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    <title>Tag: soviet-architecture | ArchDaily</title>
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        <![CDATA[Druzhba Sanatorium: A Soviet Monument Suspended Between Earth and Sea]]>
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      <link>https://www.archdaily.com/1038160/druzhba-sanatorium-a-soviet-monument-suspended-between-earth-and-sea</link>
      <pubDate>Wed, 11 Feb 2026 07:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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        <![CDATA[<p>Perched above the cliffs of <a href="https://www.archdaily.com/tag/crimea">Crimea</a>, the Druzhba Thermal Sanatorium appears less as a building than as a landed spacecraft. Its circular forms, suspended decks, and spiraling ramps evoke a scene from Andrei Tarkovsky's <em>Solaris</em> (1972), where architecture and psychology merge into a single landscape. Built between 1978 and 1985 by <a href="https://www.archinform.net/entry.htm?ID=dojk5i1kc6tt5uimraeal74gda&amp;loc=%2Farch%2F108377.htm&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Igor Vasilevsky</a>, the complex was conceived as a thermal resort for workers of the oil industry, part of the Soviet Union's extensive network of sanatoria dedicated to health and recreation.</p>]]>
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        <![CDATA[Tashkent Architecture City Guide: Ten Buildings of Soviet Hybrid Modernism]]>
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      <link>https://www.archdaily.com/1038318/soviet-architecture-of-tashkent-ten-key-buildings-of-hybrid-modernism</link>
      <pubDate>Tue, 03 Feb 2026 07:30:00 +0000</pubDate>
      <dc:creator>Mohieldin Gamal</dc:creator>
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        <![CDATA[<p>Situated along the historic Silk Road in <a href="https://www.archdaily.com/tag/central-asia" target="_blank" rel="noopener">Central Asia</a>, <a href="https://www.archdaily.com/tag/Tashkent" target="_blank" rel="noopener">Tashkent</a> is a city with a long history spanning thousands of years. Its historic architecture is known for its courtyards, domes, and blue ceramics, typical of its Timurid heritage. The capital of <a href="https://www.archdaily.com/country/uzbekistan/page/1" target="_blank" rel="noopener">Uzbekistan</a> today, it was absorbed into the Russian Empire in the 19th century, before becoming a Soviet republic. While part of the <a href="https://www.archdaily.com/tag/soviet-union" target="_blank" rel="noopener">Soviet Union</a>, the city became an example of modernization, celebrating socialist achievements in Asia. A devastating earthquake in 1966 accelerated this modernization as the city was reconstructed, leading to many of the <a href="https://www.archdaily.com/tag/modernism" target="_blank" rel="noopener">modernist</a> monuments for which Tashkent is known today.</p>]]>
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        <![CDATA[The Aesthetics of Power: Soviet Modernism Meets Uzbek Tradition in Tashkent’s Palace of Peoples’ Friendship]]>
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      <link>https://www.archdaily.com/1036573/the-aesthetics-of-power-soviet-modernism-meets-uzbek-tradition-in-tashkents-palace-of-peoples-friendship</link>
      <pubDate>Sat, 13 Dec 2025 07:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/city/tashkent" target="_blank" rel="noopener">Tashkent</a>, the capital of <a href="https://www.archdaily.com/country/uzbekistan" target="_blank" rel="noopener">Uzbekistan</a> and one of the oldest cities in <a href="https://www.archdaily.com/tag/central-asia">Central Asia</a>, has long been <a href="https://www.archdaily.com/1006530/preserving-tashkents-unique-modernist-architecture-the-importance-of-heritage-conservation" target="_blank" rel="noopener">shaped by a hybrid culture</a>. Located at a strategic point along the Silk Road, the city developed an architectural tradition defined by inner <a href="https://www.archdaily.com/tag/courtyard" target="_blank" rel="noopener">courtyards</a>, <a href="https://www.archdaily.com/tag/dome" target="_blank" rel="noopener">domes</a>, decorative ceramics, and <a href="https://www.archdaily.com/tag/islamic-architecture" target="_blank" rel="noopener">Islamic</a> geometric patterns. The annexation by the Russian Empire in the 19th century introduced administrative buildings, <a href="https://www.archdaily.com/949094/orthogonal-grids-and-their-variations-in-17-cities-viewed-from-above" target="_blank" rel="noopener">orthogonal squares</a>, and straight avenues, creating a <a href="https://www.archdaily.com/1034850/bridging-past-and-future-uzbekistans-expanding-cultural-landscape" target="_blank" rel="noopener">dual urban fabric</a> — between the “old” Eastern city and the “new” European one — in which contrasts and overlaps became the norm.</p>]]>
