The visual presentation of a project, which architects are responsible for, must effectively communicate and analyze the organization of the project's material elements. This essential creative process allows those involved to effectively identify and even modify key aspects and components of the building during all phases of its conception.
Italian architect Gaetano Boccia has been researching drawings and architectural representation for the past two years. The Pdda (piccoli disegni di architettura) project was born with the intention of sharing Boccia's thoughts, which he has always cataloged and kept in notebooks.
Yona Friedman is a French architect and urban planner with more than 92 years of experience that has led him to participate in numerous events, including the Venice Biennial and the Shanghai Biennial. One of his most important works was published in 1958, entitled L'Architecture Mobile, which exposed one of his most ambitious projects named: "La Ville Spatiale", a utopia that recycled mega-structures of existing cities to provide citizens with the chance to live with complete flexibility in their decisions.
This article serves as a brief introduction to a way of thinking that I assume to be foreign and new to most of the readers. It is based on some observations I’ve made during the past 5 years as part of my PhD research into the comparison between two traditions of architectural representation, between China and Europe, under guidance of prof. Li Xiaodong at Tsinghua University in Beijing. With that in mind this article has no pretension, nor the proper length, to fully convey the complexity of the representations of architectural space in drawings from China, but should be seen as a first try to communicate some of these ideas to a wider audience.
During the professional life of an architect, the task of designing a residence can be a frequent occurrence. As the project develops, representing a vision in a determined space through a set of drawings is certainly one of the primary tasks of the design process. While the architect has a certain level of visual literacy, sometimes the client won't necessarily understand all the drawings. Going beyond the two-dimensionality of the plans, sections and elevations, axonometric perspectives are presented as an efficient instrument in the spatial representation of the project. When adding the notion of third dimension—and even though it’s presented by on a 2D sheet of paper—it gives a better understanding to those unfamiliar with technical drawings.
The human figure is fundamental in order to understand scale in illustrations, hyper-realistic renders, collages and three-dimensional representations. However, it often seems to be one of the last elements to be incorporated, when it should be a thoughtful decision, intrinsically related to the project. What do human figures transmit beyond the scale of a project?
For a couple of years students at Belgrade’s Fakultet savremenih umetnosti have been designing posters dedicated to architectural masterpieces. The series, titled Architecture – Strictly Minimal, is part of the course Contemporary Architecture and Design and school’s Interior Design module. Presented with a template, each of the students was tasked with selecting a piece of architecture he or she found fascinating and then designing a single figure. The language applied throughout the series was formulated intentionally as a means of reducing the given piece to a single and eye-catching motif. This minimalist gesture was imagined as revealing something special about this same work of architecture.
The Virtues and Limits of Photography in the Representation of Architecture: Five Photographers Share their Perspectives
As a way of representing architecture, photography has certain undisputed qualities. With it, it is possible to present to a project from a distant corner of the globe to people anywhere in the world, showing everything from general views to internal spaces and constructive details - extending the reach and, in a way, the access to the architecture.
Sketches are the first inkling into the design process of an architect, a way of observing and investigating a project’s development or even representing solutions for it. Through an architect’s sketches, one can better understand how a specific design move mirrors echoes throughout an entire work. Here, we have compiled sketches by Pritzker Prize winners - designers who have been awarded the highest recognization in the field of architecture - offering diverse techniques that can certainly inspire your next freehand experiment.
Global Warming is causing a series of changes in our climate, and as a result, in our landscape. Successful and exemplary Landscape Architecture delivers proposals that tackle these environmental changes in two areas of development: Design and Architectural Representation.
Internationally renowned for her avant-garde search for architectural proposals that reflect modern living, Zaha Hadid made abstract topographical studies for many of her projects, intervening with fluid, flexible and expressive works that evoke the dynamism of contemporary urban life.
The history of architectural drawings is as old as architecture itself and has been developed through the architectural timeline. Once diagrams, they were as big as Ziggurats and Pyramids and drawn at the scale of one to one on site. Now in contrast, drawings are practically nonexistent as tangible objects. They only exist as digital data saved in virtual space. Regardless of their old history and drastic evolution, one single fact about them has never changed; they were and still are a medium: an intermediate device that visualizes an idea and goes through a journey of adventures before being realized. And yet, there is always a risk that the same set of drawings by an architect may be translated into different architectural interpretations.
The Fundació Joan Miró presents Lina Bo Bardi Drawing, the first exhibition to focus specifically on the role of drawing in the life and work of the Italian-born Brazilian architect.
A while ago I was researching material on the internet for a project about representation in architecture, so I started reviewing the websites of different architecture offices. Several passed quickly, without much notice, however, I found some that kept me completely immersed. I explored and appreciated the sensibilities of their authors, whose penchant for drawings and freehand sketches I hadn’t previously known. Within those libraries of mental excursions, I discovered Alberto Campo Baeza’s drawing library; I loved it so much that I decided to share it with you.
Starting this month, ArchDaily will introduce monthly themes. Our editors and curators will align their efforts to go deeper into topics we find relevant in today’s architectural discourse, presenting new articles, projects, collaborations, and submissions by our readers. This month we will begin with Architectural Representation.
The roof is one of the most essential structural elements of nearly every construction. It is the element that allows a delineated space to transform into one that feels protected. Strongly related to the climatic conditions of the context, the roof's variations in aesthetic and structural design have allowed architects to indulge their stylistic preoccupations to convert roofs not only into elements of closure and climate protection but into a character-giving feature that lends identity and flair – especially when the roof becomes a wall.
Following this opportunity, we want to highlight great examples of roofs that also become walls: 13 houses in which the roof completes the façade, delineating not only the interior in its vertical sense but also in the horizontal one.
This collection is one of many interesting content groupings made by our registered users. Remember you can save and manage what inspires you on My ArchDaily. Create your account here.
The slightly trembling linework, the distinctive crossed corners, the parallel hatching, and the uppercase letters: it is undeniable that architects have developed a style of drawing over time. And though free-hand perspectives are no longer the only (or even primary) form of representation for architectural projects, they still have enormous importance during the design process. They are a design tool rather than a form of representation.
An active ArchDaily collaborator, architect and doctor Rogelio Ruiz Fernández, has emerged as a great enthusiast of cinema, architecture, cities and landscapes. He expresses his love for visual arts, architecture, and culture through his drawings. In these moments, he documents trips, his favorite locales, and project ideas that will later become works of architecture.