Cladding is an essential element in architecture, combining functionality, technology, and aesthetics to protect and enhance buildings. Among the various materials available, such as stone, wood, and composites, metal cladding stands out for its durability, low maintenance, and design flexibility. In addition to offering weather resistance and fire safety, its recyclability makes it a sustainable and cost-effective solution for projects of all sizes. To meet these demands with efficiency and sophistication, Parallel Architectural Products offers a range of metal claddings and other innovative products designed to optimize installation, reduce labor costs, and ensure high-quality finishes.
Disciplines such as architecture, interior design, product design, and fashion rely on awards to celebrate innovation, set industry benchmarks, and inspire excellence. Beyond mere recognition, these accolades validate creative achievements, strengthen reputations, and expand the visibility of ideas that challenge conventions. They also foster interdisciplinary collaboration, encourage professional growth, and highlight the transformative impact of design on everyday life.
Among the world's most prestigious design competitions, the A' Design Awards & Competition is now open for submissions—an opportunity for designers, architects, and creative professionals to showcase their work on a global stage. Winning this award brings unparalleled benefits, including international exhibitions, media exposure, and a coveted place in the World Design Rankings. Past winners have had their work showcased in global exhibitions, featured in renowned publications, and presented at industry events, connecting them with influential leaders and expanding their reach in the competitive design market.
Park Hill, a large social housing complex in Sheffield, stands out as one of the most ambitious examples of modernist architecture in post-war Britain. Designed in 1961 by Jack Lynn and Ivor Smith, its innovative concept of "streets in the sky" aimed to combine high-density housing with the community spirit of traditional neighborhoods. By the late 20th century, the complex had fallen into severe neglect, marked by social problems and structural degradation that undermined both its functionality and reputation. Gradually, Park Hill became synonymous with the failure of modernism, carrying a heavy social stigma and marginalizing its residents. Starting in the 2000s, significant efforts began to reverse this narrative through a two-phase revitalization process. The first phase, led by Urban Splash in collaboration with the architectural firms Hawkins\Brown and Studio Egret West, focused on preserving and enhancing the building's historical elements while introducing modern interventions to create a livable, functional, and attractive space. This stage demonstrated the potential of adaptive reuse in revitalizing communities and reclaiming architectural icons. The second phase of the renovation, carried out by the firm Mikhail Riches, sought to build on this initial work by introducing new elements that deepened the connection between the existing spaces and contemporary living. With an approach that combined historical sensitivity and architectural innovation, Mikhail Riches continued the process of transforming Park Hill into a landmark example of how modernist architecture can be adapted to meet current needs without losing its original identity.
Polyurethane (PU) started as a solution to a 1930s shortage, but today it's a key material in industries from insulation to cushioning. Invented in 1937 by Otto Bayer and his team in Germany, PU was originally designed as a cheap, versatile alternative to rubber. It quickly became popular in coatings and adhesives for its strong bonding and protective properties. PU is made by reacting polyols and isocyanates, which generates heat and, in the presence of expansion agents such as water or gases, creates bubbles that cause the material to expand, resulting in a foam with adjustable density and structure. Its flexibility allowed PU to revolutionize industries with products like insulation and padding. However, its durability and non-biodegradability have raised environmental concerns. To address this, companies like Purman are leading the charge in recycling PU waste, helping to reduce its environmental impact while promoting more sustainable alternatives.
In many cultures, fire is a sacred element used in rituals of rebirth and renewal. It carries a dual symbolism, being both a creator and a destroyer—capable of illuminating paths or consuming everything in its wake. In Greek mythology, for example, Prometheus stole fire from the gods and gave it to humanity, marking it as a symbol of progress, knowledge, and creative power. However, fire also evokes destruction, as seen in biblical tales like that of Sodom and Gomorrah, where it was used as divine punishment. This duality was also evident in the 2019 fire at Notre-Dame Cathedral, which devastated its historic structure. The disaster sparked a wave of solidarity and led to unprecedented technological advancements, with restoration efforts utilizing digital tools such as laser scanning and Building Information Modeling (BIM) to recreate intricate details and preserve architectural heritage.
