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    <title>Tag: refurbishment-architecture-photography | ArchDaily</title>
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      <title>
        <![CDATA[Turin's Castello di Rivoli Tells a Story of the Region's History through Its Architecture]]>
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      <link>https://www.archdaily.com/910070/turins-castello-di-rivoli-tells-a-story-of-the-regions-history-through-architecture-itself</link>
      <pubDate>Wed, 15 Apr 2020 04:00:00 +0000</pubDate>
      <dc:creator>Katherine Allen</dc:creator>
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        <![CDATA[<p dir="ltr">Given the sheer magnitude and influence of its recorded history, <a href="https://www.archdaily.com/country/italy">Italy</a> as we know it is a surprisingly young country. For centuries, the region was divided between powerful (and sometimes warring) city-states, each with their own identity, culture, and, fortunes, and influence. Some are eternally famous. <a href="https://www.archdaily.com/tag/rome">Rome </a>is a cradle of history and heart of religion; cool <a href="https://www.archdaily.com/tag/milan">Milan</a> is a hub of contemporary fashion and design; <a href="https://www.archdaily.com/tag/florence">Florence</a> is synonymous with the Renaissance and all the epoch’s relationship to the arts.</p>]]>
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      <title>
        <![CDATA[A Complementary Architectural Dialogue of Past and Present in the Refurbishment of Hotel Fouquet Barrière]]>
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      <link>https://www.archdaily.com/915677/a-complementary-architectural-dialogue-of-past-and-present-in-the-refurbishment-of-hotel-fouquet-barriere</link>
      <pubDate>Fri, 26 Apr 2019 07:00:00 +0000</pubDate>
      <dc:creator>Dima Stouhi</dc:creator>
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        <![CDATA[<p id="docs-internal-guid-454c62de-7fff-fa4d-9f7c-abbc668ae3a9" dir="ltr">Although ancient buildings carry compelling architectural presence, demolition or radical change is often their fate. While some architects prefer to introduce thoroughly new structures, others choose to honor the works of historic architects, who built the basis and foundations of structures that helped shape up cities today.</p>]]>
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      <title>
        <![CDATA[Preserving the Sense of Community: From Church to Rec Center]]>
      </title>
      <link>https://www.archdaily.com/914094/preserving-the-sense-of-community-from-church-to-rec-center</link>
      <pubDate>Mon, 01 Apr 2019 02:30:00 +0000</pubDate>
      <dc:creator>Diego Hernández</dc:creator>
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        <![CDATA[<p>Under heavy bombing, buildings seem to have only one fate: destruction. Severely damaged during the <a href="https://en.wikipedia.org/wiki/Spanish_Civil_War?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Spanish Civil War</a>, the 13th-century Gothic Church of Vilanova de la Barca (Lleida, Spain) remained abandoned since 1936.</p>]]>
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        <![CDATA[Lacaton & Vassal's FRAC Dunkerque is an Architectural Echo Both in Form and in Concept]]>
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      <link>https://www.archdaily.com/911719/lacaton-and-vassals-frac-dunkerque-is-an-architectural-echo-both-in-form-and-in-concept</link>
      <pubDate>Tue, 26 Feb 2019 07:45:00 +0000</pubDate>
      <dc:creator>Katherine Allen</dc:creator>
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        <![CDATA[<p dir="ltr">As industry has shifted over the past century, in format, location, and type, the manufacturing and industrial spaces scattered across the western world have been repurposed. You have no doubt seen these structures, though perhaps without realizing. The large windows, high ceilings, and open floor plans optimized for factory work now mark the territory of the “creative class”. Such spaces have been disproportionately appropriated by creative industries such as arts and architecture; think of Herzog + de Meuron’s renovation of the <a href="https://www.archdaily.com/429700/ad-classics-the-tate-modern-herzog-and-de-meuron">Tate Modern</a> (from a former power station) or the recent collaborative <a href="https://www.archdaily.com/909540/lochal-library-mecanoo-plus-civic-architects-plus-braaksma-and-roos-architectenbureau">transformation</a> of a locomotive yard into a library in the Netherlands. </p>]]>
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        <![CDATA[Renzo Piano’s Renovation of the Harvard Art Museums is, Years On, a Quiet, Neighbourly Triumph]]>
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      <link>https://www.archdaily.com/908418/renzo-pianos-renovation-of-the-harvard-art-museums-is-years-on-a-quiet-neighbourly-triumph</link>
      <pubDate>Thu, 27 Dec 2018 05:00:00 +0000</pubDate>
      <dc:creator>Katherine Allen</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/908418/renzo-pianos-renovation-of-the-harvard-art-museums-is-years-on-a-quiet-neighbourly-triumph</guid>
