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  3. Offices
  4. Iran
  5. Arsh Design Group
  6. 2010
  7. 2 Offices, 2 Brothers / Arsh Design Group

2 Offices, 2 Brothers / Arsh Design Group

  • 01:00 - 30 December, 2010
2 Offices, 2 Brothers / Arsh Design Group
2 Offices, 2 Brothers / Arsh Design Group, © Arsh Design Group
© Arsh Design Group

© Arsh Design Group © Arsh Design Group © Arsh Design Group © Arsh Design Group +20

  • Architects

  • Location

    Tehran, Iran
  • Architects

    Arsh Design Group / Rambod Eilkhani, Pantea Eslami, Nashid Nabian, Alireza Sherafati
  • Structure

    Javad Nakhaei
  • Client

    Ahmad Nabian – Abolghasem Nabian
  • Electrical

    Ali Piltan
  • Construction

    Arsh Design Group
  • Mechanical

    Ali Ghanizadeh
  • Area

    510.0 sqm
  • Project Year

    2010
  • Photographs

From the architect. Enterprise.

The clients were two brothers, a geologist and a civil engineer, who asked for two autonomous offices. The driving force in designing the interior was the Enterprise’s “Absolutely-no-Division” policy. Both brothers desired open-plan schemes for their workspaces, with zero or kinetic partitions. Due to the nature of his practice, the geologist asked for a unified, linear studio space, where over-sized blueprints of mine sites and their topographical features could be laid out on long working desks. The civil engineer also envisioned his work space as a single, undivided spatial pocket—a control room, as he called it—with large working desks populated by printouts of charts and tables documenting the up-to-date dynamics of the various construction sites that he would manage simultaneously.

© Arsh Design Group
© Arsh Design Group

What is more, the relatively minimal size of the parcel allowed for Extra Small as the scale of spatial intervention. The result was a multitude of petite milieus, each architecturally figured out and valued through the tectonic speculations inherent in erecting substantial exposed structures out of concrete. The challenge was to achieve a state of Smooth, meaning light, shadow, and the ambiguous in-between, using poured stone (concrete) and glass as the media chosen to deliver an affective experience.

© Arsh Design Group
© Arsh Design Group

En Scène.

The location was deep inside a residential island, an enclave of old, near-ruined, provincial-style homes in northern Tehran. Whatever that was to be erected to accommodate the Enterprise had to fit into this surrounding atmosphere of domesticity. Instead of standing out by introducing a spatio-visual aberration, the beast, the Enterprise, had to fit in by maintaining a caché status.

© Arsh Design Group
© Arsh Design Group

The skin, via which the non-domestic interior would interface with the domestic exterior, had to maintain a low-key profile while establishing itself as high art in the most subtle way. The spatial relationship of the informal domestic and the Enterprise had to be inverted. The domestic was outside, while the Enterprise was encapsulated, dissolving within the extended domesticity without being subdued by it. The Enterprise cherished the exteriorized domus of the street, and therefore was embraced by it.

© Arsh Design Group
© Arsh Design Group

Erratum.

The orientation of the erected mass in relation to the remaining void was the result of a fortunate mistake -provoked through manipulation of city regulations- a spatial Erratum of city officials in identifying the appropriate boundaries of the buildable envelope according to zoning bylaws (instead of covering the eastern 60% of the parcel, the officials delineated the buildable envelope as the northern 60% of the lot due to the absurd orientation of the parcel and how it was willfully exaggerated in the construction permit request documents).

© Arsh Design Group
© Arsh Design Group

The error was provoked, cherished and embraced. As a result, the absurd proportions of the elongated buildable envelope allowed for a linear, almost corridor-like interior to take shape, satisfying the requirements of the Enterprise. The byproduct of the error was a very special outcome: the interface between the interior Enterprise and the exterior En Scène was minimized, allowing it to fit in even better. The interior corridor of the Enterprise was extended indefinitely to the domesticity that was everywhere out there, in the terrain vague framed between the silhouettes of the coupled-up apartment buildings facing each other via back-to-back yards. The two brothers would stand at the end of the interior enterprise, looking through the infinite green opening of tens of back-to-back yards vanishing into the far-away horizon, meeting the ambiguity of the mountain whose profile was blurred by distance.

Plan
Plan
Location to be used only as a reference. It could indicate city/country but not exact address. Cite: "2 Offices, 2 Brothers / Arsh Design Group" 30 Dec 2010. ArchDaily. Accessed . <http://www.archdaily.com/99437/2-offices-2-brothers-arsh-design-group/>
Read comments

23 Comments

minsuk,Jun · February 23, 2011

Reading: "2 Offices, 2 Brothers / Arsh Design Group | ArchDaily"( http://twitthis.com/fx32tb )

Natanael · January 27, 2011
Rembo · January 02, 2011

Arsh?! Are you guys serious? Let me guess, bunghole was already taken?

JDR · January 02, 2011

Very nice piece of architecture! 2 Offices, 2 Brothers / Arsh Design Group | ArchDaily http://t.co/hlxZBqY via @archdaily

blogs of the world · January 01, 2011

Architects: Arsh Design Group / Rambod Eilkhani, Pantea Eslami, Nashid Nabian, Alireza She... http://reduce.li/bfz6ay #group

Farshad · January 01, 2011

I am proud that I worked at that office with such easy going while creative people...

Trendy Design · December 31, 2010

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RENarch · December 31, 2010

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RENarch · December 31, 2010

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Minneapolis Mike · December 31, 2010

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daqbdesign · December 30, 2010

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failfrequently · December 30, 2010

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ArchitecturePassion · December 30, 2010

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moldingdesign · December 30, 2010

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Dan · December 30, 2010

Much visual interest popped onto eyeballs especially from push-pull of front facade and they chew upon it, visual licorice, far away and in glass candy jar of representation. Words ganged up on images in snowball fight and repressed them, but I looked out window and enjoyed the fight images put up. Gladness.

Sammy · January 15, 2011 10:07 AM

Haha! Great comment.

cubestudioviz · December 30, 2010

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spect2flipboard · December 30, 2010

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inspirographic · December 30, 2010

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barrymaguireni · December 30, 2010

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Paul Niklaus Louw · December 30, 2010

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Cubano · December 30, 2010

It is a respectable and fresh project in a rapidly decaying city and country. But...my god...the article is so hard to read! The wording and composition are exaggerated to a point of nuisance, which is unfortunate for such a nice project.

Guido Cabrales · December 30, 2010

Very good Iran!!

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