The Parrish Art Museum is pleased to present Soft Footprints: Works by SO – IL as the fourth installment of Architectural Sessions—an ongoing series co-presented with AIA Peconic that explores the connection between art and architecture, and how both disciplines elicit conversation about space, form, materials and aesthetics. On June 6, host architect Maziar Behrooz, AIA, will moderate a discussion with SO – IL co-founders Florian Idenburg and Jing Liu about their design philosophy, inspiration, and interdisciplinary approach to architecture and designing spaces for art.
Winner of the MoMA/MoMA PS1Young Architects Program in 2010, SO – IL is a Brooklyn-based, idea-driven design firm with a global reach that brings together extensive experience from the fields of architecture, academia, and the arts. By approaching its projects with an intellectual and artistic rigor, fueled by a strong commitment to realizing its ideas in the world, SO – IL functions as a creative catalyst involved in all scales and stages of the architectural process. Recent projects include the exhibition and events spaces for the first Frieze Art Fair, NYC, the Kukje Art Center in Seoul, South Korea (2012), and the UC Davis Museum of Art, completion expected in 2016.
Title: Conversation / Soft Footprints: Works by SO – IL
From: Fri, 20 Jun 2014 18:00
Until: Fri, 20 Jun 2014 20:00
Venue: Parrish Art Museum
Address: 279 Montauk Highway, Water Mill, NY 11976, USA
House Housing is the first public presentation of a multi-year research project conducted by the Temple Hoyne Buell Center for the Study of American Architecture at Columbia University. Situated in the Casa Muraro in Venice and staged as an open house, the exhibition responds unsolicited to the proposal by Rem Koolhaas, curator of the 14th International Architecture Exhibition, that architecture focus on its “fundamentals.”
According to the organisers, “House Housing replies by considering architecture’s economic fundamentals, which locate housing at the center of the current economic regime, with the United States as an influential node in a transnational network. In architecture, economic fundamentals are built from the ground up. The laws of real estate—relating to the acquisition of land, the financing of construction, the cost of building maintenance and services, profit from rent or resale, the value of equity, or the price of credit—inexorably shape any building component (like a window) and any building type (like a house).”
“They are visible even in the residential work of such singular figures as Frank Lloyd Wright, not least because the Greek oikos, or household, forms the root of the word “economy” itself. But look closely and you will see that what seems fundamental, basic, or natural is, like any other law, a historical artifact permanently under construction and subject to change. House Housing narrates nineteen brief episodes from across the last one hundred years in a mixture of domestic media.”
Find out more about the event here.
Skillshare is an online learning community to master real-world skills through project-based classes. Their new class, ”Cityscape Photography: Capture Your City’s Story“, launched yesterday. In the one-hour self-paced class, Chicago-based photographer trashhand will take students into the creative process that allowed him to rise from Instagram amateur to acclaimed artist.
Throughout the class, students will follow in trashhand’s footsteps and learn by hitting the streets to capture and share their own city’s unique story. You can find out more about the class here, and stay tuned because in a few weeks we’ll share some of the students’ best images!
Warehouse 623 Gallery is pleased to announce “Five Proposals for the Future of the Atlantic Yards“, an exhibition of alternative architectural schemes for the Atlantic Yards site. “Abstracts of New York”, a selection of photographs by Jean-Marc Bellaiche, will be shown concurrently.
In response to growing concerns about the direction that development of the Atlantic Yards might take and the potential impact on the surrounding communities, a group of architects exploring alternatives from a design perspective will present their work. The exhibition has been organized by architect Thomas Barry, principal of the Brooklyn-based design firm OPerA Studio, with contributed exhibits from five firms, including Joshua Zinder Architecture + Design (JZA+D); Amoia Cody Architecture; David Cunningham Architecture Planning; Matthias Altwicker and Farzana Gandhi; and OPerA Studio.
For more information please visit the exhibition’s official website.
