<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:georss="http://www.georss.org/georss" xmlns:webfeeds="http://webfeeds.org/rss/1.0">
  <channel>
    <title>Tag: richard-rogers | ArchDaily</title>
    <description>ArchDaily | Broadcasting Architecture Worldwide</description>
    <link>https://www.archdaily.com/</link>
    <lastBuildDate>Thu, 23 Apr 2026 00:00:00 +0000</lastBuildDate>
    <language>en-US</language>
    <atom:link rel="self" type="application/rss+xml" href="https://www.archdaily.com/show.xml"/>
    <sy:updatePeriod>hourly</sy:updatePeriod>
    <sy:updateFrequency>1</sy:updateFrequency>
    <webfeeds:logo>https://assets.adsttc.com/doodles/archdaily-logo-feedly.svg</webfeeds:logo>
    <webfeeds:accentColor>026CB6</webfeeds:accentColor>
    <webfeeds:analytics id="UA-73308-12" engine="GoogleAnalytics"/>
    <item>
      <title>
        <![CDATA[Who Has Won the Pritzker Prize?]]>
      </title>
      <link>https://www.archdaily.com/889628/who-has-won-the-pritzker-prize</link>
      <pubDate>Tue, 03 Feb 2026 05:30:00 +0000</pubDate>
      <dc:creator>Nicolás Valencia</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/889628/who-has-won-the-pritzker-prize</guid>
      <description>
        <![CDATA[<p>The <a href="https://www.archdaily.com/tag/pritzker-prize">Pritzker Prize</a> is the most important award in the field of architecture, awarded to a living architect whose built work "has produced consistent and significant contributions to humanity through the art of architecture." The Prize rewards individuals, not offices, as happened in 2000 (when the jury selected <a href="https://www.archdaily.com/tag/rem-koolhaas">Rem Koolhaas</a> instead of his firm <a href="https://www.archdaily.com/office/oma">OMA</a>) or in 2016 (with <a href="https://www.archdaily.com/tag/alejandro-aravena">Alejandro Aravena</a> selected instead of <a href="https://www.archdaily.com/office/elemental">ELEMENTAL</a>); however, the Prize can also be awarded to multiple individuals working together, as was the case in 2001 (<a href="https://www.archdaily.com/office/herzog-and-de-meuron">Herzog &amp; de Meuron</a>), 2010 (Kazuyo Sejima and <a href="https://www.archdaily.com/tag/ryue-nishizawa">Ryue Nishizawa</a> from <a href="https://www.archdaily.com/tag/sanaa">SANAA</a>), and 2017 (Rafael Aranda, <a href="https://www.archdaily.com/tag/carme-pigem">Carme Pigem</a>, and Ramon Vilalta from <a href="https://www.archdaily.com/office/rcr-arquitectes">RCR Arquitectes</a>).</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6981/989c/dddf/b601/89d2/4212/newsletter/quien-ha-ganado-el-premio-pritzker_48.jpg?1770100932"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Forum, Depot, Maze: Toward a Plural Ecology of Museums]]>
      </title>
      <link>https://www.archdaily.com/1037909/forum-depot-maze-toward-a-plural-ecology-of-museums</link>
      <pubDate>Thu, 29 Jan 2026 07:30:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1037909/forum-depot-maze-toward-a-plural-ecology-of-museums</guid>
      <description>
        <![CDATA[<p><em>This article is part of our new </em><a href="https://www.archdaily.com/tag/ad-opinion" target="_blank" rel="noopener"><strong><em>Opinion</em></strong></a><em> section, a format for argument-driven essays on critical questions shaping our field.</em></p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/696c/8aac/2b1f/e401/8925/f0cd/newsletter/forum-depot-maze-toward-a-plural-ecology-of-museums_1.jpg?1768721070"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Louvres Around the World: The Export of Museums and Architecture as a Global Brand]]>
      </title>
      <link>https://www.archdaily.com/1035386/louvres-around-the-world-the-export-of-museums-and-architecture-as-a-global-brand</link>
      <pubDate>Thu, 06 Nov 2025 07:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1035386/louvres-around-the-world-the-export-of-museums-and-architecture-as-a-global-brand</guid>
      <description>
