From April 10, the Frac Centre will host “Relief(s)— Designing the Horizon”, a series of exhibitions, workshops, and meetings exploring the place of the relief in the timeline of modern art. Over five months the work of Yasuaki Onishi, Gérard Singer, and Aurélie Pétrel will be on display alongside a host of supplementary cultural and educational programs. Hoping to “[shed] new light on the way in which contemporary art can renew our reading of the landscape and, more broadly the environment”, the exhibition will run until September 19. Learn more about the artists involved and view selected works after the break.
Organized by Czech collective Arch for People, ModulARCH is a new festival of modular architecture to be held in Brno, Czech Republic this April. The festival will explore all aspects of modular architecture from the ecological to the economic, and discuss the role of the typology within the contemporary city. Learn more about the three day conference after the break.
The three day program of ModulARCH will unfold on the grounds of Brno’s Moravian gallery, and comprise three distinct blocks. In succession, the festival will address modular architecture’s relationship with the public space, the modular EXPO 2015 pavilion in Milan, and the social necessity of modular architecture, alongside its role in public buildings. Two evening lectures will be given by Chilean architect Sebastian Irarrazaval, whose practice and research has dealt closely with modular architecture and construction.
From April 18 until August 24, 2015, the Hombroich Foundation will showcase the work of Pritzker Prize-winning architect Eduardo Souto de Moura. Spanning from his early career in 1980 to the present, the exhibition will explore de Moura’s influential style through models, plans, sketches and photographs. Celebrating such dynamic works as the reconstruction of the Franciscan convent of Santa Maria do Bouro in Amares and the the football stadium Estádio Municipal de Braga, highlighted projects will tell the lifelong story of de Moura’s designs.
This year’s second installment of Index Design’s Master Classe series will feature architect Brendan MacFarlane on March 24, 2015, from 6:00 to 8:00PM in Montreal. MacFarlane, co-founder of the internationally-acclaimed design firm Jakob + MacFarlane, will discuss his iconic and award-winning work, and his pursuit of creating architecture that “leaves nobody indifferent.” To purchase tickets and for more information, visit masterclasses.index-design.ca.
On April 17, Harvard GSD will host this year’s annual interdisciplinary Doctoral Conference, “Data Across Scales: Reshaping Design.” The conference invites design reachers and practitioners to examine the role and potential of data in design. Particularly apt for the technology-centric times of present, “Data Across Scales” focuses on the proliferation of information technologies within personal and professional contexts.
“We produce, share, collect, archive, use and misuse, consciously or unconsciously an immense amount of data,” reads a statement on the conference’s website, “This burst of data production and collection has already had a profound impact on the way we organize ourselves as a community.”
In 1955 the Museum of Modern Art staged Latin American Architecture since 1945, a landmark survey of modern architecture in Latin America. On the 60th anniversary of that important show, the Museum returns to the region to offer a complex overview of the positions, debates, and architectural creativity from Mexico and Cuba to the Southern Cone between 1955 and the early 1980s.
More about Latin America in Construction: Architecture 1955-1980, opening at MoMA on March 29th, after the break.
Now on view at London’s Architectural Association, Jan Kaplický Drawings presents work by the Czech architect Jan Kaplický (1937-2009) – a visionary designer with a passion for drawing as a means of discovering, describing and constructing. Through drawing he presented beguiling architectural imagery of the highest order.
The earliest projects date from the early 1970s when, for Kaplický, drawing was essentially a speculative pursuit. Whilst his days were spent working for other architects, during evenings and weekends he designed and drew at home. His architecture at this time was the plan and the finely detailed cross-section. Never satisfied, he constantly developed and honed his graphic language, perfecting the technique of the cutaway isometric which became his trademark.
A preview of Kaplický’s drawings, after the break.
From March 13, Berlin’s Tchoban Foundation Museum for Architectural Drawing will showcase the work of acclaimed Russian artist and architect Alexander Brodsky in the eponymous exhibition “Alexander Brodsky. Works.”
Curated by Daria Paramonova, architect and co-curator of the Russian Pavilion at the 2014 Venice Biennale, the exhibition will feature a collection of Brodsky’s new and old work and run until June 5.
Learn more about the exhibition and view selected works on display after the break.
