On view at the CCA from 19 June to 14 September 2014 and curated by architectural historian David Gissen, The Mound of Vendôme revisits one key episode of French history when the Commune de Paris in 1871 voted to demolish the Vendôme Column, abolishing all allusions to the Napoleonic era. To protect the surrounding architecture during demolition, a radical landscape was erected on Place Vendôme. Informed by the methods of experimental history, Gissen’s ongoing research project and installation at the CCA traces the provocative history of the column and mound, while arguing for its historicisation and reconstruction.
AA Visiting School is an international network of design workshops and other programs organized by the Architectural Association School of Architecture. This event will be realized in Bilbao, Spain between July 23 and August 5.
AA Visiting School will give away 20 scholarships for those interested in attending. If so, you need to send your CV/portfolio and a description explaining why would you like to attend the event.
The workshop will explore the question of ‘place’ or ‘topos’ and its radical transformation in the recent years due to the proliferation and availability of environmental parameters. The rise of digital methods in architectural design as well as simulation platforms for environmental analysis, have produced a renewed interest in the relationship between architecture and phenomena and in particular into the possibility of the integration of environmental aspects into the design process. Nevertheless, approximation means to environmental phenomena in relation to urban morphology need to be further explored to mediate between sophisticated simulation platforms and design agendas, beyond reductionist definitions of the environment.
Russian city dwellers live their daily lives, drive cars on busy streets, sit in front of computers in offices, buy groceries and other goods in supermarkets and shops, bring up their children and watch television at home. This decidedly typical Lebenswelt, routine, everyday, the gigantic and complex world of the ordinary, is under-researched and poorly analysed. The theme for Strelka’s 2013-2014 research school year is Urban Routines.
Student research, public lectures, and talks on Urban Routines constitute an attempt to figure out what the everyday life of Russian cities is made of.
MAXXI and Insula architettura e ingegneria with Based Architecture present “Cose Turche”, a conversation of six voices about Istanbul, aimed to recognize and trace the pulsating identity of a metropolis, which in its present metamorphosis is able to tell us about significant pieces of third millenium urban culture.
Recently some of Istanbul public spaces as Gezi Park, Taksim square with Ataturk Cultural Center by Hayati Tabanlioglu and Third Bosphorus Bridge became symbol and central places of an intense debate still open, which assumed a global broader connotation.
The Emerging New York Architects (ENYA) committee of the AIA New York Chapter is pleased to announce the opening of its sixth biennial design ideas competition exhibition, QueensWay Connection: Elevating the Public Realm on Thursday, July 17 at 6:00 PM at the Center for Architecture.
The exhibition showcases winners of the 2014 ENYA Biennial Design Ideas Competition, which challenged entrants to design a vertical gateway for the elevated viaduct portion of a 3.5 mile stretch of abandoned railway in Central Queens. The QueensWay is currently under study for conversion into an urban greenway by The Trust for Public Land, Friends of the QueensWay, and their design consultants. Four Prize Winners, one Honorable Mention, and a slide show of the 120 entries from 28 countries will be shown, along with progress and background information on the community development process. The exhibition is presented as part of the 2014 AIA New York Chapter Presidential Theme “Civic Spirit: Civic Vision.”
ENYA will also host a symposium at the Center for Architecture on Saturday, July 19 from 12:00 – 4:00 PM to highlight the winning entries’ designs and possibilities for the site’s and neighborhood’s future development.
Title: AIANY ENYA’s 2014 Biennial Design Ideas Competition Exhibition
From: Thu, 17 Jul 2014
Until: Fri, 31 Oct 2014
Venue: Center For Architecture
Address: 536 LaGuardia Place, New York, NY 10012, USA
A new exhibition in Germany looks at the history of the architectural model in contemporary art. It begins with a legendary model by Charles Simonds, covers the 1990s with Ludger Gerdes, Hermann Pitz and Thomas Schütte, and ends up in the present day with Alicia Framis, Hinrich Sachs and Carlos Garaicoa.
Focusing on recent acquisitions in MoMA’s Department of Architecture and Design, Conceptions of Space addresses how contemporary architects continue to embrace spatial creation as a fundamental focus of their work. The exhibition reveals how, beyond formal traits and functional needs, the conception and articulation of architectural space still defines architecture as an artistic endeavor, and a response to wider cultural issues.
