Romullo Baratto is an architect with a PhD from FAUUSP, member of the curatorial team for the 11th São Paulo Architecture Biennial in 2017. Former Managing Editor of ArchDaily Brasil, he guided the platform to win the FNA Award, the first media outlet to receive this honor. In 2023, he became Project Manager for ArchDaily Global, leading initiatives like the Building of the Year Awards and ArchDaily New Practices. Combining academic and professional experience, he communicates architecture through texts, interviews, lectures, curatorship, and photography. Follow him on Instagram: @romullobf
We've teamed up with Building Pictures, Filipa Figueira and Tiago Vieira to feature weekly episodes of their video series “Arquitectura à Moda do Porto,” which highlights Porto’s most significant buildings over the last 20 years.
The series is comprised of 10 episodes, each focusing on a different theme: light, stairs, balconies, nature, textures, doors, windows, skylights, pavements and structures.
Images of Zaha Hadid’s first project in Brazil – and in South America -- have been revealed. The “Casa Atlântica” residential tower will have eleven floors and a rooftop pool and be built in Copacabana, Rio de Janeiro, according to local paper O Globo.
Located on Atlântica Avenue, “Casa Atlântica” will be the only building on its lot, yet seeks to complement the surrounding environment and neighborhood.
The project was commissioned by businessman, Omar Peres, who acquired the land for R$ 23 million ($8.5 million).
The idea was to recreate – now in moving images – an iconic photograph of the site by exploring issues of representation, transparency, interior/exterior, promenades, ways of living and the tectonics of this architectural masterpiece.
Videos
1,2,3 Group: Samuel Meyering, Rem Kolhaas, Frans Bromet, Rene Daalder, Jan de Bont. Image courtesy of Rene Daalder. Via The Architecture Foundation
Before studying architecture at the Architectural Association in London, Rem Koolhaas embarked on a short but fruitful career in film as a member of 1,2,3 Group, a youthful band of five who shared different roles in front of and behind the camera in a kind of anti-auteur cinema.
The first film produced by the group came from the longtime friendship between Rem and scriptwriter and director Rene Daalder, who along with Jan de Bont, Frans Bromet and Samuel Meyering produced 1,2,3 Rhapsody (1965), a short film which featured Koolhaas as an actor in some scenes and a cameraman in others.
With the aim of visually demonstrating the behavior of architectural structures, the Mola model simulates real structures, allowing users to assemble, visualize and feel the structures themselves.
The idea for the interactive model began when Brazilian architect Márcio Sequeira de Oliveira was overseeing a postgraduate course and became concerned with the abstract approach given to topics related to structure.
After inaugurating his first building in China – “The Building on the Water” – Álvaro Siza has just announced his second project in the country, again in collaboration with Portuguese architect Carlos Castanheira. This time the two architects will develop a museum for Hangzhou Art Academy.
The new museum - which will have approximately 15,000 sqm, a total area similar to that of Serralves Foundation building – will host an important collection of pieces from the famous German school of arts and design, Bauhaus, founded by Walter Gropius in 1919.
The video was produced for La Triennale di Milano’s exhibition, “Paulo Mendes da Rocha – Technique and Imagination," and captures - through impeccable shots - the work that went into constructing the enormous cultural complex.
Rio de Janeiro has been selected to host World Congress of Architects UIA 2020, one of the world's most important architecture forums. The news was announced yesterday by one of the UIA's former presidents and current Secretary of the Session, Vassils Sgoutas, during the General Assembly of this year’s congress in Durban, South Africa. Rio's application was spearheaded by Brazil's most important architecture institution - Instituto de Arquitetos do Brasil (IAB). The South American city beat out two strong candidates: Melbourne and Paris.
After the presentations of the three candidate cities, two rounds of voting began. In the first round Rio got 85 votes, against Melbourne’s 73 votes and Paris’ 44 votes. In the second round Rio beat Melbourne with 107 votes against 95.
The archives of Álvaro Siza, whose drawings, sketches, and models have been exhibited in the most renowned cultural institutions around the world, may soon be transferred to the Canadian Centre for Architecture (Centre Canadien d'Architecture, CCA) in Montreal.
The architect confirmed on Wednesday to Portuguese paper PÚBLICO that he has been "in talks" with the CCA, as well as other un-named institutions from different countries, in order to "decide the future" of his archives.
One of the 100 architects and offices taking part in the "Time Space Existence" exhibition, running parallel to the Venice Biennale, Studio MK27's Marcio Kogan has contributed to the exhibition with five videos that, often comedically and/or dramatically, portray the daily lives of the residents of his works.
In honor of the World Cup (which starts today), the Brazilian Embassy in Tokyo, Japan, has invited Shigeru Ban, this year's Pritzker Laureate, to build a temporary pavilion.
In this video, produced by Hugo Oliveira, Portuguese architect Álvaro Siza denounces the "hyper-specialization" of architecture, outlining its academic roots as well as its practical implications for practice. Siza mentions how, in Portugal, a law was considered to limit architects to their specific specialities - exterior architects could not design interiors, for example. According to Siza, this tendency towards "hyper" or over specialization is unfortunate, as it gives rise to the segmentation of the discipline into subcategories - interior architecture, exterior architecture, landscape architecture, etc. - that undermine collaboration and team work.
This last Wednesday, April 9th, Herzog & de Meuron opened its first project in Brazil - Morro Arena - located in the city of Natal. With a capacity for 350 people, the arena features multipurpose rooms for dancing, classrooms, a terrace overlooking the sea, locker rooms and a sports court.
The Italian furniture brand Arper recently reissued Lina Bo Bardi's signature Bowl Chair. The pioneering project of the Brazilian-Italian architect presents a more relaxed approach to "sitting" - one that was fairly radical when it was originally released in 1951. The reissue of the chair - presented at the Salone del Mobile 2013 - is a testament to the forward-thinking vision of the architect.
Arper, who worked in partnership with the Instituto Lina Bo e P.M. Bardi to produce the Bowl Chair, based the design on the original prototype drawings. The genius of the chair is in its simple execution: consisting of two loose parts - an upholstered shell on a metal structure - the seat remains free to move in all directions. It is a chair for living, not just for sitting, and (as with all of Bo Bardi's works) places the human at the center of the design.
The Lisbon Architecture Triennale has announced that its 2016 Curatorial Board will be made up of André Tavares and Diogo Seixas Lopes, architects and directors of the magazine Jornal Arquitectos. José Mateus will serve as the Triennale's Executive President.More info, after the break...
The academic and critic Kenneth Frampton, who in the 1980s was instrumental in disseminating Portuguese architecture, as well as the idea of "critical regionalism," around the world, has won the third ever Lisbon Triennale Millenium BCP Lifetime Achievement Award, which distinguishes a person or practice whose work and ideas have been influential and continue to have a profound effect on architectural thinking and practice today.
"It is an excellent ending to this year's triennale, to give the Career Award to someone who has devoted his life to thought and architectural culture, demonstrating once again that architecture does not live only as built works," says André Tavares, director of the Architect's Journal and coordinator of the publisher Dafne.