Live Work Play, an exhibition organised as part of the Hampshire Festival of Architecture 2014 (UK), showcases over 100 projects from “within the country, the UK, and beyond.” Featuring a range of “thoughtful, robust, elegant and ingenious designs”, the show will include designs from local practices such as PAD Studio, Design Engine, AR Design Studio, Design ACB and John Pardey Architects. The exhibition will be open seven days a week between the 14th June and the 16th July. Find out more from RIBA Hampshire.
Natural systems offer architects and designers significant potential as alternative, ecologically performative architectonic strategies. The d3 Natural Systems competition invites architects, designers, engineers, and students to collectively explore the potential of analyzing, documenting, and deploying nature-based influences in architecture, urbanism, interiors, and designed objects.
Established in 2009, the annual d3 Natural Systems competition has grown to become a leading voice in sustainable architecture. Recently published in London-based Wiley-Blackwell AD journal’s theme issue “The New Pastoralism: Landscape into Architecture” as a leading example of environmental innovation, the annual d3 Natural Systems competition is an emerging voice in ecological architecture and one of the most notable awards in speculative, performance-based design. It recognizes exemplary ideas that redefine architecture as an ecological project through the implementation of advanced programs, technologies, materials, and social interventions that engage adaptability, globalization, and emergence.
The 2014 competition calls for innovative proposals that advance sustainable thought and performance through the study of intrinsic environmental geometries, behaviors, and flows. By identifying, examining, and applying their structural order on form and function–bottom-up, performance-based solutions for limitless building typologies, functional programs, and material conditions may be realized.
For more information, please go to the competition’s official website.
Yesterday the Frick Collection announced its plans for a 6-story extension to its gallery in New York, designed by Davis Brody Bond. This article by Robin Pogrebin in the New York Times outlines the details of the extension, as the Frick adds itself to the list of post-recession cultural building projects – a list which includes the Museum of Modern Art, the Whitney Museum of American Art, and Miami‘s Pérez Art Museum. The article also outlines the challenges the Frick will have in expanding its landmarked 1914 building. Read the article in full here.
Architecture for Humanity, the non-profit responsible for propagating designers and designs around the world that “give a damn,” has named its latest Executive Director. After co-founders Kate Stohr and Cameron Sinclair announced their decision to step down in September of last year, the organization began a global search for the person who would replace them. Today, the Board of Directors has announced the appointee: Eric Cesal, an experienced designer and author of the memoir/manifesto Down Detour Road: An Architect in Search of Practice who first joined Architecture for Humanity in 2006 as a volunteer on the Katrina reconstruction program and later established and led Architecture for Humanity’s Haiti Rebuilding Center in Port-au-Prince from 2010 to 2012.
The Parrish Art Museum is pleased to present Soft Footprints: Works by SO – IL as the fourth installment of Architectural Sessions—an ongoing series co-presented with AIA Peconic that explores the connection between art and architecture, and how both disciplines elicit conversation about space, form, materials and aesthetics. On June 6, host architect Maziar Behrooz, AIA, will moderate a discussion with SO – IL co-founders Florian Idenburg and Jing Liu about their design philosophy, inspiration, and interdisciplinary approach to architecture and designing spaces for art.
Winner of the MoMA/MoMA PS1Young Architects Program in 2010, SO – IL is a Brooklyn-based, idea-driven design firm with a global reach that brings together extensive experience from the fields of architecture, academia, and the arts. By approaching its projects with an intellectual and artistic rigor, fueled by a strong commitment to realizing its ideas in the world, SO – IL functions as a creative catalyst involved in all scales and stages of the architectural process. Recent projects include the exhibition and events spaces for the first Frieze Art Fair, NYC, the Kukje Art Center in Seoul, South Korea (2012), and the UC Davis Museum of Art, completion expected in 2016.
Title: Conversation / Soft Footprints: Works by SO – IL
From: Fri, 20 Jun 2014 18:00
Until: Fri, 20 Jun 2014 20:00
Venue: Parrish Art Museum
Address: 279 Montauk Highway, Water Mill, NY 11976, USA
Multigenerational homes are nothing new. But with life expectancy increasing, young people staying longer in their childhood homes, and Baby Boomers aging, children, parents, and grandparents under the same roof might soon become the norm. To explore this possibility, Metropolis Magazine asked four design firms to consider what multigenerational living might look like in the future. Check out each unique take on sharing resources and space by reading the article here.
