Tag: the-guardian | ArchDaily

Why the EU Membership is Worth it According to Rem Koolhaas and Stephan Petermann

Dima Stouhi — Sat, 25 May 2019 06:10:00 +0000

The EU costs you the same as Netflix - is it worth it? Rem Koolhaas thinks so.

In New York City, When Form Follows Finance the Sky's The Limit

Lindsey Leardi — Mon, 18 Feb 2019 07:00:00 +0000

The hyperreal renderings predicting New York City’s skyline in 2018 are coming to life as the city’s wealth physically manifests into the next generation of skyscrapers. Just like millennials and their ability to kill whole industries singlehandedly, we are still fixated on the supertalls: how tall, how expensive, how record-breaking? Obsession with this typology centers around their excessive, bourgeois nature, but – at least among architects – rarely has much regard for the processes which enable the phenomenon.

People Are Sharing this Puzzle that Supposedly Tests Whether You're "Smarter Than an Architect"

AD Editorial Team — Wed, 19 Jul 2017 08:00:00 +0000

Over at The Guardian, mathematician Alex Bellos has an article series in which he asks readers to send their solutions to a weekly puzzle. That sounds innocent enough, but this week's installment might have caused architects to double-take: inspired by a reader who remembers it from his days as an architecture student, solving Monday's puzzle suggests that a reader is "smarter than an architect."

11 Architecture, Design and Urbanism Podcasts to Start Listening to Now

James Taylor-Foster & Vanessa Quirk — Wed, 05 Apr 2017 07:15:00 +0000

It can sometimes feel as if the world is divided into two camps: those who do not listen to podcasts (probably because they don’t know what a podcast is) and those who listen to podcasts, love podcasts, and keep badgering their friends for recommendations so they can start listening to even more.

Have We Reached the End of the Iconic Image?

Patrick Lynch — Fri, 04 Nov 2016 14:30:00 +0000

In October 1997, the unforgettable swooping metal panels of Frank Gehry’s Guggenheim Bilbao made their debut, drawing the attention of art and architecture lovers around the world. Images of the building quickly circulated through the infant world wide web, turning the museum into an instant icon that permanently elevated and transformed the international perception of the city of Bilbao.

Heathrow Illustrations Envision the Future of Sustainable Airports

Alyssa Wu — Tue, 25 Oct 2016 08:00:00 +0000

Alongside designer Paul Tinker and developer Esteban Almiron, UK-based illustrator Sam Chivers has created a series of animations visualizing the sustainable development of airports for a recent Guardian piece. The animations, which describe the topics of transport, alternative energy, noise reduction, airport terminal design, biodiversity, and fuel efficiency, capture the passage of time from morning to evening in Heathrow Airport in London.

5468796 Architecture's Response to The Guardian Over their "Failed" Social Housing Project

Colin Neufeld, Johanna Hurme & Sasa Radulovic — Fri, 29 Jan 2016 09:30:00 +0000

Early this month, The Guardian published a widely shared and debated article titled "Crime in the community: when 'designer' social housing goes wrong." The article told the story of Centre Village, a social housing project in Winnipeg designed by 5468796 Architecture and Cohlmeyer Architecture Limited, examining how noble intentions resulted in what they describe as "apartments poorly suited to family life, and a building structure that seems to act as a magnet for drinking and drug-taking at all hours."

Playing the Housing Game for Profit: the British Volume Housebuilding Project

James Taylor-Foster — Wed, 06 Jan 2016 04:00:00 +0000

In his essay "Figures, Doors and Passages", the architectural historian Robin Evans described how "it is difficult to see in the conventional layout of a contemporary house anything but the crystallization of cold reason. Because of this," he asserted, "we are easily led into thinking that a commodity so transparently unexceptional must have been wrought directly from the stuff of basic human needs." His words, which highlight the passive approach of designers, developers and dwellers when it comes to the vast majority of British housing being built today, were first published in 1978 – two years before the Conservative government under Margaret Thatcher introduced the 1980 Housing Act.

When "Designer" Social Housing Goes Wrong: The Failures of Winnipeg's Center Village Project

Karissa Rosenfield — Tue, 05 Jan 2016 14:00:00 +0000

The challenges of designing social housing are complex. As Martha Thorne recently told the Guardian, "It’s not enough to make community space and say, ‘People are going to see each other’... Architects really have to understand the context from the client – the cultural context, to the bigger context, to the economics, to the future of the residents who’ll live there.” Speaking about Winnipeg's well intentioned Centre Village project designed by 5468796 Architecture, Thorne believes many of these challenges are new to architects.

Oliver Wainwright on London's "Tortured Heap of Towers"

Karissa Rosenfield — Mon, 14 Dec 2015 12:15:00 +0000

The Guardian's latest, Oliver Wainwright and Monica Ulmanu discuss London's controversial skyline and the forces that shape it. "Perhaps the tortured heap of towers that seem to be the future of London’s skyline (some thrilling, some monstrous, all very large) is inevitable," says Wainwright. "It is a vertical expression of the Square Mile’s medieval street pattern, forced skywards by global finance and massaged by reactive planning – the chaotic cocktail of invisible forces shaping the city." Read the whole article, here.