The construction industry, traditionally reliant on the intensive use of non-renewable natural materials, is at a decisive moment to reevaluate its processes and mitigate its significant environmental impact. How can the growing demand for infrastructure, housing, healthcare, and education be met without depleting natural resources? While recycling initiatives are gaining traction, they remain insufficient. In this context, more innovative solutions are emerging, proposing the use of agricultural waste, such as sugarcane bagasse, to create sustainable and disruptive alternatives for construction.
Prototyping is an essential element in sectors such as automotive design and technology, where iterative development enables testing, refining, and innovating. It involves creating initial models or early versions to validate concepts and fine-tune solutions before moving on to final production. This stage is crucial for identifying flaws, optimizing designs, and reducing risks, saving time and resources in the final implementation. In architecture, however, prototyping remains an underused tool. Despite the unique challenges inherent in architectural projects—whether programmatic, climatic, or related to site conditions—the benefits of prototyping can be profound. It offers architects the opportunity to experiment with new materials, validate construction methods, and test spatial configurations in a tangible, measurable way. As a result, it not only reduces uncertainties in the creative process but also drives bold and efficient solutions, fostering a more robust balance between aesthetics, functionality, and feasibility.
Walking on a glass floor is a unique experience that blends awe with a touch of unease. The transparency creates the illusion of emptiness beneath your feet, despite the firm support, generating a visual disconnection that makes each step feel tentative, as if you were floating or crossing an invisible bridge. Although glass is engineered for safety, the mind often associates it with fragility, producing a curious tension between trust and doubt. It's this mix of emotions that makes walking on a glass floor so unforgettable.
Modern glass floors are remarkably strong, thanks to advanced materials and manufacturing processes. Typically made from laminated glass—composed of multiple layers of glass bonded with a durable interlayer—they are designed to prevent shattering into sharp fragments. In terms of load capacity, a well-designed glass floor can support weights equivalent to or greater than traditional flooring materials, often exceeding 500 kilograms per square meter or more, depending on the design and application. Step onto a glass floor, and you're not just walking—you're floating, suspended between reality and illusion in a thrilling feat of modern design.
Salford Central Railway Station, Manchester. Image Courtesy of Pilkington
Infrastructure comprises the core services that urban areas must provide to ensure access to essential health and well-being standards, such as basic sanitation, energy, roads, transportation, and communication. Beyond being a functional network, infrastructure plays a transformative role in shaping how people live, work, and connect. Train stations, for instance, extend beyond their mobility functions to become centers of social interaction, economic hubs, and symbols of sustainable development. Their design reflects a delicate balance between functionality, safety, and architectural value, illustrating how infrastructure can enhance and transform urban experiences.
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Images of 'airPure' design concept (3D renders). Image Courtesy of Johnson Controls-Hitachi Air Conditioning
The first air conditioning systems were created by electrical engineer Willis Carrier in 1902 to solve a problem for a printing press in Brooklyn, New York, where humidity threatened to ruin the paper. Since then, air conditioning has evolved from a revolutionary thermal comfort system into an essential element of homes and workplaces. Initially, the units were large and centralized, hidden away due to their ducted system nature. However, this approach is rapidly changing as more energy-efficient efficient ductless air conditioners become more integrated into contemporary interiors.
Roman architecture, celebrated for its grandeur, precision, and technical innovations, has fascinated historians and enthusiasts for centuries. By blending functionality and aesthetics, it transformed the urban landscapes of antiquity and left a legacy that continues to influence contemporary architecture. Iconic structures such as the Colosseum, the Pantheon, and Roman aqueducts exemplify Roman ingenuity in using materials like concrete and implementing advanced techniques, such as the arch and the vault, which ensured durability and efficiency in their constructions. However, much of the theory and knowledge that underpinned these remarkable feats has been lost over time, leaving intriguing gaps in our understanding of their methods and practices.
A surface does more than simply cover a space—it transforms it, infusing personality, rhythm, and soul. It evolves from being a mere backdrop to becoming an active element that shapes the atmosphere through the interplay of material, form, and light. The balance of the touch, the thickness, incisions, tones, and luminous reflections can transform surfaces into sensory experiences. Textures can evoke stability or lightness, grooves introduce dynamism, colors define moods, and light sculpts depth and movement. Ceramic, with its aesthetic and functional versatility, is particularly well-suited to this role, offering architects a broad palette of creative possibilities.
