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    <title>Tag: venturi-scott-brown-and-associates | ArchDaily</title>
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        <![CDATA[Plans to Renovate the Sainsbury Wing and National Gallery in London Receive Approval by the City Council]]>
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      <link>https://www.archdaily.com/993002/plans-to-renovate-the-sainsbury-wing-and-national-gallery-in-london-are-approved-by-the-city-council</link>
      <pubDate>Wed, 30 Nov 2022 06:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
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        <![CDATA[<p>The Westminister City Council adopted a resolution to grant planning permission to the National Gallery for a series of adaptations, including <a href="https://www.archdaily.com/990948/renovation-plans-for-venturi-scott-browns-national-gallery-wing-are-revised-after-widespread-criticism">Selldorf Architects’ restoration proposal for the Sainsbury Wing</a>, originally designed by <a href="/tag/robert-venturi">Robert Venturi</a> and <a href="/tag/denise-scott-brown">Denise Scott Brown</a>. The plans to remodel were revealed earlier this year as part of the <a href="https://ng200.org.uk/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">NG200 Project</a> to celebrate the National <a href="https://www.archdaily.com/tag/gallery">Gallery</a>’s bicentennial in 2024. The <a href="https://www.archdaily.com/985449/in-london-a-venturi-scott-brown-masterpiece-is-threatened">first intervention proposal</a> for the <a href="https://www.archdaily.com/781839/ad-classics-sainsbury-wing-national-gallery-london-venturi-scott-brown?ad_medium=widget&amp;ad_name=related-article&amp;ad_content=990948">Sainsbury Wing</a> was met with widespread criticism, which led to a <a href="https://www.archdaily.com/990948/renovation-plans-for-venturi-scott-browns-national-gallery-wing-are-revised-after-widespread-criticism">revision of the plans</a>, released in October this year.</p>]]>
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        <![CDATA[Renovation Plans for Venturi Scott Brown’s National Gallery Wing Are Revised After Widespread Criticism]]>
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      <link>https://www.archdaily.com/990948/renovation-plans-for-venturi-scott-browns-national-gallery-wing-are-revised-after-widespread-criticism</link>
      <pubDate>Fri, 21 Oct 2022 05:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/990948/renovation-plans-for-venturi-scott-browns-national-gallery-wing-are-revised-after-widespread-criticism</guid>
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        <![CDATA[<p><a href="https://www.selldorf.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Selldorf Architects</a> have released a <a href="https://idoxpa.westminster.gov.uk/online-applications/applicationDetails.do?activeTab=documents&amp;keyVal=RFBA0ERP2VQ00&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank">revised version of the plans to remodel</a> the National <a href="/tag/gallery">Gallery</a> and the Sainsbury Wing, both classified as Grade-I-listed monuments. Sainsbury Wing is also the recipient of the <a href="https://www.archdaily.com/909184/venturi-scott-browns-sainsbury-wing-national-gallery-london-receives-aia-25-year-award">2019 AIA Twenty-five Year Award</a>. The plans for the Sainsbury Wing, designed by <a href="/tag/robert-venturi">Robert Venturi</a> and <a href="/tag/denise-scott-brown">Denise Scott Brown</a> and opened in 1991, <a href="https://www.archdaily.com/985449/in-london-a-venturi-scott-brown-masterpiece-is-threatened">have faced intense criticism</a>, with former RIBA Journal editor Hugh Pearman calling the remodeling plans “unnecessarily destructive”. The plans to remodel were first revealed earlier this year as part of the <a href="https://ng200.org.uk/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">NG200 Project</a> to celebrate the National Gallery’s bicentennial in 2024. The project proposes the remodeling of the Sainsbury Wing’s front gates, ground-floor entrance sequence, lobby, and first-floor spaces.</p>]]>
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        <![CDATA[Spotlight: Robert Venturi and Denise Scott Brown]]>
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      <link>https://www.archdaily.com/769194/spotlight-robert-venturi-and-denise-scott-brown</link>
      <pubDate>Tue, 25 Jun 2019 06:00:00 +0000</pubDate>
      <dc:creator>Rory Stott</dc:creator>
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        <![CDATA[<p>Through their pioneering theory and provocative built work, husband and wife duo&nbsp;<a href="http://www.archdaily.com/office/robert-venturi" target="_blank">Robert Venturi</a>&nbsp;(born June 25, 1925) and&nbsp;<a href="http://www.archdaily.com/tag/denise-scott-brown/" target="_blank">Denise Scott Brown</a>&nbsp;(born October 3, 1931) were at the forefront of the <a href="http://www.archdaily.com/tag/postmodernism/" target="_blank">postmodern</a>&nbsp;movement, leading the charge in one of the most significant shifts&nbsp;in architecture of the 20th century by publishing seminal books such as&nbsp;<em>Complexity and Contradiction in Architecture</em>&nbsp;(authored by Robert Venturi alone) and&nbsp;<em><a href="http://www.archdaily.com/tag/learning-from-las-vegas" target="_blank">Learning from Las Vegas</a>&nbsp;</em>(co-authored by Venturi, Scott Brown and&nbsp;Steven Izenour).</p>]]>
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        <![CDATA[AD Classics: Sainsbury Wing, National Gallery London / Venturi Scott Brown]]>