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        <![CDATA[Asif Khan Reimagines Soviet-Era Cinema as Kazakhstan’s First Independent Cultural Hub]]>
      </title>
      <link>https://www.archdaily.com/1026243/asif-khan-reimagines-soviet-era-cinema-as-kazakhstans-first-independent-cultural-hub</link>
      <pubDate>Tue, 28 Jan 2025 06:30:00 +0000</pubDate>
      <dc:creator>Nour Fakharany</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1026243/asif-khan-reimagines-soviet-era-cinema-as-kazakhstans-first-independent-cultural-hub</guid>
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        <![CDATA[<p>British architect <a href="https://www.archdaily.com/office/asif-khan-studio">Asif Khan</a> has just unveiled the transformation of a <a href="https://www.archdaily.com/tag/soviet-union">Soviet</a>-era cinema in Almaty, <a href="https://www.archdaily.com/country/kazakhstan">Kazakhstan</a>, into the Tselinny Center of Contemporary Culture, a multifunctional venue designed to support the growth of Kazakh and Central Asian creatives. The project, which began in 2018, is set to open in April and will feature spaces for art <a href="https://www.archdaily.com/tag/exhibitions">exhibitions</a>, performances, film screenings, workshops, and more. Once complete, the Tselinny Center will mark Kazakhstan's first independent <a href="https://www.archdaily.com/tag/cultural">cultural institution.</a></p>]]>
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        <![CDATA[  A New Lens on Architecture: Discovering Open House Narratives Across Europe]]>
      </title>
      <link>https://www.archdaily.com/1024707/a-new-lens-on-architecture-discovering-open-house-narratives-across-europe</link>
      <pubDate>Wed, 25 Dec 2024 07:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1024707/a-new-lens-on-architecture-discovering-open-house-narratives-across-europe</guid>
      <description>
        <![CDATA[<p>Throughout 2024, ArchDaily, in collaboration with the <a href="https://www.archdaily.com/tag/open-house">Open House Europe</a> architecture event, brought inspiring projects and stories to light. These true architectural gems were unveiled through visits, and their widely <a href="https://www.archdaily.com/tag/ad-narrative">shared narratives</a> enriched the architectural discourse. It is an invitation to explore the stories behind buildings that, although <a href="https://www.archdaily.com/1020691/between-the-sacred-and-the-profane-the-story-behind-the-church-of-the-sacred-heart-of-jesus-in-lisbon?ad_campaign=normal-tag">part of citizens' daily lives</a>, often go unnoticed amidst the routine automation of everyday life.</p>]]>
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        <![CDATA[Indoor-Outdoor Homes in Lithuania: 20 Projects with Oversized Windows that Invite Nature]]>
      </title>
      <link>https://www.archdaily.com/1009749/indoor-outdoor-homes-in-lithuania-20-projects-with-oversized-windows-that-invite-nature</link>
      <pubDate>Wed, 15 Nov 2023 04:00:00 +0000</pubDate>
      <dc:creator>Claire Brodka</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1009749/indoor-outdoor-homes-in-lithuania-20-projects-with-oversized-windows-that-invite-nature</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/country/lithuania">Lithuania</a>'s architectural narrative is a mosaic of diverse influences and styles, representing its historical evolution, cultural heritage, and resilience through changing times. Despite a focus on traditional <a href="https://www.archdaily.com/tag/craftsmanship">craftsmanship</a>, functional <a href="https://www.archdaily.com/tag/minimalism">minimalism</a>, and <a href="https://www.archdaily.com/tag/sustainability">sustainable materials</a>, the country's design language has been profoundly influenced by its geopolitical position and historical events, resulting in a blend of styles from different periods. A key factor that cuts across all expressions, however, is Lithuanian architecture's seamless connection with its <a href="https://www.archdaily.com/tag/nature">natural</a> surroundings.</p>]]>
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        <![CDATA[Tashkent Modernism XX/XXI: A Research and Preservation Project for Uzbekistan's Architectural Heritage]]>
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      <link>https://www.archdaily.com/1006530/preserving-tashkents-unique-modernist-architecture-the-importance-of-heritage-conservation</link>
      <pubDate>Wed, 20 Sep 2023 07:30:00 +0000</pubDate>
      <dc:creator>Christele Harrouk</dc:creator>
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      <description>
