<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:georss="http://www.georss.org/georss" xmlns:webfeeds="http://webfeeds.org/rss/1.0">
  <channel>
    <title>Tag: steel | ArchDaily</title>
    <description>ArchDaily | Broadcasting Architecture Worldwide</description>
    <link>https://www.archdaily.com/</link>
    <lastBuildDate>Sun, 19 Apr 2026 00:00:00 +0000</lastBuildDate>
    <language>en-US</language>
    <atom:link rel="self" type="application/rss+xml" href="https://www.archdaily.com/show.xml"/>
    <sy:updatePeriod>hourly</sy:updatePeriod>
    <sy:updateFrequency>1</sy:updateFrequency>
    <webfeeds:logo>https://assets.adsttc.com/doodles/archdaily-logo-feedly.svg</webfeeds:logo>
    <webfeeds:accentColor>026CB6</webfeeds:accentColor>
    <webfeeds:analytics id="UA-73308-12" engine="GoogleAnalytics"/>
    <item>
      <title>
        <![CDATA[From Industry to the Living Room: Metal Furniture in Interior Architecture]]>
      </title>
      <link>https://www.archdaily.com/1037695/from-industry-to-the-living-room-metal-furniture-in-interior-architecture</link>
      <pubDate>Mon, 19 Jan 2026 07:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1037695/from-industry-to-the-living-room-metal-furniture-in-interior-architecture</guid>
      <description>
        <![CDATA[<p>How did a material conceived for <a href="https://www.archdaily.com/search/projects/categories/bridges" target="_blank" rel="noopener">bridges</a>, <a href="https://www.archdaily.com/search/projects/categories/factory" target="_blank" rel="noopener">factories</a>, and large-scale structures make its way to the living room bench, the apartment bookshelf, the café table? For centuries, <a href="https://www.archdaily.com/tag/metal" target="_blank" rel="noopener">metal</a> was associated with labor, machinery, and monumentality—from the <a href="https://www.archdaily.com/933851/20-steel-projects-from-the-20th-century" target="_blank" rel="noopener">exposed structures</a> of 19th-century <a href="https://www.archdaily.com/tag/world-expo" target="_blank" rel="noopener">World’s Fairs</a> to the productive logic of modern industry. Its presence in <a href="https://www.archdaily.com/965137/metal-houses-in-argentina-10-projects-with-sheet-metal-exteriors" target="_blank" rel="noopener">domestic</a> interiors is not self-evident but rather a <a href="https://www.archdaily.com/1012947/the-rise-of-metal-blending-industrial-aesthetics-with-other-textures" target="_blank" rel="noopener">cultural achievement</a>: the transformation of an industrial material into an element of everyday, intimate use, in close proximity to the body.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6960/3719/51eb/1206/94d1/ccab/newsletter/da-industria-a-sala-de-estar-mobiliarios-de-metal-na-arquitetura-de-interiores_26.jpg?1767913252"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[The Architect as a Scientist: New Materials Emerging Between Science and Design]]>
      </title>
      <link>https://www.archdaily.com/1034101/the-architect-as-a-scientist-new-materials-emerging-between-science-and-design</link>
      <pubDate>Tue, 23 Sep 2025 07:30:00 +0000</pubDate>
      <dc:creator>Enrique Tovar</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1034101/the-architect-as-a-scientist-new-materials-emerging-between-science-and-design</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/960128/what-is-architecture-according-to-our-readers?ad_source=search&amp;ad_medium=search_result_articles">What is architecture?</a> For some, its traditional role is to bring together imagination, technical knowledge, and problem-solving, allowing architects to design and construct while balancing ideas with the means to realize them. From the stone and <a href="https://www.archdaily.com/930967/archdailys-best-articles-about-wood?ad_source=search&amp;ad_medium=search_result_articles">wood</a> of early buildings to the steel and <a href="https://www.archdaily.com/tag/concrete">concrete</a> of the 20th century, each era demanded not only an understanding of form but also of the <a href="https://www.archdaily.com/1030705/thinking-globally-building-locally-glocalization-and-the-ethical-use-of-materials?ad_source=search&amp;ad_medium=search_result_articles">properties and potential of the materials in use</a>. This grasp of materials has always been a core part of the creative process, though its scope was limited by the know-how and technologies available.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/68c7/acb8/f6ca/3e01/7d95/0a5e/newsletter/the-architect-as-a-scientist-new-materials-emerging-between-science-and-design_1.jpg?1757916354"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Contemporary Applications of Materials in Spanish Architecture]]>