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      <link>https://www.archdaily.com/781839/ad-classics-sainsbury-wing-national-gallery-london-venturi-scott-brown</link>
      <pubDate>Wed, 03 Oct 2018 16:30:00 +0000</pubDate>
      <dc:creator>Adam Nathaniel Furman</dc:creator>
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        <![CDATA[<p>Venturi Scott-Brown’s <strong>National Gallery Sainsbury Wing</strong> extension (1991) was born into a precarious no-man’s land between the warring camps of neo-Modernists and traditionalists who had been tussling over the direction of Britain’s cities for much of the prior decade. The site of the extension had come to be one of the most symbolic battlefields in British architecture since a campaign to halt its redevelopment with a Hi-Tech scheme by <a href="https://en.wikipedia.org/wiki/Ahrends,_Burton_and_Koralek?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Ahrends Burton Koralek</a> had led to that project’s refusal at planning in 1984.</p>]]>
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        <![CDATA[Robert Venturi Passes Away at 93]]>
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      <link>https://www.archdaily.com/902350/robert-venturi-passes-away-at-93</link>
      <pubDate>Wed, 19 Sep 2018 15:00:00 +0000</pubDate>
      <dc:creator>Katherine Allen</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/902350/robert-venturi-passes-away-at-93</guid>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/robert-venturi">Robert Venturi</a>, famed-<a href="https://www.archdaily.com/tag/postmodernism">postmodernist</a> and icon of American architecture, passed away Tuesday at the age of 93. Among Venturi’s many accolades were the 1991 <a href="https://www.archdaily.com/tag/pritzker">Pritzker Prize</a>, a Fellowship from the <a href="https://www.archdaily.com/tag/aia">American Institute of Architects</a>, and an Honorary Fellowship from the <a href="https://www.archdaily.com/tag/riba">Royal Institute of British Architects</a>. He started his firm in 1964, running it with his partner and wife <a href="https://www.archdaily.com/tag/denise-scott-brown">Denise Scott Brown</a> from 1967 until 2012. His legacy lives on as the firm continues under the name <a href="https://www.archdaily.com/tag/vsba">VSBA</a> (Venturi Scott Brown Associates).</p>]]>
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      <title>
        <![CDATA[The Often Forgotten Work of Denise Scott Brown]]>
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      <link>https://www.archdaily.com/895624/the-often-forgotten-work-of-denise-scott-brown</link>
      <pubDate>Tue, 05 Jun 2018 08:00:00 +0000</pubDate>
      <dc:creator>Ella Comberg</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/895624/the-often-forgotten-work-of-denise-scott-brown</guid>
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        <![CDATA[<p dir="ltr">There’s something irresistible about <a href="https://www.archdaily.com/tag/robert-venturi">Robert Venturi</a> and <a href="https://www.archdaily.com/tag/denise-scott-brown">Denise Scott Brown</a>’s architectural romance. They met when they were both young professors at the <a href="https://www.archdaily.com/tag/university-of-pennsylvania">University of Pennsylvania</a>; Scott Brown held seminars in city planning, and Venturi gave lectures in architectural theory. As the story goes, Scott Brown argued in her first faculty meeting that Frank Furness’ masterful Venetian gothic library should not be torn down to build a plaza (then a dissenting opinion). Venturi approached her after the meeting, offering his support. As Paul Goldberger <a href="https://www.nytimes.com/1971/10/17/archives/less-is-more-mies-van-der-rohe-less-is-a-bore-robert-venturi-less.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">wrote</a> of the couple in 1971, “as their esthetic viewpoints grew closer and closer, so did their feelings toward each other.” Architecture lovers can’t help but love the architect-lovers.</p>]]>
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        <![CDATA[Denise Scott Brown On the Past, Present and Future of VSBA's Groundbreaking Theories]]>
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      <link>https://www.archdaily.com/796821/denise-scott-brown-on-the-past-present-and-future-of-vsbas-groundbreaking-theories</link>
      <pubDate>Fri, 07 Oct 2016 09:30:00 +0000</pubDate>
      <dc:creator>Shalmali Wagle and Alen Žunić</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/796821/denise-scott-brown-on-the-past-present-and-future-of-vsbas-groundbreaking-theories</guid>
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        <![CDATA[<p><em>Through their books, theories and design projects, there's no doubt that <a href="http://www.archdaily.com/tag/denise-scott-brown" target="_blank">Denise Scott Brown</a> and <a href="http://www.archdaily.com/tag/robert-venturi" target="_blank">Robert Venturi</a> dramatically altered the course of architecture at the end of the Modernist period. In this interview conducted at the <a href="http://www.archdaily.com/tag/harvard-gsd" target="_blank">Harvard Graduate School of Design</a> in 2013, Shalmali Wagle and Alen Žunić talk with Scott Brown about the origins of the groundbreaking theories that underpinned the work of <a href="http://www.archdaily.com/tag/vsba" target="_blank">Venturi Scott Brown and Associates</a>, what she is working on now, and her hopes for the future of the profession.</em></p>]]>
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        <![CDATA[When Art, Architecture and Commerce Collided: The BEST Products Showrooms by SITE]]>
