Taipei: The Latest Architecture and News

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Construction has begun on Zaha Hadid Architects’ Danjiang Bridge in Taiwan, the world’s longest single-mast, asymmetric cable-stayed bridge. At 920 meters in length, the bridge spans the mouth of the Tamsui River and is integral to the infrastructural upgrading program of northern Taiwan.

The bridge seeks to minimize its visual impact by using a single concrete mast to support its main 450-meter span with dedicated road, cycle, and pedestrian lanes. The scheme also accommodates future expansion of the Danhai Light Rail network across the Tamsui River.

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Foster + Partners revealed their design for a new mixed-use office tower in Taipei. Created for the Goldsun Group, the headquarters building recently received planning approval from city councill The high-rise office block will replace the existing Goldsun factory and create a new mixed-use typology for the city. The tower was formed with a series of blocks around a central courtyard that becomes the heart of the open-air concept.

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MVRDV have released images of their ambitious design for the Taipei Twin Towers, set to revitalize the central station area of the Taiwanese capital. The two towers are characterized by a “pile of blocks” that create a vertical urban neighborhood, complete with interactive media facades.

The site is currently occupied by the city’s main station, containing railway, airport lines, metro networks, and underused parks and plazas. Under the MVRDV scheme, the two towers will be built over the top of the station, offering retail, offices, two cinemas, two hotels, and the unification and redevelopment of surrounding plazas.

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New photographs have been released of OMA’s Taipei Performing Arts Center (TPAC), as construction continues in Taiwan. Consisting of three theaters, each functioning autonomously of each other, the OMA scheme seeks to depart from the traditional consensus of performing arts centers as simply containing a large auditorium, medium-sized theater, and small-size black box.

OMA sees “no excuse for contemporary stagnation,” using the TPAC as an opportunity to experiment with the inner workings of theaters, leading to a dynamic external presence. Hence, the TPAC’s three theaters plug into a central cube combining stages, backstages, and support spaces into a single, efficient entity, allowing stages to be modified or merged for unforeseen scenarios. 

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