Title: Exhibition: Five Proposals for the Future of the Atlantic Yards
From: Thu, 05 Jun 2014
Until: Sun, 22 Jun 2014
Venue: Warehouse 623 Gallery
Address: 623 Bergen Street, Brooklyn, NY 11238, USA
The annual theme Money and its questions posed by the Think Space 2013 | 2014 guest curators Ethel Baraona Pohl & Cesar Reyes Najera will undoubtedly trigge
Along with its unique approach in which new forums for thought are created via new design objects, in this cycle Think Space Programme is again leaning on historical discourse that normally takes the form of reflection through writing. As part of the 2013/2014 cycle of competitions, Think Space was calling for Money Papers in the following fields of inquiry: Territories, Culture & Society and Environment.
Another asset to the Unconference Programme will be The Money Exhibition, presenting the awarded entries at Lauba, House for People and Art, continuing to be on display after the Unconference event. More information can be found here.
Title: 3rd Think Space Unconference / Money
From: Wed, 11 Jun 2014
Until: Fri, 13 Jun 2014
Venue: Lauba, People and Art House
Address: Prilaz baruna Filipovića 23, 10000, Zagreb, Croatia
House Housing: An Untimely History of Architecture and Real Estate in Nineteen Episodes is the first public presentation of a multi-year research project conducted by the Temple Hoyne Buell Center for the Study of American Architecture at Columbia University. Installed in the second-floor apartment of Columbia’s Casa Muraro in Venice and staged as an open house, the exhibition responds unsolicited to the proposal by Rem Koolhaas, curator of the 14th International Architecture exhibition, that architecture focus on its “fundamentals.” House Housing replies by considering architecture’s economic fundamentals, which locate housing at the center of the current economic regime, with the United States as an influential node in a transnational network.
In architecture, economic fundamentals are built from the ground up. The laws of real estate—relating to the acquisition of land, the financing of construction, the cost of building maintenance and services, profit from rent or resale, the value of equity, or the price of credit—inexorably shape any building component (like a window) and any building type (like a house). They are visible even in the residential work of such singular figures as Frank Lloyd Wright, not least because the Greek oikos, or household, forms the root of the word “economy” itself. But look closely and you will see that what seems fundamental, basic, or natural is, like any other law, a historical artifact permanently under construction and subject to change.
House Housing narrates nineteen brief episodes from across the last one hundred years in a mixture of domestic media, from phonograph to television, answering machine to iPad, converting the apartment into a whispering, humming history machine. Though they mainly focus on the continental United States, the discrete episodes are excerpts from global processes. Their artifacts range from houses designed by figures as well-known as Frank O. Gehry to seemingly ordinary gated communities in Florida. Their untimeliness is twofold. First, these episodes return us to financial matters widely discussed in the immediate aftermath of the 2008 foreclosure crisis but now largely abandoned by mainstream discourse. Second, the historical episodes disclose surprising repetitions of themes, tendencies, and actions. This reminds us that the economic infrastructures on which architecture rests are the outcome of such repetitions, rather than an a priori, natural ground.
Title: House Housing: An Untimely History of Architecture and Real Estate in Nineteen Episodes
Organizers: GSAPP Columbia Univeristy
From: Thu, 05 Jun 2014
Until: Fri, 06 Jun 2014
Venue: Casa Muraro
Address: Dorsoduro, Sestiere di Dorsoduro, 30100 Venice, Italy
“European-ness Porosity” is presented as part of “MADE IN EUROPE: 25 years of the European Union Prize for Contemporary Architecture – Mies van der Rohe Award.”
From the Organizers. Europe is currently experiencing a paradigm shift from national to urban identities. As its boundaries become increasingly blurred, each city is claiming an identity of its own. Europe is predominantly urban, and the condition of the European city is related to a stratification of architectures, functions and events which, palimpsest-like, shape a compact, complex understanding of the urban experience that embraces its architectonic heritage, industrial development, social housing, archaeological sites, modern infrastructure and the cities rebuilt after WW2.
