Perez Art Museum / Herzog & de Meuron

  • 01:00 - 7 April, 2014
Perez Art Museum / Herzog & de Meuron, © Iwan Baan
© Iwan Baan
  • Architects

  • Location

    Pérez Art Museum Miami, 1103 Biscayne Boulevard, Miami, FL 33130, USA
  • Partners in Charge

    Jacques Herzog, Pierre de Meuron, Christine Binswanger
  • Associate

    Charles Stone
  • Associate, Project Managers

    Kentaro Ishida, Stefan Hoerner
  • Project Team

    Adriana Mueller, Ahmad Reza Schricker, Daekyung Jo, Dara Huang, Günter Schwob (Workshop), Hugo Moura, Ida Richter Braendstrup, Jack Brough, Jayne Barlow (Associate), Jason Frantzen, Jeremy Purcell, Joana Anes, Margarida Castro, Masato Takahashi, Mehmet Noyan, Nils Sanderson, Roman Aebi (Workshop), Silja Ebert, Sunkoo Kang, Valentine Ott, Wei Sun, Yuichi Kodai, Yuko Himeno
  • Area

    11125.0 sqm
  • Project Year

    2013
  • Photographs

    Iwan Baan, Courtesy of Arcophotos, Daniel Azoulay, Oriol Tarridas

Courtesy of Arcophotos © Daniel Azoulay © Oriol Tarridas © Oriol Tarridas +14

An open structure

The new Pérez Art Museum Miami (PAMM) is located in Museum Park, part of the redeveloping downtown waterfront on Biscayne Bay. Its direct neighbours are the Patricia and Phillip Frost Museum of Science and a major freeway, connecting mainland Miami with Miami Beach. Simultaneously oriented towards the park, the water and the city, the new PAMM is an open and inviting structure from all sides alike.

© Iwan Baan
© Iwan Baan

Miami is known for its iconic art deco district, decorated boxes with no great relationship and exchange between inside and outside. What makes Miami so extraordinary however, is its amazing climate, lush vegetation and cultural diversity. How can these assets be fully exploited and translated into architecture?

Nature

As in previous examples of our work, such as the Dominus Winery in Napa Valley, the building’s environmental circumstances become central to its architectural concept. Due to its proximity to the water, the museum is lifted off the ground for the art to be placed above storm surge level. We use the space underneath the building for open-air parking, exposed to light and fresh air thatcanalso handle storm-water runoff. Rising from the parking level, the stilts supporting the museum platform become columns supporting a shading canopy, which covers the entire site creating a veranda-like public space that welcomes visitors to the museum and the park. Facing the bay, a wide stair connects the platform to the waterfront promenade.

© Iwan Baan
© Iwan Baan

In this exceptional location, we wanted the museum to offer generous views to the outside. Yet all the building’s expansive windows are recessed, with wooden planks under the concrete beams to minimize the sun’s impact on the glazing and to reduce the building’s energy consumption for cooling. Tropical plants selected for their resilience to the local conditions engulf the structural system. Roof and plants combined will create an overall microclimate reducing the extreme temperature gaps between outside and inside in the hot weather. The exterior surface of the museum’s massive concrete walls is chiseled in places and polished in others. When adjacent to the glazing, the concrete is smooth and reflective. When facing the outside, the concrete becomes rough, exposing its natural ingredients.

© Oriol Tarridas
© Oriol Tarridas

Rather than being an isolated “jewel box” (Schatzkammer) for art lovers and specialists, the museum provides comfortable public space for everybody. It is an extension of the park, offering gradual transitions from the outside to the inside, from the warm to the cool, from the humid to the dry and from the street to the art.

Specificity

The expression of the building comes from the canopy, the platform, the columns, the vegetation: in other words, the Veranda occupying the entire site. The museum’s interior volume nests within it, suspended amid the structural framework, each floor assuming the shape it needs. Because the galleries did not have to fit into any given form, we had the freedom to develop the curatorial layout, in close collaboration with the museum staff, to what felt like an optimal configuration to exhibit and develop the growing collection as well as to provide ample space for temporary exhibitions.