        <![CDATA[<p data-start="111" data-end="850">It is undeniable that, at first glance, the idea of a <a href="https://www.archdaily.com/tag/louvre" target="_blank" rel="noopener">Louvre</a> in <a href="https://www.archdaily.com/tag/abu-dhabi" target="_blank" rel="noopener">Abu Dhabi</a> or a <a href="https://www.archdaily.com/tag/centre-pompidou" target="_blank" rel="noopener">Centre Pompidou</a> in <a href="https://www.archdaily.com/64028/ad-classics-centre-georges-pompidou-renzo-piano-richard-rogers">Brazil</a> may seem somewhat disconcerting. The image of these <a href="https://www.archdaily.com/search/projects/categories/museum" target="_blank" rel="noopener">museums</a>, internationally renowned, appears in many ways inseparable from their original cultural contexts. And to some extent, it truly is. The <a href="https://www.archdaily.com/tag/louvre" target="_blank" rel="noopener">Louvre</a>, deeply rooted in the history of <a href="https://www.archdaily.com/search/projects/country/france" target="_blank" rel="noopener">France</a> as a former fortress and later royal residence, embodies a set of invaluable heritage values, further amplified by <a href="https://www.archdaily.com/88705/ad-classics-le-grande-louvre-i-m-pei" target="_blank" rel="noopener">I. M. Pei’s iconic glass pyramid intervention</a> in 1989. The <a href="https://www.archdaily.com/64028/ad-classics-centre-georges-pompidou-renzo-piano-richard-rogers" target="_blank" rel="noopener">Pompidou</a>, meanwhile, is remembered as a historic turning point: by <a href="https://www.archdaily.com/1035073/democratizing-access-to-culture-the-past-present-and-future-of-cultural-centers" target="_blank" rel="noopener">redefining the concept of public infrastructure</a> through radically unconventional architecture, it marked the first time culture drew in mass audiences.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/68fa/a162/d5fb/e501/804b/9fa9/newsletter/de-um-pompidou-a-outro-a-exportacao-dos-museus-e-a-arquitetura-como-marca-global_6.jpg?1761255793"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Democratizing Access to Culture: The Past, Present, and Future of Cultural Centers]]>
      </title>
      <link>https://www.archdaily.com/1035073/democratizing-access-to-culture-the-past-present-and-future-of-cultural-centers</link>
      <pubDate>Sun, 26 Oct 2025 07:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1035073/democratizing-access-to-culture-the-past-present-and-future-of-cultural-centers</guid>
      <description>
        <![CDATA[<p>The <a href="https://www.archdaily.com/search/projects/categories/cultural-center" target="_blank" rel="noopener">cultural center</a> is an architectural typology that has fascinated architects and urban planners for decades. Whether due to its <a href="https://www.archdaily.com/988906/multi-purpose-design-hybrid-spaces-for-a-sustainable-future" target="_blank" rel="noopener">multifaceted program</a>, its <a href="https://www.archdaily.com/930707/to-work-at-different-scales-is-the-architects-wisdom-ricardo-bofill-interviewed-for-the-time-space-existence-video-series" target="_blank" rel="noopener">often emblematic scale</a>, or its potential to transform the urban context in which it is inserted, it is a building type that carries strong symbolic and conceptual value. The wide circulation of <a href="https://www.archdaily.com/search/projects/categories/cultural-center" target="_blank" rel="noopener">international references</a>—many designed by <a href="https://www.archdaily.com/798013/zaha-hadid-architects-wins-competition-for-oasis-inspired-cultural-center-in-saudi-arabia" target="_blank" rel="noopener">renowned architects</a>—reinforces the aura of prestige associated with this program, frequently seen as a privileged ground for formal and conceptual experimentation. Not by chance, cultural center designs are among the most recurring themes in <a href="https://www.archdaily.com/tag/architecture-competition" target="_blank" rel="noopener">competitions</a>, exhibitions, and academic studios.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/68e8/337f/7f27/f83e/d9e7/d60b/newsletter/democratizando-o-acesso-a-cultura-passado-presente-e-futuro-dos-centros-culturais_8.jpg?1760048005"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Centre Pompidou to Close for Five-Year Renovation Led by Moreau Kusunoki]]>
      </title>
      <link>https://www.archdaily.com/1034332/centre-pompidou-to-close-for-five-year-renovation-led-by-moreau-kusunoki-and-frida-escobedo</link>
      <pubDate>Mon, 22 Sep 2025 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1034332/centre-pompidou-to-close-for-five-year-renovation-led-by-moreau-kusunoki-and-frida-escobedo</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/tag/centre-pompidou/page/1">The Centre Pompidou</a> in <a href="https://www.archdaily.com/tag/paris">Paris</a>, designed in 1971 by <a href="https://www.archdaily.com/tag/renzo-piano">Renzo Piano</a> and <a href="https://www.archdaily.com/tag/richard-rogers/page/1">Richard Rogers</a>, is closing for a major <a href="https://www.archdaily.com/tag/transformation">transformation</a> that will take five years. Following an <a href="https://www.archdaily.com/tag/international-competition">international