Do you get excited when you discover a game-changing command on AutoCAD? Don’t worry, us too – which is why we’re recommending five AutoCAD YouTube tutorials selected by Line//Shape//Space. To learn something new (like importing point cloud data or searching for text within your drawings), or just to brush up on your skills, click here.
For small firms, design competitions can often feel like a Catch22 - enter and lose precious time and resources (usually for nothing) or avoid them – at the risk of losing out on the “big break.” Now a new class at Harvard’s Graduate School of Design takes on just this quandary, as well as the many other practical, theoretical, and moral implications of architectural competitions for the profession. Learn more at this article at the Harvard Gazette.
Imagine standing on a glass platform with Chicago 1300 feet directly below. Suddenly, the glass holding you begins to crack. This actually happened to Alejandro Garibay at the Willis Tower (formerly the Sears Tower) just last week. Luckily, Garibay wasn’t hurt, but the occurrence begs the question: how safe is glass - the most common material used in skyscrapers nowadays - really? Karrie Jacobs At Fast Company – Design, asked materials experts to find out “The Truth Behind Building With Glass.”
Skillshare is an online learning community to master real-world skills through project-based classes. Their new class, ”Cityscape Photography: Capture Your City’s Story“, launched yesterday. In the one-hour self-paced class, Chicago-based photographer trashhand will take students into the creative process that allowed him to rise from Instagram amateur to acclaimed artist.
Throughout the class, students will follow in trashhand’s footsteps and learn by hitting the streets to capture and share their own city’s unique story. You can find out more about the class here, and stay tuned because in a few weeks we’ll share some of the students’ best images!
Following the news that Lloyd’s of London is planning to leave it’s Grade-I listed headquarters designed by Richard Rogers, Edwin Heathcote has written an interesting article asking whether the Lloyd’s Building - along with some other more spectacular failures of ‘iconic’ commercial architecture – can teach us anything about how we ought to design buildings. He argues that while high-profile design serves developers well, tenants seem to prefer bland yet functional corporate buildings, leading Heathcote to ask: shouldn’t we be seeking something in between? You can read the article in full here.
Following the devastating news that the Mackintosh School of Art’s iconic library was recently destroyed, Steven Holl - designer of the adjacent Seona Reid Building that opened earlier this year – reflects on the “magic” of what has been lost in an article for the Architectural Record. The Charles Rennie Mackintosh building, for Holl, “embodies a refreshingly direct conviction”, the sudden loss of which brought on a “deep sadness.” Placing it within a canon of architectural masterpieces, Holl gives insight to his emotional connections with this Glaswegian masterpiece: “the Glasgow School of Art has an inner worth and a dignity beyond all measurable value.” Read the article in full here.
Warehouse 623 Gallery is pleased to announce “Five Proposals for the Future of the Atlantic Yards“, an exhibition of alternative architectural schemes for the Atlantic Yards site. “Abstracts of New York”, a selection of photographs by Jean-Marc Bellaiche, will be shown concurrently.
In response to growing concerns about the direction that development of the Atlantic Yards might take and the potential impact on the surrounding communities, a group of architects exploring alternatives from a design perspective will present their work. The exhibition has been organized by architect Thomas Barry, principal of the Brooklyn-based design firm OPerA Studio, with contributed exhibits from five firms, including Joshua Zinder Architecture + Design (JZA+D); Amoia Cody Architecture; David Cunningham Architecture Planning; Matthias Altwicker and Farzana Gandhi; and OPerA Studio.
For more information please visit the exhibition’s official website.
Title: Exhibition: Five Proposals for the Future of the Atlantic Yards
From: Thu, 05 Jun 2014
Until: Sun, 22 Jun 2014
Venue: Warehouse 623 Gallery
Address: 623 Bergen Street, Brooklyn, NY 11238, USA
The annual theme Money and its questions posed by the Think Space 2013 | 2014 guest curators Ethel Baraona Pohl & Cesar Reyes Najera will undoubtedly trigge
Along with its unique approach in which new forums for thought are created via new design objects, in this cycle Think Space Programme is again leaning on historical discourse that normally takes the form of reflection through writing. As part of the 2013/2014 cycle of competitions, Think Space was calling for Money Papers in the following fields of inquiry: Territories, Culture & Society and Environment.