      </title>
      <link>https://www.archdaily.com/1032308/contemporary-applications-of-materials-in-spanish-architecture</link>
      <pubDate>Fri, 12 Sep 2025 01:30:00 +0000</pubDate>
      <dc:creator>Eduardo Souza</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1032308/contemporary-applications-of-materials-in-spanish-architecture</guid>
      <description>
        <![CDATA[<p>Spain combines cultural diversity and a long constructive tradition that is directly reflected in its architecture. The country is home to influential schools, a consistent body of theoretical production, an active generation of architects, and a well-established construction industry with strong capabilities in innovation, standardization, and export. Contemporary Spanish architecture is marked by a plurality of approaches and by the articulation between material tradition, technology, and performance.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/687d/569c/30ea/9701/57f7/0be0/newsletter/contemporary-applications-of-materials-in-spanish-architecture_1.jpg?1753044651"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Built to Last—or Change? The Case for Dry Construction in Humid Cities]]>
      </title>
      <link>https://www.archdaily.com/1031643/built-to-last-or-change-the-case-for-dry-construction-in-humid-cities</link>
      <pubDate>Mon, 30 Jun 2025 04:00:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1031643/built-to-last-or-change-the-case-for-dry-construction-in-humid-cities</guid>
      <description>
        <![CDATA[<p>In certain parts of the world, construction is still dominated by <a href="https://www.archdaily.com/1021321/seamless-surfaces-exploring-the-benefits-of-liquid-applied-finishes-with-12-interior-design-projects">wet systems</a>—concrete, masonry, and cementitious materials that are poured, cured, and fixed in place. While this has long been considered the norm in some south-east Asia countries, such as Singapore, Thailand, Malaysia, and <a href="https://www.archdaily.com/tag/china">China</a>, in most of these regions, they typically share a common trend where <a href="https://www.archdaily.com/tag/labor">labor</a> is relatively inexpensive. This serves as one of the reasons to make <a href="https://www.archdaily.com/tag/concrete">concrete</a> more easily available, as one of the typical downside of concrete is its intensive labour cost - this further differentiates concrete as a cheaper and more efficient <a href="https://www.archdaily.com/search/products/categories/construction-materials_materials-construction-systems">material system</a> to be building out of. </p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6862/1422/fa62/9501/89d5/9366/newsletter/built-to-last-or-change-the-case-for-dry-construction-in-humid-cities_2.jpg?1751258155"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Unwrapped Interiors: A Case for Material Authenticity and Clarity]]>
      </title>
      <link>https://www.archdaily.com/1031187/unwrapped-interiors-a-case-for-material-authenticity-and-clarity</link>
      <pubDate>Sat, 21 Jun 2025 07:30:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1031187/unwrapped-interiors-a-case-for-material-authenticity-and-clarity</guid>
      <description>
        <![CDATA[<p>When designing a space—whether at the scale of <a href="https://www.archdaily.com/search/projects/categories/interior-design">interiors</a>, architecture, or infrastructure—<a href="https://www.archdaily.com/tag/materials">materiality</a> is a central concern. Beyond aesthetics, materials determine how a project functions, <a href="https://www.archdaily.com/891237/6-materials-that-age-beautifully">ages, and endures</a>. Some architects—such as <a href="https://www.archdaily.com/office/wang-shu">Wang Shu</a> and <a href="https://www.archdaily.com/office/kengo-kuma-and-associates">Kengo Kuma</a>—have built their practices on a deep sensitivity to the potential and limits of materials. But even in the most pragmatic sense, the question arises: What lasts? What doesn't? And how do materials change over time? Naturally, materials shape <a href="https://www.archdaily.com/tag/archdaily-topic-2025-atmosphere-in-architecture-and-perception-of-space">atmosphere and appearance</a>—qualities that often matter most to clients. Yet increasingly, the discourse around materiality has shifted from structural substance to surface treatment. When did we start focusing more on "decorating" our spaces by layering one material over another, rather than relying on the inherent beauty and performance of the building fabric itself?