© Oriol Tarridas
© Oriol Tarridas

PAMM is organised around four different gallery types: Overview, Focus, Project and Special Exhibition galleries. They occupy part of the first and the entire second floor. The Overview galleries, displaying the museum’s collection, serve as the connecting tissue between the other gallery types. Fluidly connected in a non-linear sequence, they allow relationships to be formed between spaces. They are characterized by large openings with views onto the park, downtown Miami, the bay and the freeway. Along this flowing sequence of rooms, single enclosed spaces punctuated by windows show an individual artist, a theme, a specific collection or a commissioned work. These spaces are called Focus and Project galleries. The fourth type, the Special Exhibitions galleries function as spacious exhibition halls designed to accommodate contemporary art exhibitions. The Overview, Focus and Project galleries form a firm and rhythmic sequence through the building, varying in proportion and relationship to the outside. On the other hand, the Special Exhibitions galleries are flexible, with fewer openings to the outside and can be subdivided by temporary walls.

© Daniel Azoulay
© Daniel Azoulay

The spaces at PAMM and their materiality are very specific. They can be considered an antithesis to the flexible, abstract white cubes that have been a dogma in most recently built art spaces. Concrete and wood are used in different combinations, reflecting the outside materials of the building. Typical drywalls are detailed in a way that they are legible as added to the main structure. In order to enhance the inside-out transition, we designed a customized concrete mullion system that holds the largest ever-used hurricane-proof glass in Florida.

Community and views

At the heart of the building, a stair as large as a gallery connects the two exhibition levels. This stair also functions as an auditorium, using sound-insulating curtains in different configurations to provide space for lectures, film screenings, concerts and performances. Our idea was to avoid for such events to be isolated in a space remaining unused for most of the time. At PAMM, events in preparation are visible. When the space is not actively used for events, it is used by visitors and staff for individual readings, introductions to groups and the like. The museum shop and bistro are located on the platform level and are oriented to the bay. Education and research facilities are on the third floor along with the museum’s offices. We place these communal spaces at the periphery of the building, maximizing their exposure to the Veranda, Biscayne Bay, and Museum Park.

Courtesy of Arcophotos
Courtesy of Arcophotos
  • Cost Consultant

    Stuart-Lynn Company, New York, NY, USA
  • Design Consultant

    Herzog & de Meuron, Basel, Switzerland
  • Executive Architect

    Handel Architects , New York, NY, USA
  • Hanging Gardens

    Patrick Blanc, Paris, France
  • HVAC Engineering

    Arup, London, New York, UK, USA
  • Landscape Design

    GEO Architectonica, Miami, FL, USA
  • Plumbing/Fire Protection

    JALRW, Doral, FL, USA
  • Structural Engineering

    Arup, London, New York, UK, USA
  • Structural Engineering (Local)

    Douglas Wood, Coral Gables, FL, USA
  • Acoustics

    Harvey Marshall Berling Associates, New York, NY, USA
  • Civil Engineering

    ADA Engineer, Doral, FL, USA
  • Code Consultant

    Schirmer Engineering, White Plains, NY, USA
  • Concrete Consultant

    Reginald Hough, New York, NY, USA
  • Fabric Consultant

    Michele Rondelli, Zurich, Switzerland
  • Facade Engineering

    Front , New York, NY, USA
  • Lighting Consultant

    Arup, London, New York, UK, USA
  • Security Consultant

    Lane Consultants, Greenwood Village, CO, USA
  • Sustainability Consultant

    Transsolar Energietechnik GmbH , Stuttgart, Germany
  • Vertical Transportation

    Jenkins & Huntington Inc, New York, NY
  • Wood Consultant

    Stephen Smulski, Shutesbury, MA, USA
  • Site Area

    14221 sqm
Location to be used only as a reference. It could indicate city/country but not exact address. Cite: "Perez Art Museum / Herzog & de Meuron" 07 Apr 2014. ArchDaily. Accessed . <http://www.archdaily.com/493736/perez-art-museum-herzog-and-de-meuron/>