competition</a>,<a href="https://www.archdaily.com/1018145/moreau-kusunoki-and-frida-escobedo-studio-undertake-major-renovation-of-centre-pompidou-in-paris"> the renovation has been entrusted</a> to <a href="https://www.archdaily.com/office/moreau-kusunoki">Moreau Kusunoki</a>, in association with <a href="https://www.archdaily.com/office/taller-frida-escobedo">Frida Escobedo Studio</a>, alongside <a href="https://www.archdaily.com/professional/aia-life-designers">AIA Life Designers</a> for the technical components. Initiated in 2020 with the support of <a href="https://www.archdaily.com/country/france/page/1">France</a>'s Ministry of Culture, the project addresses urgent needs, including the removal of <a href="https://www.archdaily.com/tag/asbestos">asbestos</a> from <a href="https://www.archdaily.com/tag/facades">facades</a>, improved fire safety, enhanced <a href="https://www.archdaily.com/tag/accessibility">accessibility</a>, and significant upgrades in <a href="https://www.archdaily.com/tag/energy-efficiency">energy efficiency</a>. The works <a href="https://www.archdaily.com/955786/pompidou-center-to-close-completely-for-renovations-during-3-years">will require a full closure</a> of the Beaubourg site, with a planned reopening in 2030.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/68d2/9478/21de/2d76/0940/07a6/newsletter/centre-pompidou-to-close-for-five-year-renovation-led-by-moreau-kusunoki_9.jpg?1758631097"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[How Not to Build: Architecture by the Absence of Intervention]]>
      </title>
      <link>https://www.archdaily.com/1033320/how-not-to-build-architecture-by-the-absence-of-intervention</link>
      <pubDate>Fri, 22 Aug 2025 07:30:00 +0000</pubDate>
      <dc:creator>Mohieldin Gamal</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1033320/how-not-to-build-architecture-by-the-absence-of-intervention</guid>
      <description>
        <![CDATA[<p>Whether for design <a href="https://www.archdaily.com/tag/competitions" target="_blank" rel="noopener">competitions</a> or architectural awards, buildings are often judged for what they offer–the programmed functions, the form, or the visual delight. In a minority of cases, it is <a href="https://www.archdaily.com/1020689/what-is-over-providing-a-strategy-for-resilient-architecture?ad_campaign=normal-tag" target="_blank" rel="noopener">the absence or the reduction of intervention</a> that made a project successful. In 1971, a high-profile architectural competition in <a href="https://www.archdaily.com/tag/paris" target="_blank" rel="noopener">Paris</a> was won by a proposal that only utilized half the available site, giving the rest as an urban space to the <a href="https://www.archdaily.com/tag/cities" target="_blank" rel="noopener">city</a>. In <a href="https://www.archdaily.com/tag/London" target="_blank" rel="noopener">London</a>, a proposal to convert a disused <a href="https://www.archdaily.com/tag/power-station" target="_blank" rel="noopener">power station</a> with minimal additions, leaving large spaces untouched, won a design competition in 1994. The <a href="https://www.archdaily.com/tag/stirling-prize" target="_blank" rel="noopener">Stirling Prize</a>, the <a href="https://www.archdaily.com/country/united-kingdom/page/1" target="_blank" rel="noopener">UK</a>'s most prestigious architectural award, <a href="https://www.archdaily.com/882702/drmms-hastings-pier-wins-2017-riba-stirling-prize?ad_campaign=normal-tag" target="_blank" rel="noopener">in 2017 was won by a proposal</a> that was little more than an empty platform. These examples of cultural buildings from Northwestern <a href="https://www.archdaily.com/tag/europe" target="_blank" rel="noopener">Europe</a> illustrate how the absence of intervention can provide more.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/68a6/3f4b/07ae/3451/bd0e/cabb/newsletter/how-not-to-build-architecture-by-the-absence-of-intervention_1.jpg?1755725649"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Beyond the Dropped Ceiling: 10 Interior Projects for Making Services and Conduits Part of the Architecture]]>
      </title>
      <link>https://www.archdaily.com/1032959/beyond-the-dropped-ceiling-10-interior-projects-for-making-services-and-conduits-part-of-the-architecture</link>
      <pubDate>Sat, 16 Aug 2025 07:30:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1032959/beyond-the-dropped-ceiling-10-interior-projects-for-making-services-and-conduits-part-of-the-architecture</guid>
      <description>