The globalisation process began with the emigration of artists and architects during WW1, and continuing with the exodus due to the rise of the Nazi Party in Germany and the start of WW2. In this sense, Europe acted as a transmission device, the key node in a complex process of emission and assimilation. Today we live in a liquid reality whose theme is permeability, a reality in which professionals and intellectuals can move across porous borders.
China’s accelerated urbanization juxtaposes many local and global urban models in the contemporary urban space of the mega-city/metacity region. Since 1945 the global and local discourse on urban design and development has been dominated by four conceptual models. These four models, the metropolis, the megalopolis, the fragmented metropolis and the megacity/metacity have appeared in Asia with local characteristics and with special, hybrid characteristics. China’s rapid urbanization has been based on an equally rapid industrialization that has telescoped the historical development pattern of western nations into 60 years.
David Grahame Shane, Adjunct Professor at GSAPP, Columbia University will give a public lecture at Studio-X Beijing. A panel discussion will accompany this lecture, in which Wang Hui from URBANUS will introduce and discuss the Urban Models in China’s Accelerated Urbanization and public space.
Title: Lecture / Four Urban Models in China’s Accelerated Urbanization: Local Public Space Implications
From: Tue, 03 Jun 2014 19:00
Until: Wed, 28 May 2014 21:00
Venue: Studio-X Beijing, GSAPP, Columbia University
Address: Andingmen Inner Street & Fangjia Hutong, Dongcheng, Beijing, China, 100009
Ubu Gallery is pleased to present Knud Lonberg-Holm: The Invisible Architect, a debut exhibition devoted to this overlooked, yet highly influential, 20th Century modernist. Never-before-seen photographs, architectural drawings, letters, graphic design, and ephemera from Lonberg-Holm’s remarkably diverse career will be on view through August 1, 2014. The exhibition, which consists of selections from the extensive archive assembled by architectural historian Marc Dessauce, will solidify the importance of this emblematic figure in early 20th Century cultural and architectural history. Metropolis Magazine, the national publication of architecture and design, will publish an article on Knud Lonberg-Holm to coincide with this groundbreaking exhibition.
Born in Denmark, Knud Lonberg-Holm (January 15, 1895–January 2, 1972), was an architect, photographer, author, designer, researcher, and teacher. Lonberg-Holm’s early work in Denmark and Germany initially associated him with the Berlin Constructivist and Dutch De Stijl groups. An émigré to America in 1923, Lonberg-Holm was a fundamental correspondent with prominent European architects and their modernist counterparts in the U.S. The exhibition will feature a selection of letters to Lonberg-Holm from a pantheon of the European avant-garde including László Moholy-Nagy, Walter Gropius, Theo Van Doesburg, Buckminster Fuller, Hannes Meyer, J.J.P. Oud, El Lissitzky, and Richard Neutra.
Title: Exhibition / Knud Lonberg-Holm: The Invisible Architect
From: Tue, 06 May 2014
Until: Fri, 01 Aug 2014
Venue: Ubu Gallery
Address: 416 East 59th Street, New York, NY 10022, USA
This summer, the American Institute of Architects New York Chapter (AIANY) and the Center for Architecture Foundation will present Open to the Public: Civic Space Now, an exhibition exploring why people gravitate to (or avoid) civic spaces – the places between buildings where people can assemble. Curated by Thomas Mellins and designed by Athletics, the exhibition opens Thursday, June 12, 6:00 PM and runs through Saturday, September 6 in the main galleries at the Center for Architecture, 536 LaGuardia Place.
Open to the Public: Civic Space Now will be complemented by an international, day-long symposium on Saturday, May 14 that will also develop the ideas of other concurrent exhibitions at the Center for Architecture. For more information, please click here.
