Venice Architecture Biennale 2025

At the 19th International Architecture Exhibition - La Biennale di Venezia 2025, the Republic of Armenia presents "Microarchitecture Through AI: Making New Memories with Ancient Monuments." The pavilion brings attention to the challenges facing cultural heritage today, particularly loss through climate change, conflict, and neglect, while exploring how emerging technologies such as artificial intelligence may offer new methods for preservation and reinterpretation. 

The Bulgarian contribution to the 2025 Venice Architecture Biennale is an experimental installation titled Pseudonature, situated at the intersection of nature and technology, reality and simulation. Curated by architect and designer Iassen Markov, the project explores the future of sustainability in a world where natural processes are increasingly mediated by artificial intelligence and human intervention. The exhibition features an outdoor installation that exposes technological and climate paradoxes and an interior space designed as a reimagined traditional Bulgarian room. Outside, physical interventions disrupt natural balances, highlighting the fragile interplay between technology and the environment. Inside, the space shifts to a setting for contemplation, where restoring equilibrium becomes a collective and introspective challenge.

"Living Scaffolding" is the name of the proposal selected to represent Peru at the 19th International Architecture Exhibition – La Biennale di Venezia. Curated by architects Alex Hudtwalcker, Sebastián Cillóniz, and Gianfranco Morales, along with historian José Ignacio Beteta, the exhibition tells the story of a totora reed raft that, in 1988, embarked on a sea journey to other ports in South America and Polynesia. Its unprecedented expedition began on the Peruvian coast south of Lima and lasted 54 days at sea. The raft was the result of a collective, handcrafted effort and a significant structural challenge. The exhibition aims to highlight the importance of ancestral knowledge in addressing such challenges, celebrate materials essential to Peruvian cultural heritage, and expose the value of collective intelligence. 

The Luxembourg pavilion at the 19th Venice Architecture Biennale will offer visitors an experience focused entirely on sound. Sonic Investigations, curated by architects Valentin Bansac, Mike Fritsch, and Alice Loumeau, is an immersive invitation to shift focus from the visual to the sonic. The sound installation, located in the Arsenale's Sale d'Armi, is based on a practical and theoretical investigation that re-examines the country's territory through field recordings capturing a range of sounds from biological, geological, and anthropogenic sources woven into the landscape. The installation creates an embodied experience of space, emphasizing the value of sensorial approaches in spatial practices and exploring the question: How can we reveal the entangled character of specific contemporary situations in Luxembourg?

BIG (Bjarke Ingels Group) has unveiled plans for Bhutan's Gelephu International Airport, a project that aims to combine traditional craftsmanship with contemporary design. As the country's second international airport, it is a key component of the Gelephu Mindfulness City (GMC) masterplan, designed to accommodate future growth while reflecting Bhutan's cultural and environmental values.

Pakistan has unveiled its national pavilion for the 19th International Architecture Exhibition - La Biennale di Venezia, set to take place from May 10 to November 23, 2025, in Venice, Italy. Titled (Fr)Agile Systems), the pavilion explores the dual nature of resilience and vulnerability in the face of climate change, using Pakistan's rich geological and cultural heritage as a lens to examine global environmental inequities. Through a striking installation featuring rock salt, a material shaped by time yet susceptible to change, the pavilion challenges dominant narratives of climate adaptation, advocating for localized, nature-based solutions rather than one-size-fits-all approaches.

Nieuwe Instituut, the national museum and institute for architecture, design, and digital culture in the Netherlands, has opened the Dutch Pavilion at the 2025 Venice Architecture Biennale. This year, the Giardini pavilion, designed by Gerrit Rietveld in 1953, is transformed into a sports bar. Titled "SIDELINED: A Space to Rethink Togetherness", the exhibition is curated by Amanda Pinatih, Design & Contemporary Art Curator at the Stedelijk Museum in Amsterdam, in collaboration with social designer Gabriel Fontana. Through a queer lens, the project examines sport as an architectural system that regulates spaces, bodies, and behavior, offering an alternative perspective on societal norms related to gender, identity, and group dynamics.

Uzbekistan's National Pavilion at the 19th International Architecture Exhibition- La Biennale di Venezia in 2025 presents "A Matter of Radiance." Curated by the architecture studio GRACE, led by Ekaterina Golovatyuk and Giacomo Cantoni, the exhibition explores Uzbekistan's modernist architectural legacy in response to the Biennale's overarching theme, "Intelligens. Natural. Artificial. Collective."

Out of 45 participating submissions for Chile's Pavilion at the 2025 Venice Architecture Biennale, the winning proposal has been recently announced. 'Reflective Intelligences,' the curatorial project by Serena Dambrosio, architect, researcher, and lecturer at Universidad Diego Portales; Nicolás Díaz Bejarano, architect, researcher, lecturer, and PhD candidate in Architecture and Urban Studies at Pontificia Universidad Católica de Chile; and Linda Schilling Cuellar, architect, urban designer,educator and doctoral candidate at the Centre for Research Architecture at Goldsmiths University.