        <![CDATA[<p>In contemporary interior architecture, <a href="https://www.archdaily.com/1014331/leveraging-building-services-as-a-framework-for-the-evolution-of-building-envelopes?ad_source=search&amp;ad_medium=search_result_articles">service provisions</a>—<a href="https://www.archdaily.com/1014646/how-breathable-should-facades-be-exploring-permeability-and-impermeability-in-building-envelopes?ad_source=search&amp;ad_medium=search_result_articles">mechanical</a>, electrical, <a href="https://www.archdaily.com/tag/hvac">HVAC</a>, plumbing—are almost always treated as elements to be concealed. Thickened wall cavities, extensive <a href="https://www.archdaily.com/1012979/line-by-line-suspended-ceilings-that-blend-acoustics-and-aesthetics?ad_source=search&amp;ad_medium=search_result_articles">dropped ceilings</a>, and, in regions where <a href="https://www.archdaily.com/1031643/built-to-last-or-change-the-case-for-dry-construction-in-humid-cities?ad_source=search&amp;ad_medium=search_result_articles">solid construction</a> such as brick or concrete prevails, furred-out walls are routinely employed to hide these systems. This approach has become so normalized that it often forms the starting assumption for spatial planning, inherently constraining imagination and reducing the range of <a href="https://www.archdaily.com/1001083/what-are-the-spatial-possibilities-for-enclosures-within-the-highway-interchange?ad_source=search&amp;ad_medium=search_result_articles">spatial possibilities</a>. The priority shifts towards covering-up, rather than exploring how these systems might coexist visibly within a design language.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6899/64d9/a805/bb5c/ec3d/f323/newsletter/uncovered-success-10-interior-projects-for-making-services-and-conduits-part-of-the-architecture_3.jpg?1754883299"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[The Timeless Appeal of Modernism in Technology and Digital Architecture]]>
      </title>
      <link>https://www.archdaily.com/1026333/the-timeless-appeal-of-modernism-in-technology-and-digital-architecture</link>
      <pubDate>Thu, 13 Feb 2025 07:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1026333/the-timeless-appeal-of-modernism-in-technology-and-digital-architecture</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/tag/modernism">Modernism</a>, a movement that sought to break away from traditional forms and embrace the future, laid the groundwork for many <a href="https://www.archdaily.com/tag/architecture-and-technology">technological</a> and digital advancements in contemporary architecture. As the Industrial Revolution brought about mass production, new materials, and technological innovation, architects like <a href="https://www.archdaily.com/office/le-corbusier">Le Corbusier</a>, <a href="https://www.archdaily.com/office/walter-gropius">Walter Gropius</a>, and <a href="https://www.archdaily.com/office/mies-van-der-rohe">Mies van der Rohe</a> championed the ethos of "<a href="https://www.archdaily.com/993922/form-follows-fun-the-new-paradigm">form follows function</a>" and a rational approach to design. Their principles resonate in the digital age, where computational design and high-tech materials redefine form and construction.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/679c/0e39/1e52/8105/4a96/a027/newsletter/the-timeless-appeal-of-modernism-in-technology-and-digital-architecture_13.jpg?1738280539"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Architects and Boats: A Love Affair]]>
      </title>
      <link>https://www.archdaily.com/1020967/architects-and-boats-a-love-affair</link>
      <pubDate>Fri, 20 Sep 2024 04:00:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1020967/architects-and-boats-a-love-affair</guid>
      <description>
        <![CDATA[<p>The relationship between architecture and naval design has been a fascinating interplay of form and function that has evolved significantly. Both disciplines have a shared history of innovation, aesthetics, and functionality that have<a href="https://www.bbc.com/culture/article/20180126-how-ocean-liners-shaped-modern-design?utm_medium=website&amp;utm_source=archdaily.com" target="_blank"> informed and inspired</a> each other. This "love affair" has seen architects drawing inspiration from boats, particularly in the <a href="https://www.archdaily.com/tag/modernism">modernist era </a>when ships' streamlined, efficient designs <a href="https://www.archdaily.com/977399/form-function-freedom-modernism-ocean-liners-and-class">influenced the aesthetic of buildings</a>. Conversely, architectural principles have also been adapted to enhance the functionality and form of <a href="https://www.archdaily.com/tag/boats">boats</a>, demonstrating a <a href="https://www.archdaily.com/957710/circular-openings-from-boats-to-contemporary-architecture">reciprocal exchange </a>that continues to shape both disciplines.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/66df/2f90/3b3d/046f/5660/b009/newsletter/architects-and-boats-a-love-affair_9.jpg?1725902739"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Remembering 9/11: The Story of Rebuilding the World Trade Center]]>
