<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:georss="http://www.georss.org/georss" xmlns:webfeeds="http://webfeeds.org/rss/1.0">
  <channel>
    <title>Tag: southwest-asia-and-north-africa | ArchDaily</title>
    <description>ArchDaily | Broadcasting Architecture Worldwide</description>
    <link>https://www.archdaily.com/</link>
    <lastBuildDate>Sat, 17 Oct 2026 00:00:00 +0000</lastBuildDate>
    <language>en-US</language>
    <atom:link rel="self" type="application/rss+xml" href="https://www.archdaily.com/show.xml"/>
    <sy:updatePeriod>hourly</sy:updatePeriod>
    <sy:updateFrequency>1</sy:updateFrequency>
    <webfeeds:logo>https://assets.adsttc.com/doodles/archdaily-logo-feedly.svg</webfeeds:logo>
    <webfeeds:accentColor>026CB6</webfeeds:accentColor>
    <webfeeds:analytics id="UA-73308-12" engine="GoogleAnalytics"/>
    <item>
      <title>
        <![CDATA[Flat Land, Hidden Water: Architecture on Reclaimed Ground]]>
      </title>
      <link>https://www.archdaily.com/1186463/flat-land-hidden-water-architecture-on-reclaimed-ground</link>
      <pubDate>Fri, 09 Oct 2026 04:00:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1186463/flat-land-hidden-water-architecture-on-reclaimed-ground</guid>
      <description>
        <![CDATA[<p>Reclaimed land is often presented as <a href="https://www.archdaily.com/1035860/the-illusion-of-level-detailing-for-water-in-flat-architecture">new ground: flat</a>, available, and ready for architecture. It promises cities more space where space is scarce, allowing them to extend <a href="https://www.archdaily.com/1025042/waterfronts-heritage-and-innovation-recent-highlights-from-big-gehl-and-more-in-architecture-now">waterfronts</a> and build cultural districts. Sometimes, these newly <a href="https://www.archdaily.com/1016218/turning-water-into-land-major-landfill-projects-around-the-world">claimed lands</a> may also develop into financial centers, create parks, and imagine futures beyond the limits of existing land. Yet reclaimed land is never simply land. It is an engineered surface, produced through fill, seawalls, drainage, and soil stabilization — a long-term negotiation with the water it claims to have displaced.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6ac5/cc06/27ac/8d01/89cb/be81/newsletter/flat-land-hidden-water-architecture-on-reclaimed-ground_1.jpg?1791347725"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Architecture as Translation: Africanfuturism in Folklore, Film, and Speculative Art]]>
      </title>
      <link>https://www.archdaily.com/1185518/architecture-as-translation-africanfuturism-in-folklore-film-and-speculative-art</link>
      <pubDate>Tue, 06 Oct 2026 04:00:00 +0000</pubDate>
      <dc:creator>Maisa Elamein</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1185518/architecture-as-translation-africanfuturism-in-folklore-film-and-speculative-art</guid>
      <description>
        <![CDATA[<p>"Take your dream suppressants." The opening line in Wanuri Kahiū's <a href="https://vimeo.com/46891859?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener"><em>Pumzi</em></a>, directed at our protagonist Asha, enforces the order <a href="https://www.scielo.org.za/scielo.php?pid=S0041-476X2025000100004&amp;script=sci_arttext&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank">of severing ties with hopeful futures and ancestral memories in pasts shared</a> to compel her focus on the perpetual present in the Maitu Community's <a href="https://www.archdaily.com/1185278/architectural-heterotopias-temporary-installations-as-alternative-worlds" target="_blank" rel="noopener">heterotopia</a> of an enclave. The bird's-eye view shot of the Maitu reveals a sterile, drone-like structure with a panoptic sphere at its center where normal human behavior is medicalized<a href="https://www.archdaily.com/1185010/escaping-systems-architecture-beyond-familiar-ground">. The layout is built around closed-loop recycling systems</a> as apt as a self-sufficient organism, designed to escape the toxic environment of a sickly Earth, where every pipe and corridor is engineered to harvest human excretion for water generation, thereby absorbing the roles of nature and state both. The community's architecture perfectly translates the film's message with its physicality.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6abd/5a27/fdbd/f801/8857/ed8f/newsletter/architecture-as-translation-for-the-africanfuturist-present-heres-and-elsewheres_10.jpg?1790794284"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[From Seasonal Escape to Permanent Elsewhere: Movement and Architecture in the Gulf]]>
      </title>
      <link>https://www.archdaily.com/1184632/from-seasonal-escape-to-permanent-elsewhere-movement-and-architecture-in-the-gulf</link>
      <pubDate>Sun, 27 Sep 2026 07:30:00 +0000</pubDate>