</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/684f/947b/1dcf/f36a/c993/2339/newsletter/unwrapped-interiors-a-case-for-material-authenticity-and-clarity_1.jpg?1750045826"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Architecture Above: 25 Observation Towers Around the World]]>
      </title>
      <link>https://www.archdaily.com/1031074/architecture-above-25-observation-towers-around-the-world</link>
      <pubDate>Wed, 18 Jun 2025 07:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1031074/architecture-above-25-observation-towers-around-the-world</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/1014838/does-size-really-matter-debunking-the-obsession-with-super-tall-buildings" target="_blank" rel="noopener">The desire to see the world from above</a> transcends cultures and time — <a href="https://www.archdaily.com/981200/a-view-from-the-top-the-history-of-observation-towers" target="_blank" rel="noopener">an almost instinctive impulse to seek new horizons</a>, gain perspective, and momentarily step outside everyday life. <a href="https://www.archdaily.com/tag/observation-tower" target="_blank" rel="noopener">Observation towers</a> embody that desire: built in <a href="https://www.archdaily.com/tag/forest" target="_blank" rel="noopener">forests</a>, mountains, <a href="https://www.archdaily.com/tag/urban-park" target="_blank" rel="noopener">urban parks</a>, or coastal landscapes, they invite us to pause, look closely, and discover the surroundings in a quiet or playful way. These structures offer more than just views; they offer experiences. As we climb their <a href="https://www.archdaily.com/tag/stairs" target="_blank" rel="noopener">steps</a> or <a href="https://www.archdaily.com/tag/ramp" target="_blank" rel="noopener">ramps</a>, our bodies take part in a ritual of transition — from ground to sky.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6847/598a/c985/fd54/6e9e/3a0d/newsletter/arquitetura-nas-alturas-25-torres-de-observacao-ao-redor-do-mundo_13.jpg?1749506457"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Architecture Reflected in Water: 20 Lakeside Homes]]>
      </title>
      <link>https://www.archdaily.com/1026292/architecture-reflected-in-water-20-lakeside-homes</link>
      <pubDate>Thu, 30 Jan 2025 07:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1026292/architecture-reflected-in-water-20-lakeside-homes</guid>
      <description>
        <![CDATA[<p>On the shores of serene lakes, where water reflects the <a href="https://www.archdaily.com/tag/archdaily-topic-2024-outdoors-and-the-built-environment" target="_blank" rel="noopener">harmony</a> between architecture and <a href="https://www.archdaily.com/tag/nature" target="_blank" rel="noopener">nature</a>, homes emerge as <a href="https://www.archdaily.com/tag/landscape" target="_blank" rel="noopener">true retreats</a>. Designed to offer <a href="https://www.archdaily.com/tag/landscape-architecture" target="_blank" rel="noopener">comfort and a deep connection with the surroundings</a>, these residences stand out worldwide for their diverse <a href="https://www.archdaily.com/tag/materials" target="_blank" rel="noopener">materials</a> and <a href="https://www.archdaily.com/tag/scale" target="_blank" rel="noopener">scales</a>, adapting to different landscapes and lifestyles. From remote <a href="https://www.archdaily.com/search/projects/materials/Wood" target="_blank" rel="noopener">wooden</a> <a href="https://www.archdaily.com/search/projects/categories/cabins-and-lodges" target="_blank" rel="noopener">cabins</a> to sophisticated <a href="https://www.archdaily.com/search/projects/materials/concrete" target="_blank" rel="noopener">concrete</a> and <a href="https://www.archdaily.com/search/projects/materials/glass" target="_blank" rel="noopener">glass</a> mansions in urban areas, each project takes advantage of natural resources and the unique characteristics of its setting.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6792/c97f/e4b3/5801/8aa5/96af/newsletter/arquitetura-refletida-na-agua-25-casas-a-beira-de-lagos_7.jpg?1737673107"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Reflecting on Architectural Details and Construction Systems in 2024]]>