      </title>
      <link>https://www.archdaily.com/1021062/remembering-9-11-the-story-of-rebuilding-the-world-trade-center</link>
      <pubDate>Wed, 11 Sep 2024 07:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1021062/remembering-9-11-the-story-of-rebuilding-the-world-trade-center</guid>
      <description>
        <![CDATA[<p>On the morning of September 11, 2001, two hijacked commercial jetliners struck the Twin Towers in Lower <a href="https://www.archdaily.com/tag/manhattan">Manhattan</a>, a third plane struck the Pentagon, and a fourth crashed in rural Pennsylvania. A total of 2.977 people were killed in the terrorist attacks. In the face of this unprecedented loss, the city of New York promised to rebuild <a href="https://www.archdaily.com/tag/lower-manhattan">Lower Manhattan</a> as a lively neighborhood while honoring and maintaining the memory of this day. Thus began one of the largest reconstruction projects in <a href="https://www.archdaily.com/tag/new-york-city">New York City</a>, a process that is still ongoing now, 23 years after the tragedy.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/66e1/8564/488a/8601/7ab7/1c18/newsletter/remembering-9-11-the-story-of-rebuilding-the-world-trade-center_14.jpg?1726055798"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Moreau Kusunoki and Frida Escobedo Studio Undertake Major Renovation of Centre Pompidou in Paris]]>
      </title>
      <link>https://www.archdaily.com/1018145/moreau-kusunoki-and-frida-escobedo-studio-undertake-major-renovation-of-centre-pompidou-in-paris</link>
      <pubDate>Wed, 26 Jun 2024 05:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1018145/moreau-kusunoki-and-frida-escobedo-studio-undertake-major-renovation-of-centre-pompidou-in-paris</guid>
      <description>
        <![CDATA[<p>In 2020, the French Minister of Culture approved an extensive renovation program for the <a href="https://www.archdaily.com/64028/ad-classics-centre-georges-pompidou-renzo-piano-richard-rogers">Centre Pompidou</a> with the purpose of resolving the building's technical issues and ensuring the long-term viability of the iconic structure. Designed by <a href="https://www.archdaily.com/tag/renzo-piano">Renzo Piano</a> and <a href="https://www.archdaily.com/tag/richard-rogers">Richard Rogers</a> in 1971, the museum was conceived as a "living cultural machine," sparking controversy due to its unusual architecture. To ensure an efficient renovation process, <a href="https://www.archdaily.com/955786/pompidou-center-to-close-completely-for-renovations-during-3-years">the building will be fully closed</a> for a period of 5 years, from September 2025 until 2030. French architecture studio <a href="https://www.archdaily.com/office/moreau-kusunoki">Moreau Kusunoki </a>has been commissioned to lead the renovation project, collaborating with <a href="https://www.archdaily.com/office/taller-frida-escobedo">Frida Escobedo Studio</a> and <a href="https://www.archdaily.com/professional/aia-life-designers">AIA Life Designers</a>, who are entrusted with the technical component of the project. The architects have been selected following an international competition, with Renzo Piano as one of the jury members.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/667b/e9dd/f15c/cd01/7c73/d23a/newsletter/moreau-kusunoki-and-frida-escobedo-studio-undertake-major-renovation-of-centre-pompidou-in-paris_1.jpg?1719396876"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Leveraging Building Services as a Framework for the Evolution of Building Envelopes]]>
      </title>
      <link>https://www.archdaily.com/1014331/leveraging-building-services-as-a-framework-for-the-evolution-of-building-envelopes</link>
      <pubDate>Tue, 12 Mar 2024 04:00:00 +0000</pubDate>
      <dc:creator>Paul Yakubu</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1014331/leveraging-building-services-as-a-framework-for-the-evolution-of-building-envelopes</guid>
      <description>