Another asset to the Unconference Programme will be The Money Exhibition, presenting the awarded entries at Lauba, House for People and Art, continuing to be on display after the Unconference event. More information can be found here.
Title: 3rd Think Space Unconference / Money
From: Wed, 11 Jun 2014
Until: Fri, 13 Jun 2014
Venue: Lauba, People and Art House
Address: Prilaz baruna Filipovića 23, 10000, Zagreb, Croatia
With the recent news that Dutch practice Mecanoo, along with Penoyre & Prasad, have been selected for a £200 million new engineering campus at the University of Manchester, Amanda Baillieu of BDOnline argues that they ”need to set their ambitions a whole lot higher.” Alongside’s Manchester’s announcement, universities in Sheffield, Newcastle and Oxford also recently announced a big investment in their campuses. The trick, Baillieu suggests, will be in ensuring the architecture is not “safe and office-like” (which fits universities’ “business-like” mindset). As we enter a “golden age” in university capital investment, educational architecture will be playing a central role. Read the article in full here.
House Housing: An Untimely History of Architecture and Real Estate in Nineteen Episodes is the first public presentation of a multi-year research project conducted by the Temple Hoyne Buell Center for the Study of American Architecture at Columbia University. Installed in the second-floor apartment of Columbia’s Casa Muraro in Venice and staged as an open house, the exhibition responds unsolicited to the proposal by Rem Koolhaas, curator of the 14th International Architecture exhibition, that architecture focus on its “fundamentals.” House Housing replies by considering architecture’s economic fundamentals, which locate housing at the center of the current economic regime, with the United States as an influential node in a transnational network.
In architecture, economic fundamentals are built from the ground up. The laws of real estate—relating to the acquisition of land, the financing of construction, the cost of building maintenance and services, profit from rent or resale, the value of equity, or the price of credit—inexorably shape any building component (like a window) and any building type (like a house). They are visible even in the residential work of such singular figures as Frank Lloyd Wright, not least because the Greek oikos, or household, forms the root of the word “economy” itself. But look closely and you will see that what seems fundamental, basic, or natural is, like any other law, a historical artifact permanently under construction and subject to change.
House Housing narrates nineteen brief episodes from across the last one hundred years in a mixture of domestic media, from phonograph to television, answering machine to iPad, converting the apartment into a whispering, humming history machine. Though they mainly focus on the continental United States, the discrete episodes are excerpts from global processes. Their artifacts range from houses designed by figures as well-known as Frank O. Gehry to seemingly ordinary gated communities in Florida. Their untimeliness is twofold. First, these episodes return us to financial matters widely discussed in the immediate aftermath of the 2008 foreclosure crisis but now largely abandoned by mainstream discourse. Second, the historical episodes disclose surprising repetitions of themes, tendencies, and actions. This reminds us that the economic infrastructures on which architecture rests are the outcome of such repetitions, rather than an a priori, natural ground.
Title: House Housing: An Untimely History of Architecture and Real Estate in Nineteen Episodes
Organizers: GSAPP Columbia Univeristy
From: Thu, 05 Jun 2014
Until: Fri, 06 Jun 2014
Venue: Casa Muraro
Address: Dorsoduro, Sestiere di Dorsoduro, 30100 Venice, Italy
Details have been released on the New York Public Library’s (NYPL) plan to renovate its Mid-Manhattan branch, while creating more public space within its flagship Stephen A. Schwarzman Building. The news comes shortly after Foster + Partner’s redesign of the the Beaux-Arts landmark was scrapped due to concerns of a ballooning budget. The revised $300 million overhaul suggests a more affordable option of relocating Schwarzman’s main stacks beneath Bryant Park, while establishing a more campus-like connection with a fully renovated Mid-Manhattan branch. All the details, here.
With the London Festival of Architecture opening yesterday, this article in the London Evening Standard highlights just one of the many threads which make up this year’s theme: the importance of foreign talent in making up London‘s cosmopolitan architectural culture. From Adam Caruso to Zaha Hadid, many of the city’s biggest names have come from abroad to study and work in the UK, helping to make it one of the greatest centres for design in the world – but all this could be at risk from untenable housing prices and draconian new visa restrictions. You can read the full article here.