It’s been called a “remarkable work of public architecture” that “engages [the city of] Los Angeles” like few others. With the 10 year anniversary of Frank Gehry‘s Walt Disney Concert Hall approaching, the LA Times, with some great, in-depth coverage, has been taking a look back at its architecture and what makes it such an important icon for both Gehry and LA. Oh, and don’t forget to check out its soon-to-be neighbor on Grand Avenue, the Broad Museum by Diller Scofidio + Renfro!
California-based GDS Architects‘ new proposal, dubbed Infinity Tower, is designed to disappear from its Korean skyline. How? Cameras will be mounted at six strategic points; thousands of LED screens on the facade will then broadcast the real-time photos captured and logged by the cameras. Though no estimated completion date has been announced, the developers have received construction permits to break ground. More about this incredible vanishing act and how it’s done at Fast Co-Design.
“In every context, he has represented the School and the institution in ways that make us all proud to be part of such a vibrant place,” wrote Columbia President, Lee Bollinger, “And to all of it he has brought his unique humor and made us laugh.”
Dutch designers, Rem Koolhaas and Hella Jongerius, have revamped the delegates’ lounge in the United Nations building just in time for the 68th General Assembly this week. The “workshop of peace” lounge space, originally designed in 1952 by Wallace K. Harrison in collaboration with renowned modernists Le Corbusier and Oscar Neimeyer, now sports a range of pastel-colored sofas and lounge chairs, opting for minimal intervention in attempts to maximize the social space. Read more about the UN North Delegates lobby on Gizmodo.
In his column in Providence Journal, David Brussat questions why parking garages can’t be designed to better compliment their surroundings. He believes that these utilitarian spaces should look like they “belong in a city,” rather than resembling “a giant set of concrete shelves.” He also examines cities which achieve this aim – incorporating styles from Art Deco to Neo-classical – and comes to the interesting conclusion that Richmond, Virginia is the “mecca of parking decks.” You can read the full article here.
Visit some of the city’s most gawk-worthy homes designed and furnished by New York’s top architects and interior decorators. From a penthouse with a three-story slide to the ultimate man cave, these private residences exemplify ingenuity, innovation, and forward-thinking urban design.
The week kicks off on September 27 with a Meet the Architects celebration, followed by a weekend of mag-worthy City Modern home tours in Manhattan and Brooklyn. From real life chutes and ladders at the Skyhouse – the four-story penthouse in the Financial District, complete with an 80-foot-long mirror-polished stainless steel slide – to the decked out, James-Bond-meets-Barbarella Brooklyn pad of Flavor Paper kingpin Jon Sherman – this tour is sure to stir the senses as well as great design ideas for any home.
An A-list of notable firms bring ticket-buyers 10 breath-taking homes, including David Hotson Architect, Architecture in Formation, Leone Design Studio, Asfour Guzy Architects, Resolution: 4 Architecture, James Cleary Architecture, Skylab Architects, Christian Hubert Studio, Bergen Street Studio and Ben Hansen Architect. Proceeds from the ticket sales benefit Architecture for Humanity. The Meet the Architects opening event on September 27 in Soho offers the chance to meet them all and to get a sneak peek of the homes.
The Berkeley Prize supports the study and teaching of the social art of architecture. The online, two-stage Essay Competition (in English) is open to undergraduate architecture majors in accredited schools of architecture throughout the world.
The Travel Fellowship Competition is open to Essay Competition semifinalists. The Teaching Fellowship Competition for undergraduate architecture faculty worldwide takes place in early spring 2014.
Competition opened September 15 and the entries for Stage One are due November 1. For more information, please click here.
The Royal Institute of British Architects (RIBA) has announced the 2014 International Fellowships of the RIBA. RIBA International Fellowships reward the particular contributions non-UK architects have made to architecture.
The RIBA’s 2014 International Fellowships will be awarded to:
The purpose of the competition is to select five architectural and town-planning concepts for the creation of a multifunctional city unit with a well-developed infrastructure, integrated into the city pattern and meeting the requirements of environmentally sustainable developments. The acceptance of competition applications closes October 9.
For complete details on the rules, jury and documentation, please go to the competition’s official website.