        <![CDATA[<p>Tashkent, the <a href="https://www.archdaily.com/country/uzbekistan" target="_blank" rel="noopener">capital city of Uzbekistan</a>, stands as one of the most populous cities in <a href="https://www.archdaily.com/tag/central-asia">Central Asia</a>. Situated in the northeastern part of the country, near the border with <a href="https://www.archdaily.com/country/kazakhstan" target="_blank" rel="noopener">Kazakhstan</a>, <a href="https://www.archdaily.com/tag/tashkent">Tashkent</a> has been profoundly shaped and influenced by diverse cultures throughout its history. The most significant transformation of its urban landscape occurred during the Soviet era when the city was rebuilt as a model Soviet city, following the 1966 earthquake that caused substantial damage. During this reconstruction, architects from various regions of the Soviet Union collaborated with local experts, resulting in a unique form of architectural modernism that harmoniously integrated elements of Islamic architecture, indigenous creativity, and cutting-edge engineering achievements of that era. At that time, Tashkent held the esteemed status of a prominent international city in the East.</p>]]>
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      <title>
        <![CDATA[Color, Composition, and Scale: Analyzing Brutalist Photography]]>
      </title>
      <link>https://www.archdaily.com/994163/colour-composition-and-scale-analysing-brutalist-photography</link>
      <pubDate>Sat, 25 Mar 2023 06:30:00 +0000</pubDate>
      <dc:creator>Matthew Maganga</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/994163/colour-composition-and-scale-analysing-brutalist-photography</guid>
      <description>
        <![CDATA[<p>Sometimes sculptural and expressive, sometimes monolithic and monotonous, the <a href="https://www.archdaily.com/tag/brutalism" target="_blank" rel="noopener">Brutalist architectural style</a> is equal parts diverse and divisive. From its origins as a by-product of the <a href="https://www.archdaily.com/tag/modernism">Modernism</a> movement in the 1950s to today, Brutalist buildings, in architectural discourse, remain a popular point of discussion. A likely reason for this endurance is — with their raw concrete textures and dramatic shadows, brutalist buildings commonly photograph really well.</p>]]>
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        <![CDATA[Artist Translates Into Prints the Atmosphere and Nostalgia of Polish Soviet Architecture]]>
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      <link>https://www.archdaily.com/982930/artist-translates-into-prints-the-atmosphere-and-nostalgia-of-polish-soviet-architecture</link>
      <pubDate>Thu, 16 Jun 2022 05:00:00 +0000</pubDate>
      <dc:creator>Romullo Baratto</dc:creator>
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        <![CDATA[<p>For varied reasons, architects have been driven away from professional practice. Sometimes, however, they continue to design buildings in other media and support. Vinicius Libardoni is an Italian-Brazilian architect and artist who migrated from Autocad to metal engraving, passing through woodcut, and has been building imaginary architectures ever since.</p>]]>
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        <![CDATA[The Architecture of North Caucasus]]>
      </title>
      <link>https://www.archdaily.com/963623/the-architecture-of-north-caucasus</link>
      <pubDate>Mon, 21 Jun 2021 04:00:00 +0000</pubDate>
      <dc:creator>Andreea Cutieru</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/963623/the-architecture-of-north-caucasus</guid>
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        <![CDATA[<p>The little-known and remote area of North <a href="https://www.archdaily.com/tag/caucasus">Caucasus</a> is an intricate assemblage of territories, ethnicities, languages, religions, and, consequently, architectures, from Tsarist-era buildings to mosques, traditional bas-reliefs, and Soviet Modernism. The setting of controversial events and a heterogeneous cultural environment, in many ways, <a href="https://www.archdaily.com/tag/north-caucasus">North Caucasus</a> is a borderland between Europe and Asia, the former <a href="https://www.archdaily.com/tag/ussr">USSR</a> and the Middle East, Christianity and Islam. Photographs by <a href="https://www.gianlucapardelli.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Gianluca Pardelli</a>, <a href="https://www.archdaily.com/tag/thomas-paul-mayer">Thomas Paul Mayer</a> and <a href="https://www.archdaily.com/tag/nikolai-vassiliev">Nikolai Vassiliev</a> provide an introduction to the architectural landscape of the region.</p>]]>