In the early and mid-20th century, the concept of space was critical in defining the modern movement in architecture. Notions of architectural space related to the coherence between the interior and exterior of buildings emerged as a new feature. Counteracting previous understandings of architecture as a progression of styles, space became a privileged quest of architectural practice. In time, however, space was actively reclaimed by artists, geographers, sociologists, and others as their domain of intervention and reflection. As proposed by French philosopher Michel Foucault, ours is the epoch of space, an expanded field imbued with complex meanings.
Twenty international projects by architects and artists, in large-scale models, drawings, photographs, videos, and even a room-sized installation, survey how architecture addresses this expanded field. Spatial conceptions in the exhibition range from “assemblage” and “envelope” space, to “fictional” and “performative” space. Participants offer a global panorama of architectural practice today, from acclaimed architects such as Herzog & de Meuron, Álvaro Siza, and Kengo Kuma, to young, emergent practices such as Pezo von Ellrichshausen, Chile; Ryue Nishizawa, Japan; Ensamble Studio, Spain; and the New York-based SO-IL and MOS Architects.
Title: Exhibition / Conceptions of Space: Recent Acquisitions in Contemporary Architecture
Organizers: Pedro Gadanho, Phoebe Springstubb
From: Fri, 04 Jul 2014
Until: Sun, 19 Oct 2014
Address: 11 West 53rd Street, New York, NY 10019, USA
Hotel Fjord is the most visible big structure that was conceived and built during the Yugoslav period in Kotor and which is now waiting for more intense use again. Next to it there is at least four major sites and structures in a wide range of different material conditions, but all in a state of minimal use, which can be described as a programmatic void in the center of Kotor.
APSS 2014 will address the programmatic void in this area and work on it with students and mentors from different architectural schools in Europe. More then that, there will be a road from Venice biennale to APSS with academic work as well as expositions that deal with the topics elaborated at APSS and in-between. The team of offices behind the concept of GH Fjord Study and Program for APSS 2013 and APSS 2014 has been appointed for a curatorial team for Montenegin national pavilion in Venice Biennale. This way, we are extending our research on other topics, other buildings in need of immediate attention.
New mentors and lecturers for this year include Matthias Armengaud, AWP; Bart Lootsma, University of Innsbruck; Kersten Geers, KGDVS; Joerg Stollmann, TU Berlin; Srđan Jovanović Weiss, NAO; Milica Topalović, ETH; Boštjan Vuga, SADAR+VUGA; and Simon Hartmann, HHF.
Title: Kotor Architecture Prison Summer School 2014
From: Wed, 09 Jul 2014
Until: Sat, 19 Jul 2014
Venue: Old Prison of Kotor
Address: Kotor, Montenegro
This summer, the art, architecture and design of Finland will be celebrated in London. Reason & Intuition – Alvar Aalto & Ola Kolehmainen in Soane is a new exhibition bringing together the finest works of an acknowledged great of international modernist architecture and design and three collections of images by an acclaimed Finnish photographer.
Alvar Aalto (1898-1976) was a central figure in international modernism. His sculptural, and highly functional, furniture produced in the 1930s remains influential and very popular.
Reason & Intuition will feature around forty Aalto creations, including chairs, tables, lights, glassware and textiles, as well as rarer pieces, such as a collection of original designs and plans for some of Aalto’s 500 buildings and glassware designed by his first wife and collaborator, Aino.
Title: Exhibition / Reason & Intuition: Alvar Aalto & Ola Kolehmainen in Soane
From: Fri, 04 Jul 2014
Until: Sun, 24 Aug 2014
Venue: PM Gallery & House
Address: London, UK
The Mies van der Rohe Award, today one of the most important and prestigious prizes for architecture within the European competition, was first set up in 1987 by the European Union, the European Commission, the European Parliament and the Fundació Mies van der Rohe – Barcelona. This prize which involves a total sum of 80.000 EUR is organised and awarded every two years.
In 2013 five finalists were chosen from 335 projects nominated by European institutions and international experts – ultimately the eminent members of the jury chose the new Harpa Concert Hall and Conference Centre in Reykjavik designed by the Danish architectural firm Henning Larsen in collaboration with the Islandic practice Batteríið and the artist Olafur Elíasson, which was opened in 2011.
The travelling exhibition presents a total of 39 exceptional buildings from throughout Europe using plans and photographic material as well as numerous models. In the Architekturzentrum Wien the exhibition is augmented by the virtual presentation of 15 additional nominations with Austrian involvement. A catalogue with the projects selected by the jury – prizewinners, finalists and shortlist – will be presented in the context of the exhibition.
More information on the exhibition can be found here.