Is Edinburgh's UNESCO World Heritage Status Under Threat?

James Taylor-Foster — Wed, 11 Nov 2015 04:00:00 +0000

"A spectre," writes Kevin McKenna for The Guardian, "thought happily to have been exorcised from the heart of beautiful Edinburgh, is stalking the city’s old wynds and crevices once more." To put it more bluntly, the "formal recognition of [the Scottish capital] as one of the world’s most beautiful cities is under threat, amid a battle for the soul of its most historic quarter." As the UNESCO inspectorate moves in to determine whether the city's World Heritage Status should be renewed McKenna laments, through a series of case studies, the potentially bleak built future of one of Britain's most loved urban centres.

Critics Take On "The State of the Art of Architecture" in Chicago

Patrick Lynch — Fri, 09 Oct 2015 09:30:00 +0000

Last week, the Chicago Architecture Biennial opened to over 31,000 visitors and much fanfare, and for good reason - it is the largest architecture event on the continent since the 1893 World's Columbian Exposition, featuring over one hundred exhibitors from over thirty countries. With a theme as ambiguous as "The State of the Art of Architecture," and with the hope of making the biennial, according to directors Joseph Grima and Sarah Herda, "a space for debate, dialog and the production of new ideas," the event was sure to generate equally wide-ranging opinions. Read on to find out what the critics had to say about the Biennial.

Challenging the Rules of a City Simulator in Which There is No "Game Over"

James Taylor-Foster — Thu, 13 Aug 2015 04:15:00 +0000

As part of an ongoing series of articles for Guardian Cities, architect Finn Williams uses the Cities: Skyline Simulator to ask whether "the game’s growth-driven model proves incompatible with a post-growth strategy" — ultimately narrating its response to this challenge in the form of a "resounding no." The game, which is designed to "realise the thrill and hardships of creating and maintaining a real city," allows for players to deal with infrastructure issues, housing problems, and budgetary matters on a large urban scale.

Alain de Botton: "London is Becoming a Bad Version of Dubai"

James Taylor-Foster — Tue, 21 Jul 2015 04:00:00 +0000

"London is on the verge of being ruined for all future generations," says Alain de Botton – a Swiss philosopher, notable author and founder of The School of Life and Living Architecture. "With a whopping 260 towers in the pipeline no area is safe, as planners, property developers and the mayor's office commit crimes against beauty to create fun buildings." In a film for The Guardian De Botton explains why he believes we're right to be nervous – and how we can stop this "clear desecration" of the UK's capital city.

How Popular Could "Anti-Builder" and "Anti-Architect" Homes Become?

James Taylor-Foster — Thu, 09 Jul 2015 04:00:00 +0000

The UK is in the midst of a housing crisis, the intricacies of which were detailed by Rowan Moore earlier this year. For decades the typical British housing stock has been of relatively poor quality, proliferated by developer-led consortiums and characterised by ruthless cost-efficiency for maximum profit. From this formula comes nothing but a monotony of off-the-shelf constructions which have, over time, become a national benchmark. These houses – often built of brick, boxy in form, and using as little space in the facade for openings – are commonly dark, spatially inadequate, and far below the standards that should be being aimed for. It’s like living in a well-appointed cave.

Grayson Perry On 'A House For Essex' And His Collaboration With FAT

James Taylor-Foster — Tue, 12 May 2015 05:00:44 +0000

In an article for The Guardian, Turner Prize winning ceramic artist Grayson Perry has written for the first time about his "plans for a Taj Mahal in Essex." The designs for the House for Essex, which have been realised over the last three years by FAT and led by Charles Holland, are of a "secular chapel" in the heart of the southern English countryside. The building was commissioned by the Living Architecture Project, which is headed by Alain de Botton and are the proprietors of property designed by the likes of Peter Zumthor, MVRDV, and David Kohn. This, their fifth foray into experimental collaborative architecture between architects and artists, is set to open its doors for holiday letting this year.

Review: 'All Of This Belongs To You' - Civic Urbanism At London's Victoria & Albert Museum

James Taylor-Foster — Wed, 01 Apr 2015 05:00:22 +0000

The Victoria and Albert Museum (V&A), named after the Queen and Her Consort, has its foundations in the Great Exhibition of 1851 amidst the wealth, innovation and squalor of the Industrial Revolution. Britain was flooded by prosperity which allowed for the development of major new institutions to collect and exhibit objects of cultural significance or artistic value. The institute’s first director, Henry Cole, declared that it should be “a schoolroom for everyone,” and a democratic approach to its relationship with public life has remained the cornerstone of the V&A. Not only has it always been free of charge but it was also the first to open late hours (made possible by gas lighting), allowing a more comprehensive demographic of visitor.

The Urbanist's Guide to the World

Patricia Arcilla — Fri, 30 Jan 2015 00:00:00 +0000

A compilation of all posts in the "Urbanist's Guide to..." series from Guardian Cities, "The Urbanist's Guide to the World" takes readers to cities across the globe. Penned by local bloggers in cities from Manila to Sao Paulo, Tehran to New Orleans, the vignettes are supported by The Rockefeller Foundation and cover everything from "best" and "worst buildings" to cleanliness, soundscapes, and "the best place for a conversation." You can view the interactive guide here.