      <dc:creator>Ananya Nayak</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1184632/from-seasonal-escape-to-permanent-elsewhere-movement-and-architecture-in-the-gulf</guid>
      <description>
        <![CDATA[<p>For many communities across the Gulf, leaving home once formed part of inhabiting it. Families <a href="https://visitqatar.com/intl-en/things-to-do/adventure-sports/desert/khor-al-adaid?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">moved between desert pastures, coastal settlements, wells, fishing grounds, and pearling ports </a>according to season and livelihood, returning repeatedly to places already known through use. <a href="https://www.tandfonline.com/doi/full/10.1080/21534764.2020.1854273?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">In Qatar, historical accounts describe autumn and winter movement through al-barr</a>, the desert, followed by a return toward coastal settlements as the summer pearling season began. The <a href="https://www.archdaily.com/913989/national-museum-of-qatar-atelier-jean-nouvel">National Museum of Qatar</a> represents this history through a yearly calendar of movement between desert and sea. </p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6a9e/4fa0/1fe7/3101/8863/0984/newsletter/from-seasonal-escape-to-permanent-elsewhere_7.jpg?1788759980"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Brutalist Asia: A New Publication Reframing the History of Brutalism, from Japan to Lebanon]]>
      </title>
      <link>https://www.archdaily.com/1185224/brutalist-asia-a-new-publication-reframing-the-history-of-brutalism-from-japan-to-lebanon</link>
      <pubDate>Thu, 17 Sep 2026 08:00:00 +0000</pubDate>
      <dc:creator>Christele Harrouk</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1185224/brutalist-asia-a-new-publication-reframing-the-history-of-brutalism-from-japan-to-lebanon</guid>
      <description>
        <![CDATA[<p>The history of <a href="/tag/brutalism">Brutalism</a> has largely been written from a Western perspective. <a href="https://bluecrowmedia.com/products/brutalist-asia?srsltid=AU7gw4U1OTeXsYa8FApBn1KoopeWo5jbkJQKd1vNrRl6P67o_kdo2GhK&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener"><em>Brutalist Asia</em></a> by <a href="https://bluecrowmedia.com/?srsltid=AU7gw4USzgOpVckNc4eiOko0ClOCvqkX2I9D24JEbQS00uYABhGRq7L6&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Blue Crow Media</a><strong> </strong>offers a different view, examining how architects across <a href="/tag/asia">Asia</a> adopted, questioned, and transformed the architectural language associated with the movement in response to radically different political, climatic, and cultural conditions. Spanning 28 countries, from <a href="/tag/japan">Japan</a> and <a href="/tag/southeast-asia">Southeast Asia</a> through South and Central Asia to the <a href="/tag/middle-east">Middle East</a>, Iran, and <a href="/tag/lebanon">Lebanon</a>, the book brings together 140 buildings and more than 150 photographs, placing internationally recognized works by architects including Kenzo Tange, Paul Rudolph, Balkrishna V. Doshi, Raj Rewal, Charles Correa, Kim Swoo Geun, Leandro V. Locsin, and Le Corbusier alongside important but lesser-known works that expand our understanding of post-war architecture across the continent.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6aaa/972c/4f64/5201/8803/1504/newsletter/brutalist-asia-a-new-publication-reframing-the-history-of-brutalism-from-japan-to-lebanon_3.jpg?1789564722"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[The Role of Urban Design in Women's Safety: Lessons from Four Public Spaces]]>
      </title>
      <link>https://www.archdaily.com/1184374/the-role-of-urban-design-in-womens-safety-lessons-from-four-public-spaces</link>
      <pubDate>Sun, 13 Sep 2026 07:30:00 +0000</pubDate>
      <dc:creator>Olivia Poston</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1184374/the-role-of-urban-design-in-womens-safety-lessons-from-four-public-spaces</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/tag/public-spaces?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">Public space</a> is often intended to be <a href="https://www.archdaily.com/1113899/sao-paulo-organizations-publish-a-report-on-how-to-design-safer-public-spaces-for-women?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">perceived as universal, but access is unevenly experienced</a>. For many <a href="https://www.archdaily.com/tag/women?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">women</a>, <a href="https://www.archdaily.com/1114890/women-and-urban-mobility-indicators-for-the-formulation-of-gender-sensitive-urban-policies?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">moving through the city involves a continuous assessment of exposure</a>, visibility, proximity to others, lighting, transport access, escape routes and the likelihood of harassment. These calculations are <a href="https://www.archdaily.com/1136216/city-of-women-planning-ignores-crucial-aspects-for-equitable-cities?