        <![CDATA[<p>Rising demands for energy efficiency, technical functionality, and interior comfort in buildings necessitate the development of more efficient<a href="https://www.archdaily.com/tag/archdaily-topic-2024-building-envelope" target="_blank" rel="noopener"> building envelope constructions.</a> The building envelope serves as a mediator between a building's exterior and interior. In today's architectural landscape, it performs a multitude of functions to enhance the building's performance. These functions include building control systems, energy supply (such as gas and electricity), and heating, ventilation, and air conditioning (HVAC), among others. These elements primarily determine the functionality, efficiency, and safety of building spaces. Given that the nature of building envelopes heavily depends on these services, how can they serve as primary frameworks for building design development?</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/65ed/e07e/855b/f264/9e6f/8a4a/newsletter/leveraging-building-services-as-a-framework-for-the-evolution-of-building-envelopes_1.jpg?1710088340"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[The Top 20 Most Visited AD Architecture Classics ]]>
      </title>
      <link>https://www.archdaily.com/925774/the-top-20-most-visited-ad-architecture-classics</link>
      <pubDate>Sat, 21 Oct 2023 07:30:00 +0000</pubDate>
      <dc:creator>Dima Stouhi</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/925774/the-top-20-most-visited-ad-architecture-classics</guid>
      <description>
        <![CDATA[<p><em>AD Classics</em> presents you with some of the greatest buildings of the past that have influenced and shaped architecture today. Throughout ArchDaily's 13 years, more than 200 classics were published, and for this edition, we have rounded up the top 20 most visited <a href="https://www.archdaily.com/architecture-classics" target="_blank" rel="noopener">Architecture Classics</a> to date. </p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5d94/5799/284d/d1a8/fb00/019c/newsletter/©_Xavier_de_Jauréguiberry_2-1.jpg?1570002836"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Paris 20th-Century Architecture City Guide: From Le Corbusier’s Modern Villas to Brutalist Estates]]>
      </title>
      <link>https://www.archdaily.com/1004592/paris-20th-century-architecture-city-guide-from-le-corbusiers-modern-villas-to-brutalist-estates</link>
      <pubDate>Thu, 27 Jul 2023 07:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1004592/paris-20th-century-architecture-city-guide-from-le-corbusiers-modern-villas-to-brutalist-estates</guid>
      <description>
        <![CDATA[<p>The 20<sup>th</sup> century saw a period of experimentation and innovation at an unprecedented pace, a direction that also marked the architectural expressions of the time. <a href="https://www.archdaily.com/tag/paris">Paris</a>, as one of Europe’s leading centers for artistic and cultural expression, was also the epicenter for the formation of new architectural styles, from <a href="https://www.archdaily.com/1003039/le-corbusiers-enduring-spirit-celebrating-100-years-of-architectural-influence">Le Corbusier’s modern architecture</a> revolution to expressions of the High-Tech style as seen in the design of <a href="https://www.archdaily.com/64028/ad-classics-centre-georges-pompidou-renzo-piano-richard-rogers">Renzo Piano and Richard Rogers’ Centre Pompidou</a>. The social transformation found its expression through <a href="https://www.archdaily.com/999854/exploring-the-cultural-and-political-implications-of-brutalist-buildings-in-modern-paris">Brutalist public institutions or residential ensembles</a>, like the ones designed by <a href="https://www.archdaily.com/990526/urban-brutalism-unpacking-renee-gailhoustets-trailblazing-work-in-ivry-sur-seine?ad_campaign=normal-tag">Renée Gailhoustet and Jean Renaudie at Irvy-Sur-Seine</a>, while political movements attracted architects from across the ocean, including <a href="https://www.archdaily.com/tag/oscar-niemeyer">Oscar Niemeyer</a>, who created his first European building in the French capital.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/64c1/3629/edf1/692e/72f5/1e4d/newsletter/paris-20th-century-architecture-city-guide-from-le-corbusiers-modern-villas-to-brutalist-estates_15.jpg?1690383920"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[London Architecture City Guide: 20 Modern and Contemporary Attractions to Explore in UK’s Cultural and Financial Powerhouse]]>
      </title>
      <link>https://www.archdaily.com/148522/architecture-city-guide-london</link>
      <pubDate>Thu, 29 Jun 2023 07:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/148522/architecture-city-guide-london</guid>
      <description>