The AA (Architectural Association) is one of the world’s most renowned Schools of Architecture. It offers twice a year, since 2011, AAtelier: a 10-day highly international AA visiting school in Paris. What makes this course unique in the world today is its crossover approach between architecture and fashion.
The course is an intensive studio-based program that requires full-time participation and is run by Jorge Ayala whom graduated from the Architectural Association School in 2008. An AA certificate will be awarded upon completion.
More information after the break.
The ISARCH Awards are international awards targeting students of architecture. The aim is to provide a platform for debate surrounding the architecture solutions students contribute within the framework of their university studies.
A further objective of the ISARCH Awards is to encourage young people to join the debate on architecture, contributing their unique vision and opinions.
More info after the break.
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Today, September 20th, citizens, artists and activists have transformed hundreds of metered parking spaces worldwide into temporary public places with mission to call attention to the need for more open space. Since the establishment of PARK(ing) Day in 2005, by the San Francisco art and design studio Rebar, PARK(ing) Day has quickly become an international phenomenon. In 2011, close to 1000 parks were created in 162 cities, 35 countries and 6 continents.
Whether you are a participator or an observer this year, be sure to check out the official PARK(ing) Day Map and see what may be happening in your area of town. Learn how to map your park here. (more…)
In this first solo project by Andrés Jaque / Office for Political Innovation in Los Angeles, the architect prepares an exhibition, with a series of architectural case studies based in the city of L.A., in which he problematizes the importance of such cases as places of socialization and community, leaving behind the stereotypes that characterize them as disconnected spaces, symbols of ultra-individuality and comfort.
In an interview with Orson Welles in 1964 about the witch-hunt being carried out against Hollywood celebrities during the McCarthy-era, the filmmaker pointed out a strange paradox: while many people during the Second World War had betrayed their friends to save their own lives, in the golden-age of Hollywood, people did it to save their swimming pools. Far from downplaying Orson Welles’ observation, it is nonetheless interesting how these aquatic scenarios and backyard gardens have always been seen as something superficial, destroyers of social cooperation and enemies of the political.
For Andrés Jaque, it is in these interior spaces where decisions are made, the heterogeneity that underlies the garden city is casually discussed, and the conflicts and negotiations of domestic space are established. These are almost invisible architectures, hidden betweenpalapasand high hedges, conceived from the rhythms of the human body and its daily choreography. In that sense, Andrés Jaque understands his work in a way that is very similar to performance art that since the 70s has focused on the body and its relationship to its surroundings, as the main site of artistic practice. This is a dynamic architecture, one that is in constant tension, and that prioritizes its performative quality to engage daily transformations and conflicts.
In the architect’s installation, the body is present through its absence, and the performative quality is represented symbolically by water—one of the main actors in the Californian backyard gardens. It is not arbitrary that this exhibition takes its name from David Hockney’s drawing, “Different Kinds of Waters Pouring into a Swimming Pool, Santa Monica,” 1965, made during his first years in the city. Fascinated by the way people in Los Angeles used water to help shape their private gardens into social spaces, the painting shows a series of simple pipes pouring water into a swimming pool that can’t be seen. Although the material quality of water is elusive, its representation reaches a quasi-architectural dimension, without losing its ephemeral and dynamic aspect. As such, each waterfall becomes an exclusive portrait of a common situation. This might read as a metaphor for the everyday stories that the great narratives of urbanism have left out, but these are certainly places where certain forms of citizenship and interaction essential to architectural processes occur.
The exhibitionDifferent Kinds of Water Pouring into a Swimming Poolis accompanied with a small publication by the same name that features an essay by the architect, further discussing the ideas presented in the gallery.
Andrés Jaque and the Office for Political Innovation was founded in Madrid in 2005. This architecture office explores the potential of post-foundational politics and symmetrical approaches to the sociology of technology to rethink architectural practices.