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">shaped by spatial conditions as much as social ones</a>. <a href="https://www.archdaily.com/tag/safety?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">Safety</a> is a question of <a href="https://www.archdaily.com/1128125/mobility-planning-and-women?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">urban form, maintenance, mobility, governance and the distribution of public investment.</a> While the built environment may not cause gender-based violence, it can intensify vulnerability and normalize unequal access, especially to <a href="https://www.archdaily.com/tag/public-spaces?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">public spaces</a>.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6a97/2105/d9a0/5901/87c6/8a5a/newsletter/designing-safety-for-women-in-public-spaces_1.jpg?1788289291"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[A Day in the Bazaar: When Architecture Is Observed in Time]]>
      </title>
      <link>https://www.archdaily.com/1037781/a-day-in-the-bazaar-when-architecture-is-observed-in-time</link>
      <pubDate>Fri, 11 Sep 2026 08:00:00 +0000</pubDate>
      <dc:creator>Ananya Nayak</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1037781/a-day-in-the-bazaar-when-architecture-is-observed-in-time</guid>
      <description>
        <![CDATA[<p><em>This article is part of "Thresholds", a special edition printed newspaper by Cobe Notes x ArchDaily.</em><br><br>Architecture is most often represented as a stable object: a building captured at a moment of visual clarity, isolated from surrounding contingencies. Plans, sections, and photographs promise legibility by suspending time. Yet many of the world's most enduring<a href="https://www.archdaily.com/1037512/designing-the-public-market-architecture-for-gathering-trading-and-belonging"> public environments</a> resist this mode of representation altogether. They are not designed to be read instantaneously, nor do they reveal their <a href="https://www.archdaily.com/1005617/architecture-always-reflects-the-values-of-its-current-culture?ad_campaign=normal-tag">logic through form</a> alone. Their <a href="https://www.archdaily.com/1036424/adaptive-reuse-how-many-lives-can-a-building-have">spatial intelligence</a> emerges gradually, through repetition, occupation, and duration. </p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6969/034f/51eb/125a/a831/859e/newsletter/a-day-in-the-bazaar-when-architecture-is-observed-in-time_9.jpg?1768489852"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Mapping Narratives: What the UN Map Reveals About Symbolic Reparations]]>
      </title>
      <link>https://www.archdaily.com/1184890/mapping-narratives-what-the-un-map-reveals-about-symbolic-reparations</link>
      <pubDate>Fri, 11 Sep 2026 07:30:00 +0000</pubDate>
      <dc:creator>Romullo Baratto</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1184890/mapping-narratives-what-the-un-map-reveals-about-symbolic-reparations</guid>
      <description>
        <![CDATA[<p><em>This article is part of our new </em><a href="https://www.archdaily.com/tag/ad-opinion"><em>Opinion</em></a><em> section, a format for argument-driven essays on critical questions shaping our field.</em></p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6aa2/c6cf/237b/e901/8be9/6542/newsletter/mapping-narratives-what-the-un-map-reveals-about-symbolic-reparations_1.jpg?1789052633"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Unearthing the Ground: Architecture and the Politics of Oil]]>
      </title>
      <link>https://www.archdaily.com/1039737/unearthing-the-ground-architecture-and-the-politics-of-oil</link>
      <pubDate>Mon, 07 Sep 2026 08:00:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1039737/unearthing-the-ground-architecture-and-the-politics-of-oil</guid>
      <description>
        <![CDATA[<p><em>This article is part of "Thresholds", a special edition printed newspaper by Cobe Notes x ArchDaily.<br><br></em><a href="https://www.archdaily.com/1037282/unearthing-the-ground-the-politics-of-the-subterranean">Beneath the ground</a> lies a material that has quietly shaped the architecture of the <a href="https://www.archdaily.com/tag/modern-architecture">modern world</a>. Petroleum is rarely discussed within architectural discourse, yet the extraction, circulation, and consumption of oil have profoundly reorganized the spatial logic of territories. Pipelines, refineries, drilling platforms, ports, highways, and petrochemical complexes form a vast infrastructural landscape that sustains contemporary life, composing a dispersed architecture of energy.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/69bb/081d/e4b3/5801/8a48/5afb/newsletter/unearthing-the-ground-the-politics-of-oil_6.jpg?1773865000"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[From Tent to Terminal: Bedouin Craft in Contemporary Infrastructure]]>