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        <![CDATA[Brutalism in Central Asia: The Eastern Influences that Shaped Soviet Architecture]]>
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      <link>https://www.archdaily.com/960487/the-eastern-influences-that-shaped-soviet-architecture-in-central-asia</link>
      <pubDate>Wed, 19 May 2021 07:30:00 +0000</pubDate>
      <dc:creator>Andreea Cutieru</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/960487/the-eastern-influences-that-shaped-soviet-architecture-in-central-asia</guid>
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        <![CDATA[<p>In the second half of the 20th century, Soviet architecture has spread a common aesthetic across highly diverse environments, being an integral part in promoting the totalitarian ideology that disregarded local cultures, envisioning a unified, homogenous society. Nevertheless, in practice, the architecture proved itself susceptible to adaptations and local influences, perhaps nowhere more than in Central <a href="https://www.archdaily.com/tag/asia">Asia</a>. The article looks at the architectural heritage of a geographical area largely excluded from the Western-centric narratives on Soviet Modernism, encouraging a re-reading of a layered and nuanced urban landscape, with images by <a class="editor-rtfLink" href="https://www.instagram.com/ilcontephotography/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Roberto Conte</a> and <a class="editor-rtfLink" href="https://www.instagram.com/stepegphotography/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Stefano Perego</a>.</p>]]>
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        <![CDATA[New Short Film Explores The Urban Landscapes of Ukraine’s Socialist Era]]>
      </title>
      <link>https://www.archdaily.com/950627/new-short-film-explores-the-urban-landscapes-of-ukraines-socialist-era</link>
      <pubDate>Fri, 20 Nov 2020 04:00:00 +0000</pubDate>
      <dc:creator>Andreea Cutieru</dc:creator>
      <category>
        <![CDATA[Films & Architecture]]>
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        <![CDATA[<p>The built manifestation of an ideology, the urban landscape left behind by the socialist regimes around Europe are removed from the aspirations of contemporary urban living, thus trigger a unique process of re-appropriation of the post-soviet landscapes. The short film Landscape Architecture: Rethinking The Future out of a Totalitarian Past created by Minimal Movie invites a conversation around urban planning, cultural identity, and community building relating to the urbanism and architecture of Ukraine's Socialist Era.</p>]]>
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        <![CDATA[Reframing the Monumental: Reclaiming the Architecture and Public Spaces of the Former Eastern European Bloc]]>
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      <link>https://www.archdaily.com/950448/reframing-the-monumental-reclaiming-the-architecture-and-public-spaces-of-the-former-eastern-european-bloc</link>
      <pubDate>Fri, 30 Oct 2020 07:30:00 +0000</pubDate>
      <dc:creator>Andreea Cutieru</dc:creator>
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        <![CDATA[<p>Remnants of the Socialist era, the large-scale architecture and urban spaces of the Eastern European Bloc still constitute a challenging legacy, at odds with contemporary urban environments and the values shaping cities today. This ideologically charged architecture is being reclaimed either through the reconciliation of the public opinion with this part of history, adaptive re-use, renovation, or through its re-contextualization as architectural heritage. By (re)introducing the human scale within these monumental architecture projects and public spaces, these entities are being restored to the urban and cultural life of cities.</p>]]>
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        <![CDATA[The Winding Saga of the Restoration of the Narkomfin, an Icon of Soviet Constructivism]]>
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      <link>https://www.archdaily.com/947148/the-winding-saga-of-the-restoration-of-the-narkomfin-an-icon-of-soviet-constructivism</link>
      <pubDate>Thu, 10 Sep 2020 03:30:00 +0000</pubDate>
      <dc:creator>Jason Sayer</dc:creator>
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        <![CDATA[<p>If you wandered down Novinsky Boulevard in <a href="https://www.archdaily.com/city/moscow" target="_blank">central Moscow</a> five years ago looking for the Narkomfin building, you’d have been greeted by a sorry sight. The Narkomfin, <em>the</em> poster child for <a href="https://www.archdaily.com/tag/constructivism" target="_blank">Constructivist architecture</a> designed by Moisey Ginzburg and Ignaty Milinis in 1928, had been slowly falling into a state of dereliction after being left unloved for 45 years. Paint peeling, concrete crumbling, and windows broken—not to mention the numerous, muddling alterations made to the block of flats, including a completely new ground floor.</p>]]>