They are authors of reference buildings including Plasencia Clergy House, awarded with the Dionisio Hernández Gil Prize and finalist of the VIII Bienal Española de Arquitectura y Urbanismo; House in Never Never Land, finalist of FAD Awards and Mies van der Rohe European Award. Recently, the Museum of Modern Art of New York (MoMA) acquiredIKEA Disobedientsas the first architectural performance piece to be included in its collection. In 2012, they presented their interventionPHANTOM. Mies as Rendered Societyat Mies van der Rohe Pavilion in Barcelona. Their work has been featured in Gwangju Biennale, 2011, and the Biennale di Venezia 2010.
Andrés Jaque has been Tessenow Stipendiat in Alfred Toepfer Stiftung FVS, and he is now professor at GSAPP Graduate School of Architecture, Planning and Preservation at Columbia University in New York.
Opening: Saturday, September 21 | 7–9 PM
Artist talk: Saturday, September 21 | 6 pm
Funded in part with generous support from Acción Cultural Española AC/E. The Standard is the official hotel of REDCAT.
The OAO HOTEL UKRAINA, with the support of the non-state educational institution Strelka Institute for Media, Architecture and Design, are pleased to announce the opening of a competition for the redesign of the entryway to this cultural heritage site of regional significance. This two-stage competition, lasting from 17th September 2013 to 25th February 2014, gives architects from all over the world the rare chance to work with an example of Moscow’s unique Stalinist architectural heritage.
The Ukraina Hotel is one of seven original Soviet skyscrapers (‘sisters’) that form a famous silhouette on Moscow’s skyline. Built in the 1950s, the Ukraina is today a landmark, marking the beginning of Kutuzovsky prospekt, one of the city’s main transport arteries.
Complete details after the break.
Launched in 2007, FuturArc Prize aims to generate forward-thinking, innovative Green building design ideas for Asia. The Competition offers a platform to professionals and students who are passionate about the environment. Through the force of their imagination, it aspires to capture visions of a sustainable future. This is open to architects and architecture students in Asia and the world.
The FuturArc Green Leadership Award was launched in 2009 to seek out innovative and ecologically responsible buildings in Asia. The competition recognises the team behind a completed project: the developer, consultants and contractors, who have collectively pushed the limits and definition of what a Green building is in Asia.
Design Corps and the Social Economic Environmental Design (SEED) Network announce the Call for Entries in the fourth annual SEED Awards for Excellence in Public Interest Design competition. Recognizing excellence in social, economic and environmental design, the SEED Awards represent the confluence of forces needed to create truly sustainable projects and change in the world.
Deadline for applications is Tuesday, November 12, 2013 by 11:59 p.m. EST. Winners will be announced January 22, 2014. For application details and guidelines, go to www.designcorps.org/awards.
More information after the break.
Far-out Voices presents a selective insight into the pioneering, counter-cultural origins of what we today call green design. Organized around a series of oral histories (filmed interviews) collected by Caroline Maniaque-Benton in 2002, the exhibition offers a point of entry into the thinking of some of the advocates of “sustainable” planning within the alternative architecture movement of the 1960s and 1970s.
DIY-manuals, photographic documentation, artifacts and ephemera linked to the work of Steve Baer, Mike Reynolds, Jay Baldwin, Graham Stevens and others reveal a legacy of direct action and experimentation driven by a desire for autonomy from the state and its infrastructures.
The National Museum is one of six partners co-producing the Oslo Architecture Triennale. The 2013 triennale, titled Behind the Green door – Architecture and the desire for Sustainability, features an innovative and critical examination of the concept of sustainability in architecture, urban development, and design. The Belgian group Rotor are curators for the main exhibition at DogA (the Norwegian Centre for Design and Architecture). For further information, see oslotriennale.no.
Title: Exhibition: Far-out Voices
From: Sat, 21 Sep 2013 15:00
Venue: National Museum of Art, Architecture & Design
Address: Sankt Olavs plass bedriftssenter, 0164 Oslo, Norway
In yet another twist to the ongoing story of the Southbank Centre redevelopment, the Architects’ Journal reports that the Southbank Centre has agreed to back a fundraising campaign to keep the famous skate park (if you missed the potential re-designs, click here), with the stipulation that a plan B be put in place in case the fundraising fails. And with at least £17 million needed to replace the revenue that the Centre would have gained by filling the undercroft with retail units, it could be time for the thousands who objected to the proposals to put their money where their mouth is. Find the full article here.