      </title>
      <link>https://www.archdaily.com/1024779/reflecting-on-architectural-details-and-construction-systems-in-2024</link>
      <pubDate>Mon, 16 Dec 2024 04:00:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1024779/reflecting-on-architectural-details-and-construction-systems-in-2024</guid>
      <description>
        <![CDATA[<p>In 2024, a diverse range of topics have been comprehensively explored, some focusing specifically on architectural details and <a href="https://www.archdaily.com/1022979/beyond-a-trend-modular-construction-as-a-new-building-paradigm?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">construction systems</a>. These articles provide valuable insights into architecture's often-overlooked technical and functional aspects. By shifting attention away from <a href="https://www.archdaily.com/1023981/the-role-of-aesthetics-in-modern-office-design-insights-from-the-xyz-collection?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all" target="_blank" rel="noopener">aesthetics</a>, <a href="https://www.archdaily.com/990075/women-architects-and-their-material-strategies-bo-bardi-merrick-and-hadid?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">materials</a>, and spatial massing, they reveal the importance of intricate details and the construction systems underpinning contemporary projects' larger architectural vision.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/675f/1895/6fb4/f001/89fc/5937/newsletter/reflecting-on-architectural-details-and-construction-systems-in-2024_1.jpg?1734285467"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[ Architectural Details of the Bauhaus Movement: Revisiting the Glass Corners and Tubular Steel Construction]]>
      </title>
      <link>https://www.archdaily.com/1020389/architectural-details-of-the-bauhaus-movement-revisiting-the-glass-corners-and-tubular-steel-construction</link>
      <pubDate>Sat, 31 Aug 2024 07:30:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1020389/architectural-details-of-the-bauhaus-movement-revisiting-the-glass-corners-and-tubular-steel-construction</guid>
      <description>
        <![CDATA[<p>Bauhaus's designs have influenced our contemporary society in obvious and subtle ways. Iconic examples include <a href="https://www.archdaily.com/tag/marcel-breuer">Marcel Breuer</a>’s <a href="https://www.archdaily.com/633744/spotlight-marcel-breuer">Wassily Chair, the B55 Chair</a>, <a href="https://www.archdaily.com/881233/10-fonts-for-architects">the Bauhaus typeface</a>, and the graphic design principles emphasizing clean lines, primary colors, and geometric shapes. However, the architectural construction details of the Bauhaus movement are much less discussed. While most can readily identify modern or Bauhaus buildings by their geometric forms, functionality, and industrial materials, their architectural details are often overlooked. They not only echo the design language of <a href="https://www.archdaily.com/983972/styling-interiors-with-design-icons-eames-breuer-jacobsen-and-bellini">Breuer’s renowned furniture pieces</a> but also have influenced the much-celebrated <a href="https://www.archdaily.com/574575/material-masters-glass-is-more-with-mies-van-der-rohe">architectural glass details of Mies van der Rohe</a>. How were Bauhaus's details executed, and how might they be translated into contemporary details today?</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/66c8/6ec5/ee97/4727/7961/1715/newsletter/architectural-details-of-the-bauhaus-movement-revisiting-the-glass-corners-and-tubular-steel_20.jpg?1724411593"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[From Wooden Shells to Polycarbonate Panels: The Materials Shaping Flexible Sports Spaces]]>
      </title>
      <link>https://www.archdaily.com/1020243/from-wooden-shells-to-polycarbonate-panels-the-materials-shaping-flexible-sports-spaces</link>
      <pubDate>Tue, 27 Aug 2024 07:30:00 +0000</pubDate>
      <dc:creator>Enrique Tovar</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1020243/from-wooden-shells-to-polycarbonate-panels-the-materials-shaping-flexible-sports-spaces</guid>
      <description>
