Since the construction of the first high-rise, it seems architectural merit has been weighed most heavily by a building’s height. However, Kriston Capps of CityLab notes in his article “For the Best U.S. Architecture Per Square Mile, Head to Dallas” that the concentration of buildings by award-winning and internationally-renowned architects can also put cities on the architectural map. Although Chicago and New York may have taller skylines, he argues, in terms of stellar design density, Dallas can’t be beat. Read the full article, here.
Climate change, particularly rising sea levels, is expected to have a substantial impact in Miami, Florida over the next 100 years. Miami 2100: Envisioning a Resilient Second Century, an exhibition at the Coral Gables Museum, addresses this pressing issue, examining effective design solutions through the lens of architecture, landscape architecture, and urban planning. The exhibition of graduate student work from Florida International University uses the city’s existing infrastructure and architecture as the groundwork for future adaptation and development. A panel discussion highlighting the topic will take place on Thursday, February 12, with architects from BIG, OMA and West 8. Learn more, after the break.
The Office for Metropolitan Architecture (OMA) has opened a Dubai office to design and oversee projects in the Middle East-Africa region. Together with headquarters in Rotterdam and offices in New York, Hong Kong, Beijing and Doha, OMA Dubai aims to “strengthen the practice’s presence in the Middle East, and also provide a connection point for future work in Africa and India.” The office is located in Al Warsan Tower in TECOM.
CLOG is seeking submissions for its 13th issue, CLOG: Landmark. The latest edition from the New York-based publication explores the “powerful and complicated” nature of landmark status, examining the factors which dictate whether a building is to be destroyed or preserved. CLOG: Landmark plants itself in the nexus between architecture and social issues, dissecting ideas of “cultural value” and the framework by which this is determined. Critique and commentary of all forms will be considered, including images, graphics, diagrams, and text of not more than 500 words. Submissions must be received by March 1. Further guidelines for submission can be found here.
In an article for The Observer, Rowan Moore visits Manchester’s Whitworth Art Gallery (1908), a compact museum which has now undergone a comprehensive restoration and extension by MUMA (McInnes Usher McKnight). The practice, who won the job against 130 other bids for the project, worked with a budget of £15million in order to realise an ambitious brief. Their interventions and innovations, many of which are modest and unseen, have not only reconnected the building with its surrounding parkland but also elevated the interior rooms into world-class exhibition spaces. For Moore, their work is striking but muted: “the virtues of the new Whitworth – sustainable, accessible, sensitive, thoughtful – could all be synonyms for ‘dull’ or at least ‘worthy’. But, thanks to its pleasures of light and material, it is not. It is a job very well done.”
As one of the key figures of midcentury modernism and perhaps Finland‘s most celebrated architect, Alvar Aalto (3 February 1898 – 11 May 1976) was known for his humanistic approach to modernism. Aalto was concerned about creating a total work of art. He did not simply design buildings but also paid close attention to their interior features, including furniture, lamps, and glassware design.
Building Trust has launched their sixth international design competition: Cool School. Seeking an innovative school design proposal that can withstand the extreme Mongolian climate, the competition is challenging architects, designers and engineers to envision a solution which has the chance to shape the future of school buildings across cold regions globally. Contestants should consider environmental conditions, materials, space, comfort, accessibility, adaptability and aesthetics. Building Trust will work alongside competition partners, World Vision, local government and the school community in Khovd, Mongolia to build the winning school design. More information about the competition, here.
International design firm NLÉ has recently shared its competition-winning design for the financial headquarters of the microfinance bank Credit Direct Limited. Located in Lagos, Nigeria, in the Ikeja district, the bank’s design abandons the forbidding presence of most financial institutions for one that is open and welcoming. This decision not only invites clientele inside, but creates opportunities for adaptation to the tropical weather of Lagos.
With structurally unsound bridges, unsafe dams, and derelict roads becoming increasingly common problems, infrastructure has been brought to the forefront of many political agendas. However, limited funding in this area brings to mind the question of economics: how will improvements to North America’s major trading channels be made without driving the nation further into debt? This is what Jordan Golson addresses in the article, It’s Time to Fix America’s Infrastructure. Here’s Where to Start. Although not all of these infrastructural problems can be resolved in the foreseeable future, according to Golson, however some smaller improvements in the next few years can be a manageable starting point. Read the full article, here.