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        <![CDATA[Eastern Bloc Architecture: Sci-fi Cinemas  ]]>
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      <link>https://www.archdaily.com/946917/eastern-bloc-architecture-sci-fi-cinemas</link>
      <pubDate>Thu, 03 Sep 2020 00:30:00 +0000</pubDate>
      <dc:creator>Dima Stouhi</dc:creator>
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        <![CDATA[<p>This article is part of <a href="https://www.archdaily.com/tag/eastern-bloc-architecture-50-buildings-that-defined-an-era">"Eastern Bloc Architecture: 50 Buildings that Defined an Era"</a>, a collaborative series by <a href="https://www.calvertjournal.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">The Calvert Journal </a>and <a href="https://www.archdaily.com/">ArchDaily</a> highlighting iconic architecture that had shaped the Eastern world. Every week both publications will be releasing a listing rounding up five Eastern Bloc projects of certain typology. Read on for your weekly dose: Cinemas.</p>]]>
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        <![CDATA[Eastern Bloc Architecture: Communist Culture and Socialist Sports]]>
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      <link>https://www.archdaily.com/945559/eastern-bloc-architecture-culture-and-leisure</link>
      <pubDate>Wed, 12 Aug 2020 03:30:00 +0000</pubDate>
      <dc:creator>Dima Stouhi</dc:creator>
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        <![CDATA[<p>This article is part of <a href="https://www.archdaily.com/tag/eastern-bloc-architecture-50-buildings-that-defined-an-era">"Eastern Bloc Architecture: 50 Buildings that Defined an Era"</a>, a collaborative series by <a href="https://www.calvertjournal.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">The Calvert Journal </a>and <a href="https://www.archdaily.com/">ArchDaily</a> highlighting iconic architecture that had shaped the Eastern world. Every week both publications will be releasing a listing rounding up five Eastern Bloc projects of certain typology. Read on for your weekly dose: Communist Culture and Socialist Sports.</p>]]>
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      <title>
        <![CDATA[Eastern Bloc Buildings: Monolithic Housing Blocks]]>
      </title>
      <link>https://www.archdaily.com/945134/eastern-bloc-buildings-monolithic-housing-blocks</link>
      <pubDate>Wed, 05 Aug 2020 03:30:00 +0000</pubDate>
      <dc:creator>Lucía de la Torre</dc:creator>
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      <description>
        <![CDATA[<p><em>This article is part of "<a href="https://www.archdaily.com/tag/eastern-bloc-architecture-50-buildings-that-defined-an-era">Eastern Bloc Architecture: 50 Buildings that Defined an Era</a>", a collaborative series by <a href="https://www.calvertjournal.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">The Calvert Journal </a>and <a href="https://www.archdaily.com/">ArchDaily</a> highlighting iconic architecture that had shaped the Eastern world. Every week both publications will be releasing a listing rounding up five Eastern Bloc projects of certain typology. Read on for your weekly dose: Monolithic <a href="https://www.archdaily.com/tag/housing">Housing</a> Blocks.</em></p>]]>
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        <![CDATA[Eastern Bloc Architecture: Eccentric Urban Buildings ]]>
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      <link>https://www.archdaily.com/943620/eastern-bloc-architecture-eccentric-urban-buildings</link>
      <pubDate>Wed, 15 Jul 2020 03:30:00 +0000</pubDate>
      <dc:creator>Dima Stouhi</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/943620/eastern-bloc-architecture-eccentric-urban-buildings</guid>
      <description>
        <![CDATA[<p><em>This article is part of "<a href="https://www.archdaily.com/tag/eastern-bloc-architecture-50-buildings-that-defined-an-era">Eastern Bloc Architecture: 50 Buildings that Defined an Era</a>", a collaborative series by <a href="https://www.calvertjournal.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">The Calvert Journal</a> and <a href="https://www.archdaily.com/">ArchDaily</a> highlighting iconic architecture that had shaped the Eastern world. Every week both publications will be releasing a listing rounding up five Eastern Bloc projects of certain typology. Read on for your weekly dose: Eccentric Urban Buildings.</em></p>]]>
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