        <![CDATA[<p>The Roman Colosseum is arguably the most iconic versatile venue in the world. Although this structure was not intended for sporting activities, it hosted various events, from the well-known gladiatorial combats to theatrical performances and the dramatic naumachia (naval battles). This demonstrates that flexible use of space has been relevant since ancient times. Centuries later, in the context of the <a href="https://www.archdaily.com/tag/built-environment">ever-changing built environment</a> and urban development, sports venues have similarly evolved, becoming outstanding examples of <a href="https://www.archdaily.com/tag/archdaily-topic-2024-multi-purpose-spaces">multi-purpose spaces</a>. </p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/66c3/e07f/2e7d/e42c/8bc4/2568/newsletter/from-wooden-shells-to-polycarbonate-panels-the-materials-shaping-flexible-sports-spaces_2.jpg?1724113032"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Working Smarter, Not Harder to Reduce Emissions from Concrete and Steel]]>
      </title>
      <link>https://www.archdaily.com/1018905/working-smarter-not-harder-to-reduce-emissions-from-concrete-and-steel</link>
      <pubDate>Tue, 16 Jul 2024 03:30:00 +0000</pubDate>
      <dc:creator>Pamela Conrad</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1018905/working-smarter-not-harder-to-reduce-emissions-from-concrete-and-steel</guid>
      <description>
        <![CDATA[<p>It’s now clear that approximately 80% of <a href="https://www.archdaily.com/tag/carbon-footprint">emissions</a> from <a href="https://www.archdaily.com/search/projects/categories/landscape-architecture">landscape architecture projects</a> come from <a href="https://www.archdaily.com/tag/materials">materials</a>. This includes the extraction of natural resources, and their manufacturing, transportation, and construction in <a href="https://www.archdaily.com/tag/parks">parks</a>, plazas, streets, <a href="https://www.archdaily.com/tag/campus">campuses</a>, and <a href="https://www.archdaily.com/tag/neighborhood">neighborhoods</a>. A significant portion of emissions in the built environment can be traced back to two materials: concrete and metal, which includes <a href="https://www.archdaily.com/tag/steel">steel</a> and <a href="https://www.archdaily.com/tag/aluminum">aluminum</a>.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6696/28e9/7d3e/0801/7c8f/e6b5/newsletter/working-smarter-not-harder-to-reduce-emissions-from-concrete-and-steel_1.jpg?1721116961"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Architecture for Glamping: Embracing Nature with Comfort]]>
      </title>
      <link>https://www.archdaily.com/1017020/architecture-for-glamping-embracing-nature-with-comfort</link>
      <pubDate>Sun, 02 Jun 2024 07:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1017020/architecture-for-glamping-embracing-nature-with-comfort</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/tag/camping" target="_blank" rel="noopener">Camping</a>, as defined in dictionaries, involves <a href="https://www.archdaily.com/tag/temporary-architecture" target="_blank" rel="noopener">temporarily</a> staying outdoors, setting up makeshift accommodations, and settling in <a href="https://www.archdaily.com/tag/nature" target="_blank" rel="noopener">natural</a> surroundings. In architecture, <a href="https://www.archdaily.com/979422/tents-an-architectural-language" target="_blank" rel="noopener">tents</a> symbolize these aspects, representing a typology that has endured <a href="https://www.archdaily.com/1005956/what-primitive-huts-teach-us-about-architecture" target="_blank" rel="noopener">across centuries and cultures</a>, often linked with notions of impermanence and vulnerability.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/664e/508e/b044/0a08/be45/2925/newsletter/arquitetura-para-glamping-a-tendencia-de-apreciar-a-natureza-com-conforto_11.jpg?1716408468"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Beautiful, Functional, and Romantic: Spiral Staircases in Paris]]>
      </title>
      <link>https://www.archdaily.com/1015600/beautiful-functional-and-romantic-spiral-staircases-in-paris</link>
      <pubDate>Wed, 24 Apr 2024 07:30:00 +0000</pubDate>
      <dc:creator>James Wormald</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1015600/beautiful-functional-and-romantic-spiral-staircases-in-paris</guid>
      <description>