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        <![CDATA[<p dir="ltr">On the surface, designing a new art museum for <a href="https://www.archdaily.com/tag/harvard">Harvard</a> University is a brief so straightforward that it sounds like part of university curriculum itself. The program lends itself to the type of light and airy spaces architects dream of creating; the campus site promises both steady and engaged traffic. But, for all the apparent advantages, the road to realizing Harvard’s Art Museums was a deceptively complex one - one that ultimately took six years to see realized.</p>]]>
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        <![CDATA[The Project in a Small Japanese Village Setting the Standard for Zero-Waste Architecture]]>
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      <link>https://www.archdaily.com/906114/the-project-in-a-small-japanese-village-setting-the-standard-for-zero-waste-architecture</link>
      <pubDate>Mon, 26 Nov 2018 09:30:00 +0000</pubDate>
      <dc:creator>Katherine Allen</dc:creator>
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        <![CDATA[<p dir="ltr">Nestled in the steep gorges and river valleys of Japan’s Tokushima prefecture is Kamikatsu - a small town seemingly like any other. But Kamikatsu, unlike its neighbors (or indeed, most towns in the world), is nearly entirely waste-free.</p>]]>
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      <title>
        <![CDATA[The Unlikely Life, Death and Rebirth of the Hastings Pier]]>
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      <link>https://www.archdaily.com/904633/the-unlikely-life-death-and-rebirth-of-the-hastings-pier</link>
      <pubDate>Mon, 29 Oct 2018 08:30:00 +0000</pubDate>
      <dc:creator>Katherine Allen</dc:creator>
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        <![CDATA[<p>The story of the <a href="https://www.archdaily.com/876788/hastings-pier-drmm">Hastings Pier</a> is an improbable one. Located in Hastings - a stone's throw away from the battlefield that defined English history - the pier was first opened to the promenading public in 1872. For decades the structure, an exuberant array of Victorian-era decoration, entertained seaside crowds but by the new millennium had fallen out of disrepair. In 2008 the pier was closed - a closure that became seemingly irreversible when, two years later, it burnt down. </p>]]>
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        <![CDATA[Atelier Deshaus' Transforms Shanghai's Riverfront in 3 Cultural Projects]]>
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      <link>https://www.archdaily.com/901937/atelier-deshaus-transforms-shanghais-riverfront-in-3-cultural-projects</link>
      <pubDate>Fri, 05 Oct 2018 05:30:00 +0000</pubDate>
      <dc:creator>Katherine Allen</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/901937/atelier-deshaus-transforms-shanghais-riverfront-in-3-cultural-projects</guid>
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        <![CDATA[<p>In a creative scene that is already bursting with talent and innovation, Atelier Deshaus' works in China stand out. Their projects, often renovations of existing spaces, do not follow particular rules of style set by others or even themselves. Yet they are united  in their subtle and enigmatic take on the experience of space in the ever-changing urban environments in China. </p>]]>
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      <title>
        <![CDATA[Peter Zumthor's Kolumba Museum Uses Local Materials to Reframe Historic Experience]]>
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      <link>https://www.archdaily.com/900189/peter-zumthors-kolumba-museum-uses-local-materials-to-reframe-historic-experience</link>
      <pubDate>Tue, 14 Aug 2018 07:30:00 +0000</pubDate>
      <dc:creator>Katherine Allen</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/peter-zumthor">Peter Zumthor'</a>s quiet, technically pristine, and beautifully detailed work has long been an inspiration for architects. His <a href="https://www.archdaily.com/72192/kolumba-musuem-peter-zumthor">Kolumba Museum</a>, located in <a href="https://www.archdaily.com/tag/cologne">Cologne, Germany</a>, a city that was almost completely destroyed in World War II, houses the Roman Catholic Archdiocese’s collection of art which spans more than a thousand years. Zumthor’s design delicately rises from the ruins of a late-Gothic church, respecting the site’s history and preserving its essence. </p>]]>
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        <![CDATA[Porcelain Tiles Add a Sleek Modern Accent to AL_A's Courtyard Expansion at London's V&A Museum]]>
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      <link>https://www.archdaily.com/897857/al-a-completes-the-worlds-first-porcelain-courtyard-for-londons-v-and-a-museum</link>
      <pubDate>Tue, 10 Jul 2018 08:00:00 +0000</pubDate>
      <dc:creator>Kaley Overstreet</dc:creator>
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        <![CDATA[<p>Completed last year, <a href="https://www.archdaily.com/office/al-a">AL_A</a>'s porcelain public courtyard at London's <a href="https://www.archdaily.com/874825/v-and-a-museum-al-a">V&amp;A Museum</a> is the largest architectural intervention and restoration of the site in more than 100 years. AL_A also designed a new colonnade and a column-free exhibition gallery. The design connects the space with the neighboring buildings on site, giving the museum a more streamlined sequence between gallery spaces.</p>]]>