Title: Exhibition: Europe’s Best Buildings / Mies van der Rohe Award 2013
Organizers: Fundació Mies van der Rohe
From: Thu, 10 Jul 2014
Until: Mon, 15 Sep 2014
Venue: Architekturzentrum Wien
Address: Museumsplatz 1, 1070 Vienna, Austria
Live Work Play, an exhibition organised as part of the Hampshire Festival of Architecture 2014 (UK), showcases over 100 projects from “within the country, the UK, and beyond.” Featuring a range of “thoughtful, robust, elegant and ingenious designs”, the show will include designs from local practices such as PAD Studio, Design Engine, AR Design Studio, Design ACB and John Pardey Architects. The exhibition will be open seven days a week between the 14th June and the 16th July. Find out more from RIBA Hampshire.
The Parrish Art Museum is pleased to present Soft Footprints: Works by SO – IL as the fourth installment of Architectural Sessions—an ongoing series co-presented with AIA Peconic that explores the connection between art and architecture, and how both disciplines elicit conversation about space, form, materials and aesthetics. On June 6, host architect Maziar Behrooz, AIA, will moderate a discussion with SO – IL co-founders Florian Idenburg and Jing Liu about their design philosophy, inspiration, and interdisciplinary approach to architecture and designing spaces for art.
Winner of the MoMA/MoMA PS1Young Architects Program in 2010, SO – IL is a Brooklyn-based, idea-driven design firm with a global reach that brings together extensive experience from the fields of architecture, academia, and the arts. By approaching its projects with an intellectual and artistic rigor, fueled by a strong commitment to realizing its ideas in the world, SO – IL functions as a creative catalyst involved in all scales and stages of the architectural process. Recent projects include the exhibition and events spaces for the first Frieze Art Fair, NYC, the Kukje Art Center in Seoul, South Korea (2012), and the UC Davis Museum of Art, completion expected in 2016.
Title: Conversation / Soft Footprints: Works by SO – IL
From: Fri, 20 Jun 2014 18:00
Until: Fri, 20 Jun 2014 20:00
Venue: Parrish Art Museum
Address: 279 Montauk Highway, Water Mill, NY 11976, USA
House Housing is the first public presentation of a multi-year research project conducted by the Temple Hoyne Buell Center for the Study of American Architecture at Columbia University. Situated in the Casa Muraro in Venice and staged as an open house, the exhibition responds unsolicited to the proposal by Rem Koolhaas, curator of the 14th International Architecture Exhibition, that architecture focus on its “fundamentals.”
According to the organisers, “House Housing replies by considering architecture’s economic fundamentals, which locate housing at the center of the current economic regime, with the United States as an influential node in a transnational network. In architecture, economic fundamentals are built from the ground up. The laws of real estate—relating to the acquisition of land, the financing of construction, the cost of building maintenance and services, profit from rent or resale, the value of equity, or the price of credit—inexorably shape any building component (like a window) and any building type (like a house).”
“They are visible even in the residential work of such singular figures as Frank Lloyd Wright, not least because the Greek oikos, or household, forms the root of the word “economy” itself. But look closely and you will see that what seems fundamental, basic, or natural is, like any other law, a historical artifact permanently under construction and subject to change. House Housing narrates nineteen brief episodes from across the last one hundred years in a mixture of domestic media.”
Find out more about the event here.
Skillshare is an online learning community to master real-world skills through project-based classes. Their new class, ”Cityscape Photography: Capture Your City’s Story“, launched yesterday. In the one-hour self-paced class, Chicago-based photographer trashhand will take students into the creative process that allowed him to rise from Instagram amateur to acclaimed artist.
Throughout the class, students will follow in trashhand’s footsteps and learn by hitting the streets to capture and share their own city’s unique story. You can find out more about the class here, and stay tuned because in a few weeks we’ll share some of the students’ best images!
Warehouse 623 Gallery is pleased to announce “Five Proposals for the Future of the Atlantic Yards“, an exhibition of alternative architectural schemes for the Atlantic Yards site. “Abstracts of New York”, a selection of photographs by Jean-Marc Bellaiche, will be shown concurrently.
In response to growing concerns about the direction that development of the Atlantic Yards might take and the potential impact on the surrounding communities, a group of architects exploring alternatives from a design perspective will present their work. The exhibition has been organized by architect Thomas Barry, principal of the Brooklyn-based design firm OPerA Studio, with contributed exhibits from five firms, including Joshua Zinder Architecture + Design (JZA+D); Amoia Cody Architecture; David Cunningham Architecture Planning; Matthias Altwicker and Farzana Gandhi; and OPerA Studio.