        <![CDATA[<p class="p1">Whether rising to the highest room of the tallest tower in a <a href="https://www.archdaily.com/tag/disney">Disney</a>-esque <a href="https://www.archdaily.com/tag/castles">castle</a>, giving an admirer the chance to confess their love on an <a href="https://www.archdaily.com/tag/apartments">apartment building</a> <a href="https://www.archdaily.com/tag/fire-safety">fire escape</a>, or connecting a basement or <a href="https://www.archdaily.com/tag/loft">attic room</a> with a decorative period feature, there’s something unavoidably romantic about spiral <a href="https://www.archdaily.com/tag/staircase">staircases</a>. But there’s more function behind these coiling forms than just their good looks.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6619/0953/ce8b/1256/a359/11f0/newsletter/beautiful-functional-and-romantic-spiral-staircases-in-paris_1.jpg?1712916828"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[From Wood, Stone, Steel, and Uni Colors: A Decorative Collection for Fast-Moving Trends]]>
      </title>
      <link>https://www.archdaily.com/1012771/from-wood-stone-steel-and-uni-colors-a-decorative-collection-for-fast-moving-trends</link>
      <pubDate>Thu, 15 Feb 2024 01:30:00 +0000</pubDate>
      <dc:creator>Enrique Tovar</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1012771/from-wood-stone-steel-and-uni-colors-a-decorative-collection-for-fast-moving-trends</guid>
      <description>
        <![CDATA[<p>Nowadays, the cycles of change around society and architecture have generated <a href="https://www.archdaily.com/973379/new-models-for-collective-housing?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all">new urban models</a>, emerging technologies, and <a href="https://www.archdaily.com/1011126/10-interior-design-trends-of-2023?ad_source=search&amp;ad_medium=search_result_articles">design trends</a> that underline the need for constant adaptability in all areas. In this context, aspects such as flexibility, reliability, and simplicity emerge as distinctive elements, both in architecture and in the components that constitute it, including materials. This is why lines such as the <a href="https://www.egger.com/en/furniture-interior-design/decorative-collection/?country=AU&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">EGGER Decorative Collection 24+</a>, crafted from wood-derived materials, seek to redefine concepts through a rolling series, updated at most every two years. This dynamic enables a more agile response to new trends, influences, and product innovations that arise in the built environment.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/65ca/f9ae/b451/ce5f/32e9/456d/newsletter/from-wood-stone-steel-and-uni-colors-a-decorative-collection-for-fast-moving-trends_7.jpg?1707801053"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[From Red to Green: The Contradictory Aesthetics of Oxidized Facades]]>
      </title>
      <link>https://www.archdaily.com/939460/from-red-to-green-the-contradictory-aesthetics-of-oxidized-facades</link>
      <pubDate>Tue, 09 Jan 2024 07:30:00 +0000</pubDate>
      <dc:creator>Eduardo Souza</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/939460/from-red-to-green-the-contradictory-aesthetics-of-oxidized-facades</guid>
      <description>
        <![CDATA[<p dir="ltr">For a small child, understanding the concept of time and its passage is very difficult. As a result, children are often impatient when expecting something or confused when trying to remember something from the past. They live in the present, and learn the notion of time only little by little. But accepting the passage of time, and the reality of aging, is something that plagues us even as adults. The lucrative cosmetic and plastic surgery industries show how humanity seeks to control or deny the passage of time, an urge that has proved to be relentless.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5eb9/ab76/b357/658d/9400/01b7/newsletter/Paul_Warchol.jpg?1589226351"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[16 Materials Every Architect Needs to Know (And Where to Learn About Them)]]>
      </title>
      <link>https://www.archdaily.com/801545/16-materials-every-architect-needs-to-know-and-where-to-learn-about-them</link>
      <pubDate>Sun, 07 Jan 2024 07:30:00 +0000</pubDate>
      <dc:creator>Ariana Zilliacus</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/801545/16-materials-every-architect-needs-to-know-and-where-to-learn-about-them</guid>
      <description>
