London-based design firm Caventou has designed a series of “stained glass” everyday objects that turn daylight into electricity, even indoors.
Integrated with solar cells, Current Table and Current Window are both independent, intelligent power sources that function normally as household items.
The notion of the "Primitive Hut" has been part of the architectural discourse for decades; indeed, history suggests that it provided the Ancient Greeks with direct inspiration for Doric Order. But how do you build a wattle and daub hut, or create tiled roof, or develop primitive underfloor heating—all from scratch—today?
Since 2015, Gramazio Kohler Research has been in the process of developing "Mesh Mould Metal," a project that studies the unification of concrete reinforcement and formwork into a single, robotically fabricated material system. The project is based on their first phase of research, Mesh Mould, which spanned from 2012 to 2014, and developed a robotic extrusion process for a polymer mesh.
Now, as a second phase, Mesh Mould Metal “focuses on the translation of the structurally weak polymer-based extrusion process into a fully load-bearing construction system” by replicating the process in metal. Specifically, the current research delves into the development of "a fully automated bending and welding process for meshes fabricated from 3-millimeter steel wire."
Thanks to a new robot named Hadrian X, we made soon be able to construct an entire brick house in just 2 days. Developed by the appropriately named Australian firm Fastbrick Robotics, the giant truck-mounted robot has the ability to lay up to 1,000 bricks an hour. Its innovation comes via the machine’s 30-meter telescopic boom, which allows the base to remain in a single position throughout the brick-laying process.
Deputy Mayor for Housing and Economic Development Alicia Glen and NYCEDC President Maria Torres-Springer have announced New York City’s first official approval of the Lowline project in Manhattan’s Lower East Side. As the first major step in making the project a reality, the approval will help to create the world’s first underground park, a community-oriented public and cultural space that will become both a local resource and an attraction for worldwide visitors.
Although the Metropolitan Transit Authority (MTA) did express interest in the space last fall, the Lowline team was awarded conditional use due its high community potential.
After discovering a vibrant new pigment of blue by accident, chemists at Oregon State University have brought the compound to market in the form of a paint that looks promising to architectural sustainability.
While experimenting with materials to study applications for electronics in 2009, OSU chemist Mas Subramanian and his team mixed black manganese oxide with other chemicals and heated them to 2,000 degrees Fahrenheit. Little did they know, one of their samples would turn into a brilliant blue color.
A team of engineers at Autodesk have been pushing the limitations of conventional 3D printing -- not by redesigning the machines themselves, but by creating a network to harness their collective power. Autodesk's "Project Escher" is a new printing system that utilizes the power of several 3D printers at once to fabricate complex parts in unison, reports FastCoDesign. The new system can increase production speed by up to 90%.
Many technological advancements have changed the way we design in the past 150 years, but perhaps none has had a greater impact than the invention of the passenger elevator. Prior to Elisha Otis’ design for the elevator safety brake in 1853, buildings rarely reached 7 stories. Since then, buildings have only been growing taller and taller. In 2009, the world’s tallest building, the Burj Khalifa, maxed out at 163 floors (serviced by Otis elevators). Though a century and half separates those milestones, in that time elevator technology has actually changed relatively little - until recently.
As recently as a century ago the idea of viewing the world from above was little more than a fantasy: the airplane was still in its infancy, with rocketry and satellites still decades into the future. Those who could not take to the air had no recourse but drawing in order to represent their world from an aerial perspective. This limitation is difficult to imagine today when access to plan photography is never further than the nearest Internet connection. Anyone with a smartphone has, in essence, the entire world in their pocket.
The panel will explore architecture through media in motion. It will look at how the field has evolved in the social media age, through the introduction of various technologies such as film and virtual reality, and business models, such as crowdsourcing. Viral Voices V will look at architecture as the intersection of environment, technology, and design, and how it will influence the new careers of tomorrow.
The Technium is the sphere of visible technology and intangible organizations that form what we think of as modern culture.
—Kevin Kelly, What Technology Wants
The Technium is ubiquitous; like air it could be invisible. Fortunately, raging torrents that affect every person on earth are hard to ignore. Let’s look into one of the hearts of the Technium, that organ we call architecture.
You Are in the Technium Now
An ecosystem is a system of inter-dependent organisms and conditions. Ecosystems evolve. The current system can only exist because of past systems, each a stepping stone for new levels of action, each creating new sets of conditions, niches for life in its many forms.
But of course that’s what architecture does: it creates new conditions for life and culture, as does science, education, art and technology. Our culture and technology is evolving, enabled and built upon current and past developments. Kevin Kelly uses the word Technium to describe this complex stratum of evolving interdependencies and capacities. The Technium is evolving and growing fast. Our buildings must also evolve if they are to nurture our current and future cultures.
For a number of years now, Smart Cities and Big Data have been heralded as the future of urban design, taking advantage of our connected, technological world to make informed decisions on urban design and policy. But how can we make sure that we're collecting the best data? In this story, originally published on Autodesk's Redshift publication as "'Array' of Possibilities: Chicago’s New Wireless Sensor Networks to Create an Urban Internet of Things," Matt Alderton looks at a new initiative in Chicago to collect and publish data in a more comprehensive way than ever before.
If it hasn’t already, your daily routine will soon undergo a massive makeover.
For starters, when your alarm clock goes off, it will tell your coffeemaker to start brewing your morning joe. Then, when you’re on the way to work, your car will detect heavy traffic and send a text message to your boss, letting her know you’ll be late. When you arrive, you’ll print out the agenda for today’s staff meeting, at which point your printer will check how much ink it has left and automatically order its own replacement cartridges.
At lunch, you’ll think about dinner and use your smartphone to start the roast that’s waiting in your slow cooker at home. And when you come home a few hours later, your house will know you’re near, automatically turning on the lights, the heat, and the TV—channel changed to the evening news—prior to your arrival. It will be marvelous, and you’ll owe it all to the Internet of Things (IoT).
"Pardon my face," says designer Daniel Voshart in the opening to his latest blog post on Medium, "I’ve been throwing things into DeepArt’s algorithm for a few hours and the results are surprisingly good."
DeepArt is an online service created by Leon Gatys, Alexander Ecker and Matthias Bethge, Łukasz Kidziński and Michał Warchoł. It uses a neural network algorithm to combine the subject of one image with the style of another. It seems particularly adept at applying striking, abstract art styles to photographic images, which means that many of the twentieth century's most celebrated architect-artists are perfectly suited to it. So, if you've ever wondered what your portrait (or indeed anything else) might look like when drawn by Le Corbusier, Lebbeus Woods, or Daniel Libeskind, now might be the perfect time to find out. Voshart has kindly shared his examples of what DeepArt can do - read on to see more.