For some, the perfection of nature reveals the signature of a divine force, something that defies rational explanations. The result of millions of years of adaptation and evolution, natural structures and organisms operate with an efficiency that is hard not to admire. Every form seems to have a precise purpose, showcasing ingenuity where functionality and beauty harmoniously coexist. From leaves to the smallest organisms, nature follows an impeccable logic of economy and precision, eliminating waste. It demonstrates that simplicity is often the purest expression of sophistication. Trees, for instance, grow to maximize strength and stability while minimizing resource use. This structural efficiency is achieved by aligning fibers along paths of maximum tension and shaping trunks and branches to optimally distribute loads. It's a testament to the fact that nature, above all, is a masterful engineer.
Fundamentally, facade design must blend protection, performance, and visual impact, turning it into a defining architectural feature. The evolution of facades reflects advancements in materials, technology, and design flexibility. In earlier times, facades used simple materials like brick, stone, and wood, offering structural support while showcasing regional styles. Over time, new materials like iron and steel were introduced, allowing for taller buildings with expansive glass facades that marked the beginning of modernism in urban centers. The 20th century brought reinforced concrete and aluminum to building perimeters, enabling lighter and more varied designs. Recent advances in high-performance materials, like composite panels and bio-based claddings, offer architects new aesthetic and energy-efficient options. STACBOND exemplifies this innovation, enabling creative, sustainable design solutions.
Who would think that a freshly painted wall, so smooth and glossy, could hide such a serious problem? Paint is one of the finishing touches that brings beauty and protection to both indoor and outdoor spaces. But beneath this layer of color, there’s an invisible coat that, silently, accumulates in our ecosystems and even in our bodies. Recent research from Switzerland identifies construction paint as one of the largest sources of microplastic pollution in oceans, rivers, and other environments. These microplastics, less than 5 mm in size, enter ecosystems through weathering, accumulating in marine and terrestrial animal bodies — and ultimately, in humans. Although the long-term effects on human health are still under study, evidence so far indicates that continuous exposure may contribute to various physical and metabolic health issues. Yet, sustainable alternatives are emerging, offering a way to create healthier spaces while minimizing environmental impact.
Art has long been perceived as elitist, an image solidified by its deep ties to power and wealth. In ancient times, works of art were status symbols reserved for rulers and religious figures, while the Renaissance marked a period in which wealthy patrons like the Medici family promoted art as a tool of social and political prestige. In the 17th century, with the rise of art academies, strict standards were established for what was considered "high culture," further distancing art from the masses.
By the 19th century, the art market had become shaped by private collectors and commercial galleries who viewed art as a luxury product, accentuating its exclusivity and making accessibility a secondary issue. Artistic movements like Impressionism, Modernism, and street art challenged the elitism of art, broadening its reach and questioning its institutional exclusivity. While the contemporary system remains dominated by wealthy collectors and a market that prioritizes profit over accessibility, there are still initiatives aiming to change this dynamic.
As global concerns about climate change grow each year—reshaping our daily lives, cities, and landscapes—some places face a paradoxical challenge: extreme cold. In the world's harshest latitudes, designing sustainable, habitable buildings requires more than conventional approaches; it demands innovation and a deep respect for the local environment. This is the commitment of BIOSIS, an architecture studio based in Copenhagen, which has embraced the challenge of working in some of the planet's most extreme climates. Specializing in climate-driven design, the firm adapts each project to its surrounding environment, respecting and collaborating with nature. For founders Morten Vedelsbøl and Mikkel Thams Olsen, with whom we spoke, this approach represents more than structural resilience—it's a way to harmonize buildings with the environment in regions where extreme cold is a daily reality.
John Pawson is a renowned British architect and designer, widely recognized for his minimalist approach, which values simplicity, proportion, and material authenticity. In his work, he explores space and light with depth, refining each element to its essence to create environments that promote tranquility and focus. His portfolio spans private homes, galleries, churches, and monasteries, each exemplifying his dedication to material purity and spatial harmony. By balancing clean lines, natural textures, and understated details, Pawson establishes a modern elegance and timeless quality that make him a pioneer of architectural minimalism.