      </title>
      <link>https://www.archdaily.com/1183404/from-tent-to-terminal-bedouin-craft-in-contemporary-infrastructure</link>
      <pubDate>Tue, 18 Aug 2026 07:30:00 +0000</pubDate>
      <dc:creator>Ananya Nayak</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1183404/from-tent-to-terminal-bedouin-craft-in-contemporary-infrastructure</guid>
      <description>
        <![CDATA[<p>Across the Gulf, Bedouin heritage often enters architecture first as an image. <a href="https://www.archdaily.com/1035657/from-albania-to-iran-7-unbuilt-infrastructure-projects-reimagining-mobility-ecology-and-connection">Airport terminals </a>recall tent silhouettes, <a href="https://www.archdaily.com/1031841/architecture-as-an-invitation-to-explore-25-visitor-centers-around-the-world">visitor centres</a> incorporate woven screens, and <a href="https://www.archdaily.com/tag/pavilion">pavilions</a> reinterpret <a href="https://www.archdaily.com/1025601/how-textiles-shaped-architecture-prehistoric-structures-for-modern-buildings">traditional textiles as decorative façades</a>. These references have become a familiar visual language for expressing regional identity. They also risk reducing one of the world's most <a href="https://www.jstor.org/stable/29544127?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">sophisticated vernacular building traditions to an architectural motif.</a> Long before the Bedouin tent became a cultural symbol, it was an environmental technology: a lightweight, adaptable structure capable of creating comfort in one of the planet's most demanding climates. What contemporary infrastructure may inherit is not the tent's silhouette, but the construction intelligence woven into it.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6a82/81ba/ab59/ca01/8994/55a8/newsletter/from-tent-to-terminal-bedouin-craft-in-contemporary-infrastructure_7.jpg?1786937797"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Craft After Conflict: Why Rebuilding Cities Begins with Rebuilding Knowledge]]>
      </title>
      <link>https://www.archdaily.com/1182061/craft-after-conflict-why-rebuilding-cities-begins-with-rebuilding-knowledge</link>
      <pubDate>Sat, 08 Aug 2026 07:30:00 +0000</pubDate>
      <dc:creator>Ananya Nayak</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1182061/craft-after-conflict-why-rebuilding-cities-begins-with-rebuilding-knowledge</guid>
      <description>
        <![CDATA[<p>A war can erase a skyline overnight. Roofs collapse, streets become impassable, and landmarks that once oriented everyday life are reduced to rubble. The most profound loss often remains invisible. <a href="https://www.archdaily.com/tag/historic-buildings">Buildings can be surveyed, photographed, scanned, and, eventually, rebuilt.</a> The knowledge that produced them is far more fragile. It survives in the hands of stonemasons who understand how a limestone vault carries its load, carpenters who know <a href="https://www.archdaily.com/1007645/is-wood-the-sustainable-solution-for-the-middle-east">how timber joints respond to seasonal movement</a>, plasterers who mix lime by memory rather than measurement, and residents whose everyday rituals keep these buildings in use. When these people are displaced, killed, or forced to abandon their trades, reconstruction inherits a problem that no drawing or digital model can solve. Stone can always be quarried again. <a href="https://www.unesco.org/en/revive-mosul?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Recovering the knowledge to shape it takes much longer.</a></p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6a70/32c0/4ea2/e401/8926/6e55/newsletter/craft-after-conflict-why-rebuilding-cities-begins-with-rebuilding-knowledge_1.jpg?1785737927"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[The Oasis Is Not a Destination: Architecture Along the Routes of the Desert]]>
      </title>
      <link>https://www.archdaily.com/1181646/the-oasis-is-not-a-destination-architecture-along-the-routes-of-the-desert</link>
      <pubDate>Wed, 29 Jul 2026 07:30:00 +0000</pubDate>
      <dc:creator>Ananya Nayak</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1181646/the-oasis-is-not-a-destination-architecture-along-the-routes-of-the-desert</guid>
      <description>