        <![CDATA[<p>London’s architectural history is a rich tapestry that weaves together styles of various periods and influences. In the post-war era, the city experienced a surge in modern architecture, becoming a canvas for experimentation. New stylistic movements saw their expression crystalized through buildings such as <a href="https://www.archdaily.com/tag/richard-rogers">Richard Rogers</a>’ <a href="https://www.archdaily.com/90668/ad-classics-lloyds-of-london-building-richard-rogers">Lloyd’s Building</a>, one of the most representative examples of High-Tech architecture, or the <a href="https://www.archdaily.com/790453/ad-classics-barbican-estate-london-chamberlin-powell-bon">Barbican Estate</a>, a large-scale housing estate that became the iconic structure for Brutalist architecture.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/649c/68fe/cb9c/4659/2908/3ff8/newsletter/london-architecture-city-guide-20-modern-and-contemporary-attractions-to-explore-in-uks-cultural-and-financial-powerhouse_7.jpg?1687972105"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Paying Tribute to the Influential Architects We Have Recently Lost]]>
      </title>
      <link>https://www.archdaily.com/994915/paying-tribute-to-the-influential-architects-we-have-recently-lost</link>
      <pubDate>Thu, 12 Jan 2023 07:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/994915/paying-tribute-to-the-influential-architects-we-have-recently-lost</guid>
      <description>
        <![CDATA[<p>The profession of architecture is often marked by those individuals who employ their talent and resources to enable change and bring forth a vision for a better future. While some of them began their careers with bold gestures that captured the attention of the architectural world and changed paradigms, others worked in a more quiet manner, shifting the focus to the users of the space and asking themselves how they can best contribute to enriching the lives of those around them. </p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/63bf/6f91/7643/4a5b/df81/13a2/newsletter/paying-tribute-to-the-influential-architects-we-have-recently-lost_8.jpg?1673490327"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Pritzker Prize Laureate Richard Rogers Passes Away at 88]]>
      </title>
      <link>https://www.archdaily.com/973824/pritzker-prize-laureate-richard-rogers-passes-away-at-88</link>
      <pubDate>Sat, 18 Dec 2021 22:17:00 +0000</pubDate>
      <dc:creator>Nicolás Valencia</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/973824/pritzker-prize-laureate-richard-rogers-passes-away-at-88</guid>
      <description>
        <![CDATA[<p>Richard Rogers, the fourth British architect to be awarded the <a href="https://www.archdaily.com/tag/pritzker-prize">Pritzker Prize</a>, has passed away at 88 on Saturday, December 18, as reported by <a href="https://www.nytimes.com/2021/12/18/arts/design/richard-rogers-dead.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">The New York Times</a>.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/61be/a74b/f91c/819b/be00/0001/newsletter/Richard_Rogers.jpg?1639884599"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[The Architecture of Cantilevers]]>
      </title>
      <link>https://www.archdaily.com/963574/the-architecture-of-cantilevers</link>
      <pubDate>Fri, 18 Jun 2021 09:30:00 +0000</pubDate>
      <dc:creator>Diego Hernández</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/963574/the-architecture-of-cantilevers</guid>
      <description>
        <![CDATA[<p>As a design feature, cantilevers can exist for any number of reasons, as rational results of form-making, impressive feats of engineering, or just unnecessary spectacles. Either way, they often result in buildings that appear both heavy and light at the same time and they present safely precarious situations for their inhabitants. The video describes what cantilevers are as well as some of the structural principles which govern their design like tension, compression, moment, and shear. It also goes over some great examples by architects like <a href="https://www.archdaily.com/tag/mvrdv">MVRDV</a>, <a href="https://www.archdaily.com/tag/rem-koolhaas">Rem Koolhaas</a>, Ensemble Studio, and <a href="https://www.archdaily.com/tag/richard-rogers">Richard Rogers</a>. Finally, it concludes with appreciation for structural engineers and lists a few of the ones responsible for some of the most daring of delicate dangles.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/60cb/ca4e/f91c/815f/6b00/005f/newsletter/Edmund_Sumner.jpg?1623968329"></enclosure>
    </item>
  </channel>
</rss>
