LIVING IN THE LANDSCAPE
This 1,500 sf house, which draws upon the American glass pavilion typology, Dog Trot, and principles of Florida Modernism, provides a tropical refuge in Downtown Miami. Elevated 5’ off the ground, the house includes 100 feet of uninterrupted glass – 50 feet spanning the length of the front and rear facades, with four sets of sliding glass doors that allow the house to be entirely open when desired. The house includes 800 sf of outdoor living space, with front and back porches and shuttered doors along the front for added privacy and protection against the elements. These details, and the position of the house, which is at the center of a 330-foot long lot, allow the house to meld seamlessly with the site’s dense and lush native landscaping.
LIVING IN THE LANDSCAPE
In 2012, Union Station became the new central location for intercity bus travel in Washington DC. The new bus transit center is located in the parking garage, removed from the facilities and amenities of the majestic Beaux Arts masterpiece next door. Studio Twenty Seven Architecture was asked to design a solution that would provide amenities to the bus traveler without requiring them to leave the bus deck.
The design of the new United States Courthouse in Salt Lake City emanates from our search for a form that is strong, iconic, transparent, and metaphorically egalitarian as a symbol of the American judiciary system. The resulting cubic mass of the new courthouse, like the monumental buttes of southern Utah, is just such a primary form, projecting grounded dignity, immovable order, and an equal face to all sides. The 400,000 square foot, 10-story courthouse resides in a garden setting on a level terrace encompassing the entire city block including an existing, historic Federal Courthouse. This garden terrace unites the two courthouses in a public-access amenity for the downtown area of Salt Lake City while establishing a required federal security setback from the street.
The Miami Dade College Academic Support Center seamlessly unites both learning and administrative functions into a cohesive whole. The 135,000 SF building is located on the eastern entry corridor of the campus. It will centralize all Student Services departments for the more than 120,000 students. The project includes 21 prototypical 930 SF classrooms, a Resource and Testing Center and hovers over a base of admission offices.
This Catholic independent college preparatory school for young women wanted to add a new chapel and academic space on the main campus quadrangle. After surveying students and faculty, a vision for the chapel emerged as a soft, feminine, contemplative space flooded with light and connected to nature. There was a strong desire to connect to the narrative of St. Teresa, the patron saint of lace makers.
At the heart of Pomona College’s mission is to create a balanced, well-rounded education for its graduates. Believing that an exposure to the studio arts is critical within this framework, the 35,000 square foot Studio Art Hall brings art making, art appreciation, and art interaction together under one roof, synergizing many important faces of the school’s esteemed identity as a leading liberal arts college.
This project began with an interest in challenging the typical notion of the parking structure as an unappreciated infrastructural typology by transforming the new Eskenazi Hospital parking structure into a binary, synthetic terrain. The effect of a field of 7,000 angled metal panels in conjunction with an articulated east/west color strategy creates a dynamic façade system that offers observers a unique visual experience depending on their vantage point and the pace at which they are moving through the site. In this way, pedestrians and slow moving vehicles within close proximity to the hospital will experience a noticeable, dappled shift in color and transparency as they move across the hospital grounds, while motorists driving along W. Michigan Street will experience a faster, gradient color shift which changes depending on their direction of travel.
Novartis Office Building 335
In early 2004, VDTA was commissioned to design a 16‐story extended stay suites hotel at the corner of Lasalle and Huron Streets in Chicago by the site’s original developer, Duke Miglin. It was his desire to employ a staggered truss structural framing system for the building – something new to Chicago – for its speed and efficiency of erection. Construction began in 2007 but the project fell victim to the economic downtown in 2008, topped out with just the first components of exterior cladding installed. For three years the partially constructed structure sat, a rusting, tarp‐wrapped reminder of the Great Recession, an eyesore on the skyline dubbed “The Mummy” by the neighborhood’s residents.
DHD has designed the previous four spaces occupied by Framestore in NYC’s SoHo district. We were asked to design the LA (Helm’s Ave / Culver City) location and collaborate with local architects RAC. While RAC Design Build focused on transforming the building's Tower and Exterior Architecture, DHD concentrated on Framestore's signature and Interior Architecture.
Renowned advertising agency Wieden+Kennedy has developed a global reputation for innovative work dating back to their early Nike campaigns in the 1980s. The agency’s Portland headquarters designed by Allied Works cemented Wieden+Kennedy’s position as a patron of architecture and continues to influence the design of their offices around the world.
Bushwick Inlet Park transforms the Brooklyn waterfront from a brownfield industrial strip into a public park. Located in the Williamsburg section of Brooklyn, the design is the first step of an ambitious waterfront redevelopment along the East River. The design team has integrated a program of athletic fields, community facility and a NYC Park maintenance and operation facility into a 6.2-acre park.
Ace Hotel Downtown Los Angeles opens in the historic United Artists building in Downtown LA. Built in 1927 for the maverick film studio, the ornate, storied theatre and tower stand as monuments to a group of seminal American artists pushing out on their own, and anchors the Broadway Theater District’s modern renaissance. United Artists co-founder Mary Pickford's love for the ornate detail and stone spires of Spanish castles and cathedrals is manifest at the theatre. It’s a true temple of the arts. The mixture of reverent awe and irreverent independence is right up our alley — this is the kind of project we dream of.
This 2,200 square foot pavilion and plaza occupy a prominent site along the Des Moines River in downtown Des Moines, Iowa. The building is a key part of the new Principal Riverwalk – a $50 million public/private partnership which will revitalize the riverfront and draw Des Moines’ residents back to the river. The building sits adjacent to a new recreational trail, street level promenade and riverfront promenade anchoring the west end of the historic Court Avenue Bridge.
Located in downtown Los Altos, the highlight of this 2,500 square foot adaptive re-use project is the introduction of a new façade that enables the circa 1950’s building to morph from an enclosed structure into an environment that invites the community into the space.
The Sustainability Treehouse, a Living Building Challenge targeted interpretive and gathering facility situated in the forest at the Summit Bechtel Reserve, serves as a unique icon of camp adventure, environmental stewardship and innovative building design. Mithun led the integrated design process and a multidisciplinary team to achieve the engaging, high‐performance facility.
Three locally known land formations can be seen from the site of this project: “Eagle Rock”, a mountain ridge, and the valley of vineyards below. The main challenge was to frame these three separate views while at the same time, preserving each existing oak tree on site. The three fingers extend precisely in between the existing trees, each oriented toward a land formation.