        <![CDATA[<p>Architecture has long been defined by permanence. Buildings are celebrated because they endure, cities because they establish permanence against uncertainty, and monuments because they resist the passage of time. Some of <a href="https://www.archdaily.com/971945/architecture-and-unesco-rethinking-preservation-and-cultural-heritage">humanity's oldest urban traditions emerged in landscapes</a> where permanence alone could never guarantee survival. Across the deserts of <a href="https://www.archdaily.com/tag/southwest-asia-and-north-africa">North Africa and the Arabian Peninsula</a>, oasis settlements developed not as isolated refuges from an empty wilderness, but as carefully maintained pauses within landscapes already shaped by movement. Long before highways and airports connected continents, caravans, pilgrims, pastoralists, and merchants traversed these <a href="https://www.archdaily.com/1013768/architectural-interventions-in-the-desert-natural-escapes-minimal-intervention-and-reclusive-luxury">territories through networks of wells</a>, irrigation systems, cultivated groves, and market towns. <a href="https://www.timingold.com/research-statement?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">The oasis was never the end of a journey.</a> Wells, shaded palm groves, irrigated fields, and caravan markets allowed the next stage of the journey to begin.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6a67/01f9/f4d2/6d01/88b1/6aa2/newsletter/the-oasis-is-not-a-destination-architecture-along-the-routes-of-the-desert_5.jpg?1785135621"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[When Mobility Becomes the Ground: Architecture, Adaptation, and the Search for Continuity]]>
      </title>
      <link>https://www.archdaily.com/1181345/when-mobility-becomes-the-ground-architecture-adaptation-and-the-search-for-continuity</link>
      <pubDate>Fri, 24 Jul 2026 07:30:00 +0000</pubDate>
      <dc:creator>Valentina Díaz</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1181345/when-mobility-becomes-the-ground-architecture-adaptation-and-the-search-for-continuity</guid>
      <description>
        <![CDATA[<p>Few conditions have shaped contemporary architectural discourse as profoundly as uncertainty. Across international biennials, exhibitions, and forums, architecture increasingly imagines its relationship to the world through flexibility, reversibility, and responsiveness—qualities intended to engage with <a href="https://www.archdaily.com/tag/climate-emergency" target="_blank" rel="noopener">climate emergencies</a>, political instability, and unprecedented human <a href="https://www.archdaily.com/tag/mobility" target="_blank" rel="noopener">mobility</a>. Buildings are designed to transform, infrastructures to evolve, and cities to accommodate conditions that appear increasingly unpredictable. This emphasis on agility has expanded the discipline's capacity to engage with environmental change, offering <a href="https://www.archdaily.com/tag/adaptability" target="_blank" rel="noopener">valuable strategies</a> for a world in constant transformation.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6a5f/5ace/3d21/f701/89c9/372c/newsletter/when-movement-becomes-the-model-architecture-belonging-and-the-search-for-place_7.jpg?1784634070"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Agricultural Afterlives: When Waste Becomes Architecture]]>
      </title>
      <link>https://www.archdaily.com/1042670/agricultural-afterlives-when-waste-becomes-architecture</link>
      <pubDate>Wed, 01 Jul 2026 07:30:00 +0000</pubDate>
      <dc:creator>Ananya Nayak</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1042670/agricultural-afterlives-when-waste-becomes-architecture</guid>
      <description>
        <![CDATA[<p>A building material rarely begins where architecture encounters it. By the time concrete reaches a construction site, its limestone has already been quarried, processed, and transformed. Timber arrives long after the forest. Glass appears detached from the sand from which it was made. By the time materials enter construction, much of the landscape and industry that produced them has already disappeared from view.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6a39/fd17/8576/0e01/8921/be2c/newsletter/agricultural-afterlives-when-waste-becomes-architecture_10.jpg?1782185284"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[The Ecological Intelligence of Sacred Landscapes]]>
      </title>
      <link>https://www.archdaily.com/1042553/the-ecological-intelligence-of-sacred-landscapes</link>
      <pubDate>Sun, 28 Jun 2026 07:30:00 +0000</pubDate>
      <dc:creator>Ananya Nayak</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1042553/the-ecological-intelligence-of-sacred-landscapes</guid>
      <description>
