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    <title>Tag: united-states-of-america | ArchDaily</title>
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        <![CDATA[Cities on the Move: What the Experts Predict for the Future of Urban Mobility ]]>
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      <link>https://www.archdaily.com/955629/cities-on-the-move-what-the-experts-predict-for-the-future-of-urban-mobility</link>
      <pubDate>Wed, 27 Jan 2021 04:00:00 +0000</pubDate>
      <dc:creator>Dima Stouhi</dc:creator>
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        <![CDATA[<p>In our increasingly urbanized world, everything and everyone has adopted a lifestyle of nomadism. New environmental and social constraints have forced people to have a constant "on-the-go" behavior, so much so that almost everything has acquired wheels, even the buildings. But with the rise of debates like <em>"is humankind being replaced by robots?"</em> and <em>"is technology taking over?"</em>, <a href="/tag/urban-mobility">urban mobility</a> has helped give access to housing, healthcare, and education in places with extreme difficult conditions. </p>]]>
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        <![CDATA[Renovation of Federal Reserve Board Headquarters Portends a Battle Over Civic Architecture]]>
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      <link>https://www.archdaily.com/941628/renovation-of-federal-reserve-board-headquarters-portends-a-battle-over-civic-architecture</link>
      <pubDate>Mon, 15 Jun 2020 03:30:00 +0000</pubDate>
      <dc:creator>Deane Madsen</dc:creator>
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        <![CDATA[<p>Paul Philippe Cret’s 1937 building for the Federal Reserve Board (FRB)—the Marriner S. Eccles Building—stands as a prime example of <a href="https://archpaper.com/tag/neoclassical?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">neoclassical</a> civic architecture along Washington D.C.’s Constitution Avenue. But the white marble building may have prompted new proposed guidelines around federal architecture, if conversations swirling in meetings of the Commission of Fine Arts are any indication. Plans to renovate and expand the FRB complex—the Eccles Building is joined by the FRB-East Building, designed in 1933 as the US Public Health Service by Cret’s fellow Frenchman Jules Henri de Sibour—are currently under review at the National Capital Planning Commission (<a href="https://archpaper.com/tag/national-capital-planning-commission/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">NCPC</a>) and the Commission of Fine Arts (CFA).</p>]]>
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        <![CDATA[Marc Thorpe Imagines “Citizens of Earth” Installation on the U.S.-Mexico Border]]>
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      <link>https://www.archdaily.com/936200/marc-thorpe-imagines-citizens-of-earth-installation-on-the-mexico-border</link>
      <pubDate>Tue, 24 Mar 2020 09:00:00 +0000</pubDate>
      <dc:creator>Christele Harrouk</dc:creator>
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        <![CDATA[<p>Citizens of Earth is a conceptual proposal by <a href="/tag/marc-thorpe-design">Marc Thorpe Design</a> for the city of Marfa in Texas. Located 20 miles outside of the city on the border of <a href="/tag/mexico">Mexico</a> and the United States, the installation aims to “<em>question the value of international <a href="/tag/borders">borders</a> within the context of the 21<sup>st</sup> century”.</em></p>]]>
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        <![CDATA[The Real Reason For the Resurgence of Streetcars in America (Spoiler: It's Not for Transport)]]>
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      <link>https://www.archdaily.com/877521/the-real-reason-for-the-resurgence-of-streetcars-in-america-spoiler-its-not-for-transport</link>
      <pubDate>Sat, 12 Aug 2017 09:30:00 +0000</pubDate>
      <dc:creator>Suneet Zishan Langar</dc:creator>
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        <![CDATA[<p>In this six-minute-long <a href="/tag/video">video</a>, <em><a href="https://www.vox.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Vox</a></em> makes the argument that the primary reason behind the recent resurgence of <a href="/tag/streetcar">streetcar</a> systems—or proposals for streetcars, at least—in the USA is not because of their contributions to <a href="/tag/urban-mobility">urban mobility</a>, but instead because of the fact that they drive and sustain <a href="/tag/economic-development">economic development</a>. As it uncovers the causes for the popular failure of the streetcar systems in cities such as <a href="https://www.dcstreetcar.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Washington DC</a>, <a href="http://streetcar.atlantaga.gov/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Atlanta</a>, and <a href="http://www.shstreetcar.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Salt Lake City</a> (low speed and limited connectivity, mostly) it asks why an increasing number of American city governments are pushing for streetcars in spite of their dismal record at improving transit. Is it solely due to their positively modern aesthetic? Are streetcars destined to function as mere “attractions” in a city’s urban landscape? Or is the real objective something more complex?</p>]]>