A compilation of all posts in the “Urbanist’s Guide to…” series from Guardian Cities, “The Urbanist’s Guide to the World” takes readers to cities across the globe. Penned by local bloggers in cities from Manila to Sao Paulo, Tehran to New Orleans, the vignettes are supported by The Rockefeller Foundation and cover everything from “best” and “worst buildings” to cleanliness, soundscapes, and “the best place for a conversation.” You can view the interactive guide here.
The south west French city of Libourne may soon get its own pop-up Pompidou. Reports indicate that the Libourne satellite outpost would be similar to the one currently underway in Malaga, Spain (soon to open in March 2015). If the deal is passed, the city would host the museum outpost in a former 40,000-square-meter military academy, though renovation costs are excepted run high - nearing €6 million. The city’s mayor Philippe Buisson is reaching out to regional and national authorities requesting financial assistance.
This week, the American Institute of Architects (AIA) released the results of its first Consensus Construction Forecast of the year. The forecast is compiled based on predictions of the industry’s leading forecasters and is conducted bi-annually to anticipate shifting business conditions in the construction industry. The dominant trend in this forecast (projected for 2015 and 2016) is an overall increase in spending in the construction sector.
The Atlanta Bridgescape Competition is an urban design challenge seeking creative strategies to enhance existing freeway infrastructure in Midtown and Downtown Atlanta, Georgia. The objective of the competition is to solicit designs for the next two bridge projects: the 10th Street Bridge in Midtown and the Courtland Street/Ralph McGill Boulevard Bridge in downtown. The competition seeks broad participation from multi-disciplinary design teams to develop innovative approaches for enhancing existing infrastructure in a manner that will elevate the experience of travelers along the Connector and improve the environment for pedestrians and cyclists on the bridge surfaces.
Envisioned by the architects as a “simple yet confident, memorable garden pavilion… timeless but with vitality, tactility and materiality that [invites] curiosity and engagement,” the project is located in the historic Giardini, and is Venice’s only waterfront pavilion. Replacing Philip Cox‘s 1988 temporary structure, the pavilion features a white interior exhibition space allowing art to be the main focal point, and in which the work of Australian photographic artist Fiona Hall will be displayed upon the pavilion’s opening in May. View previous coverage of the pavilion here.
This year’s 120 HOURS student architecture competition is set to run from February 9th through the 14th. The international competition is open to any current Architecture student, anywhere in the world. There is no fee to enter, and you (and your team of up to three) can do so by visiting the 120 HOURS website.
As the name suggests, the competition is strictly 120 hours long. Participants work in teams to come up with designs for a project, this year regarding “experimental preservation.” Winners are chosen by a distinguished jury of architects and lecturers, and the top prize is 30,000 NOK.
In their fifth annual “Game Changers” survey, Metropolis Magazine sought to uncover the visionaries who have the potential to make waves in design and architecture. Profiling six of design’s ”foremost forward-looking talents,” the list includes Ila Bêka and Louise Lemoine, the filmmaking duo whose “Living Architectures” series takes a sideways glance at some of the world’s most celebrated buildings; Amy Mielke and Caitlin Gucker-Kanter Taylor, whose work as Water Pore Partnership topped BIG and The Living for Holcim’s North America Award; and finally Aggregate, a collaborative of architecture historians who are rethinking the way we do architecture theory. For the full list and profiles of all those featured on it, head on over to Metropolis Magazine.
In memory of architect and arts administrator Deborah Norden, the Deborah J. Norden Fund is calling for proposals from students and recent graduates in the fields of architecture, architectural history, and urban studies for awards up to $5000 in travel and study grants. A program of The Architectural League of New York, participants must submit a maximum three-page proposal, which succinctly describes the objectives of the grant request and how it will contribute to the applicant’s intellectual and creative development. The deadline for submissions is April 16, 2015. For more information, please visit here.
“Every work of art is an interpretation of the world, of what you are thinking; a realization of your perception which creates and attempts a different world. In the end, a work of art is merely an offering to art.”
Mexican-Spanish architect Félix Candela (Jan 27, 1910-Dec 7, 1997) was known for redefining the role of the architect in relation to structural problems, and played a crucial role in the development of new structural forms of concrete. His famous experimentation with concrete gave rise to projects like the Los Manantiales restaurant in the Xochimilco area of Mexico City and the Cosmic Rays Pavilion for the National Autonomous University of Mexico.
Learn more about Candela after the break.