For more information please visit the exhibition’s official website.
Title: Exhibition: Five Proposals for the Future of the Atlantic Yards
From: Thu, 05 Jun 2014
Until: Sun, 22 Jun 2014
Venue: Warehouse 623 Gallery
Address: 623 Bergen Street, Brooklyn, NY 11238, USA
The annual theme Money and its questions posed by the Think Space 2013 | 2014 guest curators Ethel Baraona Pohl & Cesar Reyes Najera will undoubtedly trigge
Along with its unique approach in which new forums for thought are created via new design objects, in this cycle Think Space Programme is again leaning on historical discourse that normally takes the form of reflection through writing. As part of the 2013/2014 cycle of competitions, Think Space was calling for Money Papers in the following fields of inquiry: Territories, Culture & Society and Environment.
Another asset to the Unconference Programme will be The Money Exhibition, presenting the awarded entries at Lauba, House for People and Art, continuing to be on display after the Unconference event. More information can be found here.
Title: 3rd Think Space Unconference / Money
From: Wed, 11 Jun 2014
Until: Fri, 13 Jun 2014
Venue: Lauba, People and Art House
Address: Prilaz baruna Filipovića 23, 10000, Zagreb, Croatia
House Housing: An Untimely History of Architecture and Real Estate in Nineteen Episodes is the first public presentation of a multi-year research project conducted by the Temple Hoyne Buell Center for the Study of American Architecture at Columbia University. Installed in the second-floor apartment of Columbia’s Casa Muraro in Venice and staged as an open house, the exhibition responds unsolicited to the proposal by Rem Koolhaas, curator of the 14th International Architecture exhibition, that architecture focus on its “fundamentals.” House Housing replies by considering architecture’s economic fundamentals, which locate housing at the center of the current economic regime, with the United States as an influential node in a transnational network.
In architecture, economic fundamentals are built from the ground up. The laws of real estate—relating to the acquisition of land, the financing of construction, the cost of building maintenance and services, profit from rent or resale, the value of equity, or the price of credit—inexorably shape any building component (like a window) and any building type (like a house). They are visible even in the residential work of such singular figures as Frank Lloyd Wright, not least because the Greek oikos, or household, forms the root of the word “economy” itself. But look closely and you will see that what seems fundamental, basic, or natural is, like any other law, a historical artifact permanently under construction and subject to change.
House Housing narrates nineteen brief episodes from across the last one hundred years in a mixture of domestic media, from phonograph to television, answering machine to iPad, converting the apartment into a whispering, humming history machine. Though they mainly focus on the continental United States, the discrete episodes are excerpts from global processes. Their artifacts range from houses designed by figures as well-known as Frank O. Gehry to seemingly ordinary gated communities in Florida. Their untimeliness is twofold. First, these episodes return us to financial matters widely discussed in the immediate aftermath of the 2008 foreclosure crisis but now largely abandoned by mainstream discourse. Second, the historical episodes disclose surprising repetitions of themes, tendencies, and actions. This reminds us that the economic infrastructures on which architecture rests are the outcome of such repetitions, rather than an a priori, natural ground.
Title: House Housing: An Untimely History of Architecture and Real Estate in Nineteen Episodes
Organizers: GSAPP Columbia Univeristy
From: Thu, 05 Jun 2014
Until: Fri, 06 Jun 2014
Venue: Casa Muraro
Address: Dorsoduro, Sestiere di Dorsoduro, 30100 Venice, Italy
“European-ness Porosity” is presented as part of “MADE IN EUROPE: 25 years of the European Union Prize for Contemporary Architecture – Mies van der Rohe Award.”
From the Organizers. Europe is currently experiencing a paradigm shift from national to urban identities. As its boundaries become increasingly blurred, each city is claiming an identity of its own. Europe is predominantly urban, and the condition of the European city is related to a stratification of architectures, functions and events which, palimpsest-like, shape a compact, complex understanding of the urban experience that embraces its architectonic heritage, industrial development, social housing, archaeological sites, modern infrastructure and the cities rebuilt after WW2.
The globalisation process began with the emigration of artists and architects during WW1, and continuing with the exodus due to the rise of the Nazi Party in Germany and the start of WW2. In this sense, Europe acted as a transmission device, the key node in a complex process of emission and assimilation. Today we live in a liquid reality whose theme is permeability, a reality in which professionals and intellectuals can move across porous borders.