Title: Exhibition / Open to the Public: Civic Space Now
From: Thu, 12 Jun 2014
Until: Sat, 06 Sep 2014
Venue: Center For Architecture
Address: 536 LaGuardia Place, New York, NY 10012, USA
Social Housing in Spain is intended to be the first of a series of international programs by the AIANY Housing Committee, highlighting exemplary housing design around the world. For the first program of the series, AIANY have invited three leading architects from Spain who are currently teaching in the tri-state area: Carmen Espegel, Iñaqui Carnicero, and María Hurtado de Mendoza. The panelists will present and comment upon innovative projects that follow the country’s strong social commitment to housing.
The first decade of the XXI century was a landmark of quality and diversity in social housing in Spain.During those years, Spain built more collective housing than the production of England, France, and Germany combined. Approximately 4 million of units were built between 2000 and 2008. The municipal housing companies promoted, by means of open design competitions, a large number of significant works that championed research to new ways of living, hybrid typologies, construction systems linked to prefabrication and industrialization methods, and towards finding new explorations of shared space for new communities. The right to housing is guaranteed by the Spanish Constitution. Publicly protected housing in Spain represents a peculiarity compared to social housing models in other EU countries, in that it is housing provided almost entirely for owner-occupation.
Title: Conference: Social Housing in Spain
Organizers: AIANY Housing Committee
From: Thu, 29 May 2014 18:00
Until: Thu, 29 May 2014 20:00
Venue: Center For Architecture
Address: 536 LaGuardia Place, New York, NY 10012, USA
In celebration of the 50-year anniversary of the 1964 New York World’s Fair, Onishi Project and Kipton Cronkite are pleased to present World’s Fairs: Lost Utopias, the debut exhibition of Jade Doskow’s groundbreaking 7-year photography project. The exhibition will also include a 1968 triptych by Robert Rauschenberg and a dynamic group show—featuring Alexandra Posen, Greg Haberny, Naomi Reis, and Mark Freedman— inspired by the cultural zeitgeist that surrounded this event.
Jade Doskow’s large-scale color photographs illustrate utopian iconic architecture and art remaining after the close of 1960’s world’s fairs, and the arbitrary nature of what has been preserved, discarded, or repurposed on these sites. In the cities represented here, New York dominates, in celebration of the 50-year anniversary. The crowning glory that still remains is the New York State Pavilion, an unusual, dynamic carousel-like structure designed by Philip Johnson.
Title: Exhibition: World’s Fairs / Lost Utopias
From: Wed, 28 May 2014
Until: Tue, 10 Jun 2014
Venue: Onishi Project
Address: 521 West 26th Street, New York, NY 10001, USA
Since it was enacted by Congress, the Height of Buildings Act of 1910 has restricted how tall buildings can be designed in the District of Columbia.
TALL DC: New Monumentalism features student work from the Catholic University of America’s School of Architecture and Planning (CUA) that provocatively explores what Washington could look like in the absence of this law.
Working within CUA’s Emerging Technologies and Media graduate concentration, students analyzed two of Washington’s most recognizable structures, the U.S. Capitol and the Washington Monument, and questioned the definition of “monument” in the contemporary context of global commercial markets, residential migration, and iconic skylines.
Three distinct proposals for a mixed-use ‘skyscraper’ were created for the Department of Commerce site located near the National Mall. Using radically different design strategies, each concept offers a creative and controversial idea for building a TALL DC.
More information can be found here.
Title: Exhibition: TALL DC / New Monumentalism
Organizers: Catholic University of America School of Architecture and Planning
From: Thu, 22 May 2014
Until: Tue, 10 Jun 2014
Venue: District Architecture Center
Address: 421 7th Street Northwest, Washington, DC 20004, USA
Competing Utopias: An Experimental Installation of Cold War Modern Design from East and West in One Context
This installation is a ‘mash-up’ in the most provocative sense of that word. Its force comes from the collision of two design cultures that have been kept apart but have been visually connected in ways yet unexamined. What’s proposed is an experimental installation that presents Cold War modern design from East and West in one context.
