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    <title>Tag: will-bruder-partners | ArchDaily</title>
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        <![CDATA[will bruder+PARTNERS Splits into Two]]>
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      <link>https://www.archdaily.com/249946/will-bruderpartners-splits-into-two</link>
      <pubDate>Sun, 01 Jul 2012 19:00:31 +0000</pubDate>
      <dc:creator>Karissa Rosenfield</dc:creator>
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        <![CDATA[<p>Starting today, one of <a href="https://www.archdaily.com/tag/arizona">Arizona</a>’s most well-known architecture firms will no longer be <a href="http://www.archdaily.com/tag/will-bruderpartners/"><strong>will bruder+PARTNERS</strong></a>. After a successful 17-year history, the practice has branched into two independent firms with diverse architectural offerings due to a “natural evolution of individual and collective goals relating to firm size, design methodology and management.” Together, the internationally respected firm has created landmark buildings throughout the state, including projects such as the Burton Barr Library and the <a href="http://www.archdaily.com/137536/agave-library-will-bruderpartners/">Agave Library</a>. And now, each will go their separate ways as the firm has split into <a href="http://www.willbruderarchitects.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank"><strong>Will Bruder Architects</strong></a> and <a href="http://www.worksbureau.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank"><strong>WORKSBUREAU</strong></a>.</p>]]>
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        <![CDATA[Kimball Art Center / Will Bruder+PARTNERS]]>
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      <link>https://www.archdaily.com/200011/kimball-art-center-will-bruder-and-partners</link>
      <pubDate>Sun, 15 Jan 2012 13:00:52 +0000</pubDate>
      <dc:creator>Irina Vinnitskaya</dc:creator>
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        <![CDATA[<p>The <a href="http://www.archdaily.com/199037/kimball-art-center-shortlist-presentations/">Kimball Art Center</a> design proposal by <strong><a href="http://www.archdaily.com/tag/will-bruderpartners/">Will Bruder+PARTNERS</a></strong> focuses on the nature of “exhibition” in the context of history. Taking a cue from the “colorful prehistoric petroglyphs and pictographs” of <a href="http://wp.archdaily.com/tag/utah/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Utah</a>’s canyons along with its abundance of formally expressive Victorian architecture, the proposal takes on the role of expression and education through color and craft. This sensitivity to the history and propogation of exhibition is instantly understood with the facade walls of Main and Heber Streets.</p>]]>
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