        <![CDATA[<p>A building’s materiality is what our bodies make direct contact with; the cold metal handle, the warm wooden wall, and the hard glass window would all create an entirely different atmosphere if they were, say, a hard glass handle, a cold metal wall and a warm wooden window (which with KTH’s new <a href="http://www.archdaily.com/800546/10-innovative-materials-that-could-revolutionize-the-construction-industry">translucent wood</a>, is not as absurd as it might sound). Materiality is of just as much importance as form, function, and location—or rather, inseparable from all three.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5851/de16/e58e/ce55/1100/007e/newsletter/Kyoungtae_Kim.jpg?1481760273"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[30 Japanese Homes that Use Metal for Interior Accents]]>
      </title>
      <link>https://www.archdaily.com/1011731/30-japanese-homes-that-use-metal-for-interior-accents</link>
      <pubDate>Wed, 03 Jan 2024 04:00:00 +0000</pubDate>
      <dc:creator>Claire Brodka</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1011731/30-japanese-homes-that-use-metal-for-interior-accents</guid>
      <description>
        <![CDATA[<p>Contemporary <a href="https://www.archdaily.com/country/japan/page/1">Japanese</a> interiors incorporate elements both of tradition and modernity to embody the country's innovative spirit while maintaining a profound respect for its history and cultural heritage. Though traditional <a href="https://www.archdaily.com/tag/materials">materials</a> like <a href="https://www.archdaily.com/tag/wood">wood</a>, <a href="https://www.archdaily.com/tag/paper">paper</a>, and <a href="https://www.archdaily.com/tag/bamboo">bamboo</a> continue to hold significance, modern <a href="https://www.archdaily.com/search/projects/categories/interior-design/country/japan">Japanese interiors</a> also often feature a fusion of <a href="https://www.archdaily.com/tag/glass">glass</a>, <a href="https://www.archdaily.com/tag/steel">steel</a>, <a href="https://www.archdaily.com/search/projects/materials/concrete">concrete</a>, and <a href="https://www.archdaily.com/tag/metal">metals</a>. The juxtaposition of smoother, sleeker <a href="https://www.archdaily.com/tag/textures">textures</a> and finishes with warmer and more organic ones reflects a dynamic synthesis of old and new, and results in visually striking and functional spaces that honor the essence of the country's design principles.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6594/4c55/9936/3f73/b48a/ade3/newsletter/30-japanese-homes-that-use-metal-for-interior-accents_2.jpg?1704217689"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Does AI Correlate Materiality with Contemporary Architecture? An Experiment with Six Building Materials]]>
      </title>
      <link>https://www.archdaily.com/1010723/does-ai-correlate-materiality-with-contemporary-architecture-an-experiment-with-six-building-materials</link>
      <pubDate>Thu, 21 Dec 2023 04:00:00 +0000</pubDate>
      <dc:creator>Enrique Tovar</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1010723/does-ai-correlate-materiality-with-contemporary-architecture-an-experiment-with-six-building-materials</guid>
      <description>
        <![CDATA[<p>As AI has become more accessible, we have witnessed examples illustrating its diverse applications. Prominent among these are generative AIs, which excel in their ability to “create” <a href="https://www.archdaily.com/1010426/prompting-creativity-the-role-of-ai-in-visualization-and-design-tools-for-architects?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all">images through prompts</a>, many distinguished by their composition and vividness. These AI systems are neural networks with billions of parameters, trained to create images from natural language, using a dataset of text–image pairs. Thus, although the initial question posed by Turing in the 1950s, “<a href="https://medium.com/@jetnew/a-summary-of-alan-m-turings-computing-machinery-and-intelligence-fd714d187c0b?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Can machines think?</a>” still recurs today, the <a href="https://www.archdaily.com/999710/how-does-artificial-intelligence-perceive-the-contemporary-home-different-perspectives-from-15-countries?ad_source=search&amp;ad_medium=search_result_articles">generation of images</a> and text is grounded in existing information, limiting their capabilities.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6570/b47f/23c8/ee01/7cd2/7432/newsletter/how-does-ai-correlate-building-materials-with-contemporary-architecture_1.jpg?1701885067"></enclosure>
    </item>
  </channel>
</rss>