URBAN TALES will showcase three distinct architectural artwork series exploring visions of narrative based city redevelopments. Featuring RIBA Presidents Medal-winning work, these original and engaging threads of imagery from UCL architecture graduates Ned Scott, Nick Elias and Anja Kempa objectify fiction and challenge political reality. The exhibitors question the role of architecture in a changing world and use fictional narratives to design fantastical, but possible, cities. URBAN TALES will kick off with an opening party on Friday, March 6 and remain on view through April 10, 2015 at Carousel London. Read on to learn more.
An upcoming conference at the University of Manchester will tackle the idea of Model Making In The Digital Age. Based on the premise that the world of architecture is dominated by digital tools today more than ever, from design and manufacturing to the ways in which we visualise complex spaces and structures physically and virtually, this symposium seeks to shed new light on the practice of model making and its uses.
From February 20 the Vitra Design Museum will host “Architecture of Independence – African Modernism,” an exhibition curated by architect and author Manuel Herz. Featuring numerous photographic contributions by Iwan Baan, “Architecture of Independence” explores the experimental and futuristic architecture produced in 1960s Central and Sub-Saharan Africa during the region’s period of newfound independence.
The Museum of Estonian Architecture opens its new season with an exhibition of the latest recipients of the Alvar Aalto Medal, Nieto Sobejano Arquitectos. Exhibition “The Window and the Mirror” opens at the museum today (Friday, February 13), providing visitors a first-hand experience of the works of the internationally acclaimed architects Fuensanta Nieto and Enrique Sobejano. In 2014 Nieto Sobejano Arquitectos won the architecture competition of the Arvo Pärt Centre to be built in Estonia by 2018.
Examining the past and potential role of applied neuroscience within architectural education, the conference will touch on topics such as design cognition and the effect of digital media production. “Sculpting the Architectural Mind” is both analytical and speculative, searching for new means of integrating digital tools into the design process and questioning what effects such an approach would have upon the built environment. The themes will be explored over four sessions spaced over the conference’s two days.
The extreme climatic conditions of the North introduce a design paradox for architects. The fragile environmental conditions require incisive designs that respond to irregular loading from strong winds, heavy snowfalls, avalanche risk zones, and extreme cold. The studio investigated a prototypical design: a unit with sleeping and cooking space for up to eight people, on a mountain site in Slovenia. The talk (on Friday, February 13th) serves as an opening for the exhibition on this project, curated by Spela Videcnik, John T. Dunlop Design Critic in Housing and Urban Development, with Rok Oman, featuring the work of her Fall 2014 studio, displayed on the Experiments Wall (in Gund Hall). Construction of the shelter is planned for summer 2015.
Climate change, particularly rising sea levels, is expected to have a substantial impact in Miami, Florida over the next 100 years. Miami 2100: Envisioning a Resilient Second Century, an exhibition at the Coral Gables Museum, addresses this pressing issue, examining effective design solutions through the lens of architecture, landscape architecture, and urban planning. The exhibition of graduate student work from Florida International University uses the city’s existing infrastructure and architecture as the groundwork for future adaptation and development. A panel discussion highlighting the topic will take place on Thursday, February 12, with architects from BIG, OMA and West 8. Learn more, after the break.
Rethinking the Urban Landscape, a (free!) exhibition curated by The Building Centre and Landscape Institute, presents a case for a landscape-first approach to city design and regeneration. The show, which is on view at The Building Centre in London until end of February and then tours, focuses on six problematic areas – from environmental issues to financial planning – and shows international projects that, due to the early procurement of landscape architects, deliver unique solutions.
BLUEPRINT is the latest exhibition on display at the Storefront for Art and Architecture in New York. Curated by Sebastiaan Bremer, Florian Idenburg and Jing Liu, the exhibition features 50 blueprints from participating artists and architects, ranging from as far back as 1961 to 2013.
Berlin’s Aedes Architecture Forum will mark the beginning of its 35th Anniversary Program by continuing its focus on Asia and China. With the architect Zhang KeofZAO/standardarchitecture from Beijing, Aedes presents one of the most promising protagonists of a young group of Chinese architects and urban planners with the exhibition 营造 Contemplating Basics. This follows on from the 2001 exhibition TU-MU, in which Aedes presented for the first time, and with global success, the first generation of independent architects in China. At that time, the architects and artists introduced in the exhibition – Yung Ho Chang, Liu Jiarkun, Ai Wei Wei, Wang Shu, Lu Wenyu – were fully unknown in the West, while some have since gone on to become Pritzker Prize winners or internationally renowned artists.