"There Is Nothing to See Here" is the title of the exhibition hosted in the Hungarian Pavilion at the Venice Architecture Biennale 2025. Since 2015, the Ludwig Museum of Contemporary Art has managed and organized both the temporary exhibition and the building. This year, it presents an alternative vision for the future of the profession. Curated by creative director and assistant professor Márton Pintér, in collaboration with Ingrid Manhertz, András Graf, and Júlia Böröndy, founder of the platform Women in Architecture (WIA), the exhibition will showcase the work of 12 architecture professionals who apply their expertise in fields beyond the profession.

During a live presentation for the 19th International Architecture Exhibition, curator Carlo Ratti offered a glimpse into the programming of this year's edition. The 2025 Venice Architecture Biennale will include 66 National Pavilions, with 4 countries represented for the first time: the Republic of Azerbaijan, Sultanate of Oman, Qatar, and Togo. The exhibition, divided between the Giardini (26), at the Arsenale (22) and in the city center of Venice (15), explores the theme of "Intelligens. Natural. Artificial. Collective", gathering over 750 participants, including individuals and organizations forming interdisciplinary and multigenerational teams. According to the numbers released, this year's edition is shaping up to become the largest Architecture Biennale held in Venice.  

Saudi Arabia has just announced its participation in the 19th International Architecture Exhibition-La Biennale di Venezia with the National Pavilion presenting The Um Slaim School: An Architecture of Connection. Designed by Syn Architects, the Riyadh-based practice, and curated by Beatrice Leanza, the pavilion offers an exploration of contemporary urban conditions in Saudi Arabia through spatial practice and alternative architectural pedagogy. Syn Architects was selected as one of ArchDaily's Best New Practices of 2024, recognized for its engagement with local architectural heritage and contemporary spatial practices.

From May 10 to November 23, 2025, a carbon-neutral housing project designed by Elemental, the firm led by Pritzker Prize winner Alejandro Aravena, will be showcased at the Venice Architecture Biennale. The project aims to combine the Chilean office's expertise in social housing with the construction products of Holcim (the company behind the Holcim Foundation) to create a prototype for resilient and affordable housing.

The National Pavilion UAE has opened at the 19th International Architecture Exhibition - La Biennale di Venezia with the exhibition titled Pressure Cooker. Curated by Emirati architect Azza Aboualam, assistant Professor at Zayed University and Co-founder of Holesum Studio, the exhibition explores the evolving relationship between architecture and food production in the UAE, proposing innovative solutions for sustainable and self-sufficient food systems. Positioning the built environment as a catalyst for ecological resilience, it asks: In the face of climate and resource challenges, how can design shape more secure and sustainable food systems?  

What defines good housing and a good living environment? What political framework is needed to create them? How can we design socially equitable, affordable housing? And what strategies lead to the best results? These are the questions guiding Lorenzo Romito, Sabine Pollak, and Michael Obrist's proposal for the Austrian Pavilion at the Venice Architecture Biennale 2025. The building, designed by Josef Hoffmann and inaugurated in 1934, will become an interactive space with the opening of the "Agency for Better Living", an exhibition dedicated to exploring the new political dimension of the fundamental right to housing. The proposal takes as its starting point a comparison of social housing models in Vienna and Rome, creating a space for sharing ideas on better living for all.

The Swiss Arts Council Pro Helvetia, represented by Sandi Paucic and Rachele Giudici Legittimo, has announced that the Swiss Pavilion at the Venice Architecture Biennale 2025 will host the exhibition "The final form is determined by the architect on site," curated by Elena Chiavi, Kathrin Füglister, Amy Perkins, Axelle Stiefel, and Myriam Uzor. This all-female team poses the question: What if Lisbeth Sachs, rather than Bruno Giacometti, had designed the Swiss Pavilion? The exhibition will explore this question by reviving one of the iconic works of Lisbeth Sachs, one of the first registered female architects in Switzerland and a contemporary of Giacometti.

2025 promises to be a landmark in architecture, heralding a vibrant renaissance of creativity and exploration. As societies confront challenges such as climate change, rapid urbanization, and technological evolution, architecture is both a mirror to these dynamics and a compass pointing toward a sustainable and inclusive future. This year's architectural calendar offers abundant opportunities to celebrate the discipline's transformative power — from boundary-pushing festivals to thought-provoking exhibitions that explore pressing cultural and environmental narratives.

The Argentinian Pavilion at 19th Venice Architecture Biennale 2025  showcases 'Siestario,' the winning project by architects Juan Manuel Pachué and Marco Zampieron, with Brian Ejsmont as a collaborator. Both architects, graduates of the Faculty of Architecture, Planning, and Design at the National University of Rosario, are also co-founders of Cooperativa, a space dedicated to organizing architecture competitions. Currently, Pachué and Zampieron practice professionally and teach in the city of Rosario, Argentina.