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        <![CDATA[WORKac Designs an 'Invisible' Penthouse in a Centuries-Old Cast-Iron Building]]>
      </title>
      <link>https://www.archdaily.com/895930/workac-designs-an-invisible-penthouse-in-a-centuries-old-cast-iron-building</link>
      <pubDate>Tue, 12 Jun 2018 06:00:00 +0000</pubDate>
      <dc:creator>Ella Comberg</dc:creator>
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        <![CDATA[<p>At first glance, <a href="https://www.archdaily.com/799080/the-stealth-building-workac">The Stealth Building</a> looks like a pristinely-restored cast iron apartment building. That’s because technically, it is. But upon closer inspection, the <a href="https://www.archdaily.com/tag/lower-manhattan">Lower Manhattan</a> building is rife with innovative restoration and renovation practices by <a href="https://www.archdaily.com/office/workac">WORKac</a>.</p>]]>
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        <![CDATA[7 Architects Create 7 New Community Spaces Beneath a Disused Japanese Overpass]]>
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      <link>https://www.archdaily.com/894480/5-architects-create-5-new-community-spaces-beneath-a-disused-japanese-overpass</link>
      <pubDate>Thu, 17 May 2018 08:00:00 +0000</pubDate>
      <dc:creator>Tom Dobbins</dc:creator>
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        <![CDATA[<p>A +100 meter stretch of land beneath a train overpass in Koganecho, a district of Yokohama, <a href="https://www.archdaily.com/tag/japan">Japan</a>, underwent a progressive <a href="https://www.archdaily.com/category/refurbishment">refurbishment</a> in which seven different types of community space, each designed by a different architect, were built within a pre-set spatial grid. Historically there were many social issues in the area, largely in relation to its profitable but dangerous black market and red-light district. Once the illegal activity was eradicated in 2005, the underpass presented a great opportunity for social re-development, and the resultant project - <em>the Koganecho Centre</em> - emphasized an age-old Japanese cultural commitment, where what was once broken is used to make something new. </p>]]>
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        <![CDATA[A New Roof by Nieto Sobejano Arquitectos Turned This Ancient German Castle Into an Enlarged Exhibition Space ]]>
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      <link>https://www.archdaily.com/892010/a-new-roof-by-nieto-sobejano-arquitectos-turned-this-ancient-german-castle-into-an-enlarged-exhibition-space</link>
      <pubDate>Mon, 09 Apr 2018 06:00:00 +0000</pubDate>
      <dc:creator>Keshia Badalge</dc:creator>
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        <![CDATA[Sustainability]]>
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        <![CDATA[<p>The Moritzburg castle in the city of <a href="https://www.archdaily.com/tag/halle">Halle</a> is exemplary of the Gothic military architecture in 15th century <a href="https://www.archdaily.com/tag/germany">Germany</a>. Despite the partial destruction of the north and west wings during the Thirty Years War, the site has managed to retain most of its original features: a surrounding wall, three of the four round towers at the corners, and a central courtyard.</p>]]>
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        <![CDATA[New Forms of Industry: Shed #19 by Andrea Oliva Architetto]]>
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      <link>https://www.archdaily.com/890189/new-forms-of-industry-shed-number-19-by-andrea-oliva-architetto</link>
      <pubDate>Tue, 27 Mar 2018 01:30:00 +0000</pubDate>
      <dc:creator>Diego Hernández</dc:creator>
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        <![CDATA[<p>Research is the key to Andrea Oliva’s project for Shed #19—not only because this old factory was turned into a technopole for industrial investigation, but also because the architect’s proposal used research as a way of identifying the building’s possible transformations. In this case, the rich industrial history of the plant and the area is deemed essential for its refurbishment; its recovery depends on understanding its significance.</p>]]>
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        <![CDATA[This Once-Abandoned Chinese Cloth Factory Was Refurbished Into a Thriving Cultural Center by O-Office]]>
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      <link>https://www.archdaily.com/888146/id-town-by-o-office</link>
      <pubDate>Wed, 28 Feb 2018 11:15:00 +0000</pubDate>
      <dc:creator>Keshia Badalge</dc:creator>
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        <![CDATA[<p class="p1">The iD Town in Shenzhen, Guangdong, China, is a project with many charms. The building itself has a distinctive history: in its prime, it used to be the Honghua Dyeing factory, but then was abandoned. Topographically, too, this building occupies a unique place, perched on a hilltop and surrounded by the mountains and the coast of the Southern Chinese Sea. </p>]]>
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