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      <link>https://www.archdaily.com/778003/the-intersection-of-art-and-architecture-the-best-products-showrooms-by-site-sculpture-in-the-environment</link>
      <pubDate>Mon, 07 Dec 2015 09:30:00 +0000</pubDate>
      <dc:creator>David Douglass-Jaimes</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/778003/the-intersection-of-art-and-architecture-the-best-products-showrooms-by-site-sculpture-in-the-environment</guid>
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        <![CDATA[<p>According to one survey, images of the BEST Products Showroom in Houston, Texas, designed by <a href="/tag/site">SITE</a> (Sculpture in the Environment), <a href="https://en.wikipedia.org/wiki/Best_Products?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">appeared in more books on 20th-century architecture than any other building</a>. The intentionally crumbling brick at that Houston store, known as “Indeterminate Façade,” and the eight other showrooms SITE designed, were simultaneously iconic and controversial, and most importantly for BEST, they brought in customers. Although SITE-founder <a href="/tag/james-wines">James Wines</a> never considered himself a Postmodernist architect, his designs for BEST, completed between 1972 and 1984, steeped in whimsical social commentary, came to symbolize the essence of <a href="/tag/postmodernism">Postmodernism</a>. Today, all but one of the BEST showrooms have been demolished or altered beyond recognition, but they set a lasting precedent, and continue to influence the use of architecture in corporate branding today.</p>]]>
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        <![CDATA[Light Matters: A Flash Back to the Glittering Age of Las Vegas at the Neon Museum]]>
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      <link>https://www.archdaily.com/645768/light-matters-a-flash-back-to-the-glittering-age-of-las-vegas-at-the-neon-museum</link>
      <pubDate>Tue, 23 Jun 2015 09:30:00 +0000</pubDate>
      <dc:creator>Thomas Schielke</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/645768/light-matters-a-flash-back-to-the-glittering-age-of-las-vegas-at-the-neon-museum</guid>
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        <![CDATA[<p>Thanks to the increasing availability of giant <a href="/tag/led">LED</a> screens, the Golden Age of Neon has quietly faded in <a href="http://www.archdaily.com/tag/las-vegas/" target="_blank">Las Vegas</a>. For decades casinos defined their visual identity with colorful neon signs and competed for the most innovative signage. But with casinos closing, being refurbished and the arrival of new lighting technology a lot of neon signs were replaced, and for many years the Young Electric Sign Company kept the old neon signs in their "boneyard" for storage and recycling. Fortunately historic preservation groups rescued these signs. With support of the arts council <a href="http://www.neonmuseum.org/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">The Neon Museum</a> was born to save neon treasures and to educate the public.</p>]]>
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        <![CDATA[Robert Venturi and Rem Koolhaas Side with Denise Scott Brown on Pritzker Debate]]>
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      <link>https://www.archdaily.com/355253/robert-venturi-and-rem-koolhaas-side-with-denise-scott-brown-on-pritzker-debate</link>
      <pubDate>Thu, 04 Apr 2013 00:00:00 +0000</pubDate>
      <dc:creator>Karissa Rosenfield</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/355253/robert-venturi-and-rem-koolhaas-side-with-denise-scott-brown-on-pritzker-debate</guid>
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        <![CDATA[<p><b>Robert Venturi </b>has joined nearly <a href="https://www.change.org/petitions/the-pritzker-architecture-prize-committee-recognize-denise-scott-brown-for-her-work-in-robert-venturi-s-1991-prize?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">4,000 advocates</a> in the call to retrospectively acknowledge <b>Denise Scott Brown</b> as a joint Pritzker Prize laureate, stating: “Denise Scott Brown is my inspiring and equal partner.”</p>]]>
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        <![CDATA[Denise Scott Brown Demands Recognition from Pritzker]]>
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      <link>https://www.archdaily.com/349920/denise-scott-brown-demands-recognition-from-pritzker</link>
      <pubDate>Fri, 29 Mar 2013 00:00:00 +0000</pubDate>
      <dc:creator>Karissa Rosenfield</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/349920/denise-scott-brown-demands-recognition-from-pritzker</guid>
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        <![CDATA[<p><span style="line-height: 1.5em;">During a speech at the AJ Women in Architecture luncheon in London last week, postmodern icon </span><a href="http://www.archdaily.com/130389/interview-robert-venturi-denise-scott-brown-by-andrea-tamas/" data-mce-href="http://www.archdaily.com/130389/interview-robert-venturi-denise-scott-brown-by-andrea-tamas/" style="line-height: 1.5em;"><strong>Denise Scott Brown</strong></a><span style="line-height: 1.5em;"> requested to be acknowledged retrospectively for her role in <a href="/tag/robert-venturi">Robert Venturi</a>’s 1991 <a href="/tag/pritzker-prize">Pritzker Prize</a>, describing Pritzker’s inability to acknowledge her involvement as “very sad”.</span><br></p>]]>
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