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Ancient civilizations like the Egyptians, Greeks, and Romans understood long ago the importance of sanitation and wastewater management, building elaborate sewage systems by using underground drainage channels to carry wastewater away from their cities. These systems relied on gravity to transport wastewater to nearby bodies of water, since water cannot flow upward without being pumped. Today, many sewage systems continue using gravity in a similar way, with a suitable slope that facilitates the flow of wastewater downhill to treatment facilities or other infrastructure. This also occurs inside private lots, where a height difference is needed between the building's piping and the urban drainage or sewage system. But there are times when the available height difference is not sufficient, or when the system is lower than necessary, causing gravity to get in the way, and making the system impossible to function in turn.

Danish architecture office CEBRA has won an international competition for the design of the new Skenderbeu Stadium in Korça, Albania. The winning proposal sets the 10,000-seat stadium in a lively neighborhood to create an engaging environment for fans, active citizens, businesses, and visitors of the Albanian city. The masterplan proposes buildings and alleys inspired by the Korça typologies to create a familiar cultural experience both in and around the stadium.

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Along the longest river in the world, the Nile River, various landscapes and natural environments have been negatively impacted by interventions that do not consider the context or respect local cultures. In response, NiLab the Egyptian Pavilion at the 18th International Architecture Exhibition of La Biennale di Venezia, aims to revisit these places and highlight the value of architectural design in promoting more sustainable and culturally aware development along the river. The exhibition titled "NiLab: Nile as Laboratory", recognizes the Nile's exceptional geographical size, historical significance, and impact on natural and human landscapes, making it an ideal backdrop for reflection on contemporary issues.

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Perhaps without even looking for it, Cora Kavanagh would leave one of the most emblematic buildings of rationalist architecture in Argentina. Inaugurated in January 1936, with its almost 120 meters of height, the Kavanagh Building stands in front of the ravine of Plaza San Martín, located in the central neighborhood of Retiro in the Autonomous City of Buenos Aires.

"Cora Kavanagh and her Building" is the title of Marcelo Nougués' new book that gathers the entire story, revealing everything from her building and her travels to her art collection and the different houses she lived in during a period of almost 50 years. In collaboration with Díaz Ortiz Ediciones, this 572-page printed volume compiles texts, photographs, and documents from the author's collection and also showcases selected images and illustrations from extensive research. Discover a part of this story below.

On June 1st, the ceremony for the VI European AHI Prize was held at the Sant Pau Hospital building in Barcelona. This recognition promoted by Architectural Heritage Intervention, in collaboration with the College of Architects of Catalonia and supported by the Department of Culture of the Generalitat de Cataluña, the City Council of Barcelona, and the Metropolitan Area of Barcelona, arises from the conviction that today, architectural heritage is not only an essential element of knowledge, but also a vital socio-economic resource for the sustainable development of territories.

Social Housing is a principal element for a more democratic city. These housing structures provide decent dwellings for all citizens in urban areas and connect them to the rest of the city and its services.

Unfortunately, in many countries, the term "Social Housing" still has a negative connotation. It is often seen as a project that seeks to build the largest number of units with cheap materials, and little-to-no concern for the quality of life of its residents. Often times, it is designed for monetary reasons, as opposed to a project that serves the city and its people. Although this fact is recurrent, there are several examples that portray the opposite, in which architects manifest their political point of view through exceptional projects with innovative solutions that improve the urban experience.

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