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        <![CDATA[Winners of "The Rust Belt" Contest Offer Ideas for a 107-Acre Former Factory Site]]>
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      <link>https://www.archdaily.com/773073/winners-of-the-rust-belt-contest-offer-ideas-for-a-107-acre-former-factory-site</link>
      <pubDate>Sat, 05 Sep 2015 09:30:00 +0000</pubDate>
      <dc:creator>Finn MacLeod</dc:creator>
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        <![CDATA[<p>Across industrial <a href="http://www.archdaily.com/tag/north-america/" target="_blank">North America</a>, many small working class cities are faced with a plethora of abandoned property due to the downfall of the automotive industry. The prolific ruins of the largest abandoned factory in North America, <a href="http://www.archdaily.com/570459/winning-proposals-reanimate-the-ruins-of-detroit-s-packard-motor-plant" target="_blank">Detroit's Packard Motor Plant</a>, have served as an emblem for dozens of similar plants dotting the landscapes of cities across the continent. In 2010, shortly after the beginning of the global economic crisis, Chrysler closed a sprawling engine factory in Kenosha, <a href="http://www.archdaily.com/tag/wisconsin" target="_blank">Wisconsin</a>. The factory has since been demolished and is now at the beginning of a five-year cleanup. Located adjacent to a densely populated suburban development, the 107-acre property begs the question: what can be done with such a massive piece of land?</p>]]>
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      <title>
        <![CDATA[Sou Fujimoto Designs "Structural Waterfall" for Miami]]>
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      <link>https://www.archdaily.com/434551/new-mixed-use-building-for-miami-from-sou-fujimoto</link>
      <pubDate>Thu, 03 Oct 2013 00:00:00 +0000</pubDate>
      <dc:creator>Vanessa Quirk</dc:creator>
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        <![CDATA[<p>The <a href="/tag/miami">Miami</a> Design District, an 18 square-block neighborhood between Miami’s downtown and South Beach, has announced that the facade of its new mixed-use retail building will be designed by <a href="/tag/sou-fujimoto">Sou Fujimoto</a>. The two-floor, 17,000 square foot structure, which will feature "an elongated series of glass fins extending from the rooftop down to the open courtyard," will create unique pedestrian arcades covered by a "structural waterfall."</p>]]>
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      <title>
        <![CDATA[Philip Johnson's Crystal Cathedral Born Again]]>
      </title>
      <link>https://www.archdaily.com/434266/philip-johnson-s-crystal-cathedral-to-receive-catholic-renovation</link>
      <pubDate>Wed, 02 Oct 2013 00:00:00 +0000</pubDate>
      <dc:creator>Vanessa Quirk</dc:creator>
      <category>
        <![CDATA[Renovation]]>
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      <guid isPermaLink="false">https://www.archdaily.com/434266/philip-johnson-s-crystal-cathedral-to-receive-catholic-renovation</guid>
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        <![CDATA[<p><a href="http://www.johnsonfain.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Johnson Fain</a> and <a href="http://www.rchstudios.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Rios Clementi Hale Studios</a> have been selected to transform Philip Johnson's 1981 Crystal Cathedral, originally a Protestant mega-church, to make it more in keeping with its new, Catholic identity. </p>]]>
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      <title>
        <![CDATA[AD Editorial Round Up: Architecture in America Today]]>
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      <link>https://www.archdaily.com/251500/ad-editorial-round-up-architecture-in-america-today</link>
      <pubDate>Wed, 04 Jul 2012 12:29:19 +0000</pubDate>
      <dc:creator>Vanessa Quirk</dc:creator>
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        <![CDATA[<p>Seeing as it’s the 4th of July, we thought we would take a moment to reflect on the state of Architecture in our country today. Where are we? What’s important to us now, July 4th, 2012? And what does the future look like?</p> ]]>
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