Competing Utopias is organized by two Los Angeles institutions: the Neutra VDL Studio and Residences and the Wende Museum and Archive of the Cold War, each a different type of museum. The Neutra House is an iconic Los Angeles mid-century modern house museum, designed by Austrian born American architect Richard Neutra. The Wende Museum is the largest archive of Cold War artifacts in the world. Both ‘institutions’ originated in German speaking Europe, both subsequently landed in Los Angeles. Their collections embody two forks of a Cold War history.
Title: Competing Utopias: An Experimental Installation of Cold War Modern Design from East and West in One Context
From: Fri, 11 Jul 2014
Until: Sun, 14 Sep 2014
Venue: Neutra VDL Research House
Address: 2300 Silver Lake Boulevard, Los Angeles, CA 90039, USA
Apertures reflect a current architectural discourse of digital ecologies, emphasizing the relationship between the natural world and advances in digital technology, which leads to a new type of interactive, organic buildings. The installation focuses on a symbiotic relationship between nature, building morphologies, and material expression.
Rooted in Baumgartner+Uriu’s work and ongoing research, Apertures challenges the notion of an architectural opening as a static object. Moreover, it aims to redefine the DNA of a window both in terms of its appearance and materiality, as well as its nature as an object in continuous flux, responding to its environment through movement or sound. The pavilion and its apertures are designed to physically engage the visitor with the architectural work through sensors and sound feedback loops creating an immersive spatial environment in which the visitor can experience their own biorhythms.
The biennale brings together people and organizations that work with media and the built environment: With media facades, with urban screens and with buildings that communicate – be it with colorful LEDs, flashing light bulbs, or with heat-sensitive concrete that ’freezes’ the shadows of passers-by. Across professions and nationalities, participants will create and discuss the media architecture of the future. And they will investigate how media architecture shapes people’s lives in the cities of the world.
More information after the break.
Greenhouse Talks, an auxiliary public lecture series to the 2014 Venice Architecture Biennale, will take place on Thursday, June 5th and Friday, June 6th between 9:00 and 11:00am. During each session, an international panel of professionals – including the founder of MAD Architects, Ma Yansong, and the director of AMO, Reinier de Graaf – will discuss a topic pertaining to Rem Koolhaas‘ chosen theme for the Biennale: Fundamentals. The first day of discourse will focus on the future of the architectural profession, investigating the potential influence of the market crisis and the intersection of architecture with other disciplines. The second will reflect on the representation of architecture, considering the Western practice of exhibiting architecture projects in museums, institutes, and biennial events and what this practice’s adoption might mean for the East. For the full list of panel members and event details, read on after the break.
From CLOG. In many countries, architects assume that designing to meet the local building code assures that their buildings are safe for the public. But what if a building’s harm is not in the risk of the building falling down, but in the building performing as intended? If designed for the wrong purpose, can a building be a human rights violation, and if so, what should an architect do about it?
Coinciding with the release of CLOG : PRISONS, the J. Max Bond Center on Design for the Just City and the Masters of Urban Design Program at the Spitzer School of Architecture are hosting a lecture and panel response organized by CLOG that will critically examine the architecture of incarceration.
President of Architects, Designers, Planners for Social Responsibility
Global Justice Director, HOK
Amir Varick Amma
Formerly Incarcerated; Social Activist; Member of the Campaign to End the New Jim Crow and Co-founder of P.A.P.A II
Dr. Divine Pryor
Executive Director of the Center for NuLeadership on Urban Solutions
Director of Graduate Urban Design Program, CCNY
To order CLOG : PRISONS click here.
Title: CLOG : PRISONS Launch Event at Spitzer School of Architecture
From: Mon, 05 May 2014 18:30
Until: Mon, 05 May 2014 20:30
Venue: Spitzer School of Architecture
Address: The Bernard and Anne Spitzer School of Architecture, New York, NY 10027, USA