Advocates). Entirely funded by Borson, the competition challenges participants to design a creative playhouse under $4,000 USD. The top two winning entries will be constructed then displayed and raffled at the nonprofit organization. All proceeds will be donated to Dallas CASA. Registration is now open and all submissions are due by May 12th. See last year’s winners, after the break, and register here to participate.
Partially credited to the spotlight cast by MoMA’s “Frank Lloyd Wright and the City: Density vs. Dispersal“ exhibition, SC Johnson (SCJ) has agreed to restore their 15-story Frank Lloyd Wright-designed Research Tower as a museum and corporate office in Racine, Wisconsin. Wright’s only constructed taproot-core, the 1950s tower is “an inspiring example of cantilever construction with an inner core extending 50 feet into the ground that provides support for the 16 million pound structure,” described SCJ. “The taproot core bears a strong resemblance to the lily pad-like columns seen throughout SC Johnson’s Administration Building, another Wright-designed facility.”
In an enlightening interview on Future Cape Town, the Lord Mayor of Copenhagen Frank Jensen discusses what it is that makes Copenhagen, and Denmark as a whole, such a green-focused society. The key it seems goes beyond simple politics, stemming from a combination of early adoption, a robust and widely appreciated welfare system and a culture of collaborative innovation. You can read the full interview here.
In a symposium to be held this week at the Manchester School of Architecture, Contextualism: Dead or Alive? will explore the importance of contextualism in contemporary architecture. Five key speakers will be featured, presenting papers discussing context both in its purest theoretical form and how it might be addressed in practice. From debating the significance of building traditions (Jonathan Foyle) to how Mecanoo, who recently completed the Library of Birmingham, have approached contextualism in the UK (Ernst ter Horst), the symposium will endeavor to uncover the ties between architecture and the wider urban realm.
In an entertaining take on the events that led BIG to completely redesign their winning competition entry for the Kimball Art Center in Park City, Utah, Kelsey Campbell-Dollaghan describes the new design as “ridiculously anonymous,” “a huge — and almost hilarious — departure from the personality and warmth of the original design.” She asks the residents of Park City, whose outrage forced the redesign, “are you happy now?” Read the full article here.
The winning entry of the Northern Shore Lake Zwenkau competition, which challenged select firms to introduce “holiday villages” and recreational activities to a small lake twenty minutes outside of Leipzig, Germany, was proposed by Labor4plus. Dubbed “Yearning Spaces,” the proposal envisions a Western harbor village that concentrates recreational activity along the northern coast of Lake Zenkau and connects to eastwardly located “hermit huts” via hiking trails paralleling the shore.
CEBRA‘s “Melting Pot,” a multipurpose sports complex conceptualized and shortlisted in an invited competition for Randers, proposes a carefully integrated plug‘n play arena at the edge of the city where the urban, suburban, and natural environment coalesce as a dynamic community focal point.
We’re architects. We travel the world to meet the women and men who build our world.
In a symposium at the AIA New York Chapter, seismologists, earthquake engineers, seismic code experts, emergency response managers, and architects conversant in seismic design will assemble for a conversation on available technologies and testing capabilities that, surprisingly, are located in New York State. They will “clarify the evolving role of design professionals, the building industry, and municipal and federal agencies in safeguarding our local communities”, as well as “educate the audience about the earthquakes, subsurface conditions, and construction approaches.”
The wisdom of the Old West, New-Mexico based architect Antoine Predock (who designed the Canadian Museum for Human Rights in Winnipeg) and the vitality of the New East, BIG founder and principal Bjarke Ingels (whose office is responsible for the Beach & Howe Tower in Vancouver and Telus Sky in Calgary), are being distinguished by the Royal Architectural Institute of Canada (RAIC) this year with Honorary Fellowships for extraordinary achievement in the field of architecture. More on this news, here.
Rice University has commissioned Diller Scofidio & Renfro to transform an existing parking lot between Alice Pratt Brown Hall, the home of Rice’s Shepherd School of Music, and Rice Stadium into a 600-seat opera theater. Charles Renfro, a 1989 Rice graduate and the project’s lead architect, stated: “It feels really natural in a lot of ways to be returning to campus, a place I’ve spent so much time and love so much.” Completion is scheduled for 2018.
Danish schmidt hammer lassen architects has been selected with New Zealand-based Architectus to design the New Central Library in Christchurch. An “anchor project” for the city’s post-disaster Recovery Plan, which aims to resurrect Christchurch as a more “greener, accessible” city following the devastation of the 2010 and 2011 earthquakes, the new library will serve as a catalyst to attract dwellers back into the city center.
Elliott + Associates Architects (EAA) has been commissioned to design the Oklahoma Contemporary Arts Center’s new home on 4.5 acre site at NW 11 and Broadway along Automobile Alley. Once complete, the new center will serve as a “gathering place for all ages to enjoy all forms of art” in addition to providing studios for artists, whether they are dancers, painters or ceramicists. More information, here.
How often are spontaneous, primitive, radical actions implemented in large urban centres? Siempre Fiesta (or Always Party) by Andrés Carretero and Carolina Klocker was recently voted by the We-Traders community as their favourite in the recent Open Call Madrid competition. Viewing the city through children’s eyes, where the order of the day is primarily playing or making, and using the concept of “free movement of our body in space” as a key driver, Carretero and Klocker developed a playful scheme that proposed filling a niche in Madrid’s urban grid with sand as a way of managing the environment to create “comfortable space.”