Tag: theory-and-history | ArchDaily

From Spanish Presidio to the American Grid: The Hispanic Roots of San Diego’s Urban Core

Moises Carrasco — Wed, 13 May 2026 07:30:00 +0000

Very close to the Mexican border, in the southwest corner of the United States, lies the city of San Diego. Its urban history began in 1769 with the arrival of a Spanish military expedition commanded by Gaspar de Portola, which marked the first permanent settlement in the territory that was known as Alta California. However, unlike the more formally urbanized administrative capitals and towns of Mexico and Central America, San Diego was conceived as a frontier outpost. Today, it has become the second-largest city in California, just after Los Angeles, and its urban grid tells a story about the Hispanic heritage that is intertwined with the contemporary cultural environment of the United States.

Beyond the Shell: Félix Candela’s Palacio de los Deportes for the 1968 Mexico Olympics

Moises Carrasco — Fri, 08 May 2026 04:00:00 +0000

When Mexico City hosted the Olympics in 1968, it was the first time the Games had been awarded to a Latin American country as well as the first time for a Spanish-speaking nation to host them. This made the games a good opportunity to project Mexico and its culture internationally, thus prompting the government to constitute an organizing committee with prominent local talent. They appointed Pedro Ramírez Vázquez as its president, a Mexican architect who held significant influence over the state's mid-century building program. His approach was explicit: architecture as a synthesis of international modernist technique with Pre-Columbian references and local material culture. Under his direction, the committee would oversee the construction and adaptation of venues distributed across the southern districts of Mexico City, nearly all designed and built by local architects, engineers, and technicians.

Designing with Air: Rethinking Architecture Beyond the Wall

Diogo Borges Ferreira — Sat, 02 May 2026 07:30:00 +0000

Architecture is traditionally chronicled through the persistence of the solid. We define the discipline by the weight of the lintel, the mass of the pier, and the resistance of the wall. Even when lightness is invoked, it is usually understood as a subtractive act, the thinning of a section or the precarious reduction of a load. Yet there is a parallel history, less visible and harder to isolate, in which the primary material of construction is not what occupies space, but what moves through it.

20th Century Design in Flux: ArchDaily’s May Editorial Focus

Romullo Baratto — Fri, 01 May 2026 08:00:00 +0000

"The story of architecture is not wrong," argued Lesley Lokko in her introduction to the Venice Architecture Biennale 2023, "but it is incomplete." For most of the 20th century, architectural history spoke in one tongue: a singular, dominant narrative centered on a handful of movements, names, and cities, whose reach and influence appeared universal precisely because alternative voices were rendered inaudible. Design movements, however, rarely traveled intact across borders. They were frequently absorbed, resisted, reinterpreted, and transformed depending on geography, politics, economy, climate, and available materials. What arrived in one place as doctrine became, somewhere else, something entirely different.

Why Do We Want to Float? The Psychology of Lightness in Architecture

Camilla Ghisleni — Sat, 25 Apr 2026 07:30:00 +0000

In 1962, the architect Buckminster Fuller envisioned a floating city that would free humanity from its dependence on the Earth. The speculative project consisted of enormous geodesic spheres that would naturally levitate in air warmed by the sun and be anchored to mountaintops. Designed to house thousands of people, Fuller’s Cloud Nine aimed to ease land ownership pressures, address housing shortages, and contribute to environmental preservation.

The Alchemy of Mass: Peter Zumthor and the Perception of Lightness

Valentina Díaz — Fri, 24 Apr 2026 04:00:00 +0000

Architecture begins as an encounter with gravity. It is the ancient act of placing weight upon the earth, of persuading matter to stand, hold, and shelter. Within this fundamental condition of heaviness, however, lies a quieter possibility: density itself can generate a sense of lightness—a perceptual condition in which the body, fully convinced of matter's weight, begins to experience space as suspension.

Van Wassenhove Residence: Living the Radical Continuity of Juliaan Lampens

Diogo Borges Ferreira — Wed, 22 Apr 2026 04:00:00 +0000

Architectural history often advances through iconic gestures or technological breakthroughs, yet some works remain influential precisely because they resist spectacle. Built between 1972 and 1974 in Sint-Martens-Latem, Belgium, the Van Wassenhove Residence stands as one of those quiet but decisive projects. Conceived as a single, continuous concrete volume set within a wooded landscape, the house challenges conventional ideas of domestic comfort, privacy, and spatial hierarchy. Its presence is direct and uncompromising, yet it avoids monumentality, positioning itself instead as a lived structure shaped by everyday rituals and long-term inhabitation.

El Pueblo de Los Angeles: The Spanish Origins of LA’s Urban Grid

Moises Carrasco — Thu, 16 Apr 2026 07:30:00 +0000

Today, the urban form of Los Angeles is characterized by 20th-century sprawl and extensive automotive infrastructure. However, the physical reality of the city's original core reveals a more complex history that is deeply rooted in Hispanic heritage. In fact, Los Angeles did not originate from the standardized American land system that defines most of the United States' territory. Instead, it is a product of the Spanish urban tradition in the Americas, which followed a structure repeated across major cities on the continent. The intersection of these systems created a layered urban geometry and history that remains visible in the city's contemporary street patterns.

