Mark C. O'Flaherty

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Elevating Contemporary Exhibition Design with Sliding Glass Panel Systems

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Some of the most memorable and moving exhibitions are the ones that simplify their staging, illuminating objects and narratives while pulling focus from everything else. A stark but meticulous –and above all modern– presentation is the goal of the museum curator. The process of installation shouldn’t be laborious. The fingerprint of the architect shouldn’t be visible. The eye of the visitor wants to see unbroken silhouettes of couture garments, archaeological treasures, and sculptures. Exhibitions tell stories, and the design of each show is the medium. The presentation must be crisp, clear, and light. A sense of perfection elevates the uniqueness of a collection of objects; barely apparent joins, lines and an overall feeling of transparency make that achievable.

Nostalgic Comfort: The Charm of the Duffle Coat on a Sofa

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There’s something old-fashioned, or indeed anti-fashion about a duffle coat. It’s charmingly naïf, the stuff of school uniforms and Paddington Bear, with a history that goes way back to the mid-19th century. It had a life in the military, as part of the uniform for the Royal Navy, and like much service attire, was then reimagined by the world of high fashion. Jean Cocteau used to stroll with close friend Coco Chanel, wearing his white version. Decades later, Rei Kawakubo made an oversized statement with versions at Comme des Garçons, and it remains a favorite of arch Modernist Margaret Howell. When Jean Louis Iratzoki was working on plans for a new sofa to join his ever-growing range of designs at BOSC, he took inspiration from the toggles and nostalgia of all things duffle. It was a subtle way to infuse what is a contemporary and highly sophisticated piece of furniture with a touch of something softer, from the past.