        <![CDATA[<p>Architecture often speaks about <a href="https://www.archdaily.com/tag/ecological-design">ecological design</a> as though it were a recent discovery. Biodiversity corridors, <a href="https://www.archdaily.com/1035802/consciously-driven-in-conversation-with-void-the-costa-rican-studio-shaping-regenerative-architecture?ad_campaign=normal-tag">regenerative landscapes</a>, sponge cities, and <a href="https://www.archdaily.com/1041578/building-autonomy-latin-american-communities-bringing-lifes-systems-into-architecture">more-than-human urbanism</a> are presented as emerging responses to contemporary environmental crises. Across <a href="/tag/india">India</a> and the SWANA region, landscapes shaped through religious practice have long organized relationships between people, water, vegetation, and animals. <a href="https://www.researchgate.net/publication/307742632_Heritage_management_of_temple_tanks_in_an_urban_scenario_-_a_case_study_of_Thirupporur_a_traditional_town_in_the_state_of_Tamilnadu_India?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Long before ecological performance became a design metric, temple tanks stored monsoon water,</a> sacred groves protected biodiversity, and oasis settlements sustained life in some of the world's most arid environments. Few of these places emerged from explicit environmental agendas. They emerged through cultural and spiritual practices. Their environmental logic remains highly relevant today. Many of the conditions now discussed through more-than-human design have existed for centuries within landscapes architects rarely study as ecological infrastructure.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6a33/6d35/6c38/4801/88c1/8173/newsletter/the-ecological-intelligence-of-sacred-landscapes_2.jpg?1781755211"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Foster + Partners Reveals Agricultural City Master Plan in Southern Oman]]>
      </title>
      <link>https://www.archdaily.com/1042758/foster-plus-partners-reveals-agricultural-city-master-plan-in-southern-oman</link>
      <pubDate>Thu, 25 Jun 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1042758/foster-plus-partners-reveals-agricultural-city-master-plan-in-southern-oman</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/office/foster-plus-partners">Foster + Partners</a>, in collaboration with Dar Al-Handasah, has revealed the master plan for Al Najd Agricultural City in Dhofar, southern <a href="https://www.archdaily.com/country/oman/page/1">Oman</a>. Covering approximately 54 million square feet, the development is conceived as a self-sustaining <a href="https://www.archdaily.com/tag/agriculture">agricultural</a> and urban settlement designed to respond to the region's environmental conditions and agricultural landscape. Commissioned by the Ministry of Housing and Urban Planning and the Ministry of <a href="/tag/agriculture">Agriculture</a>, Fisheries, and Water Resources, the project forms part of the objectives outlined in <a href="https://www.oman2040.om/?lang=en&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Oman Vision 2040</a>, which seeks to strengthen <a href="https://www.archdaily.com/tag/food-security">food security</a>, diversify the national economy, and support sustainable development initiatives.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6a3c/e867/3e62/7a01/88a6/1ec8/newsletter/foster-plus-partners-reveals-agricultural-city-master-plan-in-southern-oman_7.jpg?1782376871"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Designing for Stray Cities: Architecture Beyond the Human]]>
      </title>
      <link>https://www.archdaily.com/1042316/designing-for-stray-cities-architecture-beyond-the-human</link>
      <pubDate>Sat, 20 Jun 2026 07:30:00 +0000</pubDate>
      <dc:creator>Ananya Nayak</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1042316/designing-for-stray-cities-architecture-beyond-the-human</guid>
      <description>
        <![CDATA[<p>Architecture continues to draw cities as though humans occupy them alone. Plans trace circulation routes, zoning maps assign functions, and buildings are evaluated according to human comfort, safety, and efficiency. Walking through cities across <a href="https://www.archdaily.com/country/india">India</a> and Southwest Asia reveals something much more complex. Dogs sleep beneath market stalls, monkeys move across rooftops, birds nest in temple towers and mosque façades, and insects pollinate urban landscapes hidden in plain sight. These <a href="https://www.archdaily.com/1020079/architecture-beyond-humanity-designing-for-non-human-species?ad_campaign=normal-tag">species are woven into daily urban life</a> as consistently as human occupants. Streets, courtyards, roofs, drainage systems, markets, and vacant lots are <a href="https://www.archdaily.com/1042201/when-facades-become-habitats-architecture-making-room-for-other-species?ad_campaign=normal-tag">already occupied by multiple species simultaneously</a>. Architectural thinking has been slower to account for this reality.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6a29/bc63/a0e0/6301/89c9/f375/newsletter/designing-for-stray-cities-architecture-beyond-the-human_15.jpg?1781120116"></enclosure>
    </item>
  </channel>
</rss>