Error 404: Architectural Memory in the Age of Algorithms

Diogo Borges Ferreira — Sat, 07 Mar 2026 08:30:00 +0000

Before the digital turn, architecture's memory was largely tangible. It lived in the weight of drawings, the patina of models, and the thickness of books. To preserve architecture meant to preserve its traces, the documents, sketches, and photographs through which buildings could be remembered long after their material form had changed or disappeared. The modern architectural archive, as it developed in the 20th century, was both a refuge and a device of legitimacy. Institutions such as the Canadian Centre for Architecture, Casa da Arquitectura, or the Deutsches Architekturmuseum were built upon the conviction that to preserve architecture was to preserve its documents.

The Machine in the Age of Collective Practice

Diogo Borges Ferreira — Wed, 25 Feb 2026 07:30:00 +0000

This article is part of our new Opinion section, a format for argument-driven essays on critical questions shaping our field.

Druzhba Sanatorium: A Soviet Monument Suspended Between Earth and Sea

Diogo Borges Ferreira — Wed, 11 Feb 2026 07:30:00 +0000

Perched above the cliffs of Crimea, the Druzhba Thermal Sanatorium appears less as a building than as a landed spacecraft. Its circular forms, suspended decks, and spiraling ramps evoke a scene from Andrei Tarkovsky's Solaris (1972), where architecture and psychology merge into a single landscape. Built between 1978 and 1985 by Igor Vasilevsky, the complex was conceived as a thermal resort for workers of the oil industry, part of the Soviet Union's extensive network of sanatoria dedicated to health and recreation.

Decomposition as Expression: Disassembled Axonometry as Design Tool

Agustina Iñiguez — Tue, 20 Jan 2026 07:30:00 +0000

In the translation of three-dimensional reality onto a two-dimensional plane, axonometry stands as one of the graphic systems of representation that form the foundation of the language used by architecture and design professionals. Alongside plans, sections, and elevations, its exploded views often stand out for their ability to study the multiple layers that compose a project. Although axonometry is also employed in other disciplines such as engineering and urban planning, it consistently proves its capacity to function as more than a mere representational tool, strengthening the understanding not only of a project's construction processes, materials, and structural systems but also expanding the communication of the ideas and design processes that shape a project.

Saving the City Fabric: Blanche Lemco van Ginkel and the Preservation of Old Montreal

Moises Carrasco — Wed, 14 Jan 2026 05:00:00 +0000

The architectural history of North American cities in the 20th century is often characterized by the pursuit of urban renewal. In the United States, Boston, Portland, and San Francisco are just some examples of when municipal governments prioritized high-speed vehicular infrastructure over the existing urban fabric. In Canada, Montreal would have followed this trajectory if not for the intervention of several figures throughout its history, most notably Blanche Lemco van Ginkel (1923–2022). A Harvard-trained planner and architect who, along with her husband Sandy Van Ginkel, advocated for the preservation of urban heritage while applying the principles of modernist infrastructure.

Architectural Authorship in the Age of the Collective Practices

Diogo Borges Ferreira — Wed, 17 Dec 2025 07:30:00 +0000

This article is part of our new Opinion section, a format for argument-driven essays on critical questions shaping our field.

The Project as Argument: What is Architectural Thinking?

Diogo Borges Ferreira — Thu, 25 Sep 2025 07:30:00 +0000

Architecture is shaped not only by buildings, but by the ideas that make them possible. Before the constraints of capital, regulation, and procurement, there is a moment when architecture is allowed to think aloud. The first confrontation with this fertile moment usually takes place in academia, in the thesis. It is not merely a requirement for graduation, but a space of speculative freedom where architecture formulates hypotheses, builds arguments, and tests positions.

The Architect as Writer: Expanding the Discipline Beyond Buildings

Diogo Borges Ferreira — Thu, 04 Sep 2025 07:30:00 +0000

Architecture has always been more than bricks and mortar. It is equally constructed through words, ideas, and narratives. From ancient treatises to radical manifestos, from technical manuals to poetic essays, the written word has served as a spatial, pedagogical, and political tool within the field. Writing shapes how architecture is conceptualized, communicated, and critiqued — often long before, or even in the absence of, physical construction.

Overprovision: Exploring Purposefully Wasteful Spaces in Residential Design

Jonathan Yeung — Mon, 01 Sep 2025 04:00:00 +0000

Overprovision can be seen as an architecture strategy through the lens of resilience—making spaces adaptable to changes, reinterpretations, and future needs. However, could overprovision also offer a productive lens for rethinking spatial design? Are there parallels in architectural theory or practice that align with this concept, as explored by notable figures in the discourse on space?

An Epic of Fire and Stone: The Story Behind the Intervention at the Benedictine Monastery of Catania, Sicily

Camilla Ghisleni — Wed, 23 Jul 2025 07:30:00 +0000

The Benedictine Monastery of San Nicolò l’Arena in Catania, Sicily, holds within its stones the echoes of five centuries, shaped by time, varied uses, violent earthquakes, and the blazing force of Mount Etna. Its walls, silent witnesses to history, were molded both by the fire of nature and by human hands. Yet among all the transformations it underwent, none was as profound or poetic as the one led by Italian architect Giancarlo De Carlo, starting in 1980. After 30 years of dedicated work, time required to truly understand such a complex and awe-inspiring site, the former monastic residence was reborn as a university, not by force, but through revelation.