The Pritzker Prize

American architect Kevin Roche passed away this past Friday, March 1 at the age of 96. He was born in 1922 in Dublin, Ireland, educated at the University College Dublin (1945) and Illinois Institute of Technology (1948). In 1966, he formed Kevin Roche John Dinkeloo and Associates (KRJDA). He has designed more than 200 buildings, including renovation to the American Wing at the Metropolitan Museum of Art (2012), National Conference Centre in Dublin (2010), Lafayett Tower in Washington DC (2009), J.P. Morgan Headquarters in Manhattan (1992), Central Park Zoo in Manhattan (1988), The Knights of Columbus Building Headquarters in New Haven (1969), The Ford Foundation in Manhattan (1968), and Oakland Museum of California (1966). In 1982 he became the fourth Pritzker Prize winner and in 1993 was awarded the AIA Gold Medal. The following excerpt is from our 2011 interview at the architect’s office in Hamden, Connecticut.

Kevin Roche, the Irish-American architect and Pritzker laureate known whose modernist sensibility transformed America’s post-war cultural and corporate institutions, has died of natural causes in his home in Guilford, Connecticut. News of Roche’s passing was first posted to the website of his office, Kevin Roche John Dinkeloo and Associates late on 02 March.  He was 96 years old.

Sketches can be the first inkling into the design process of an architect, a way of raising questions about a project’s development or even representing solutions for it. Through an architect’s sketches, one can better understand how a specific act mirrors within the entire work. Here, we have compiled sketches by Pritzker Prize winners - designers who have been awarded the highest recognization in the field of architecture - offering diverse techniques that can certainly inspire your next freehand experiment.

The Naomi Milgrom Foundation has announced that the sixth edition of the MPavilion will be designed by Australian architect and Pritzker laureate architect Glenn Murcutt AO. Murcutt's announcement comes as the 2018 edition of the MPavilion, designed by Spanish architect Carme Pinos, closed after a record-breaking season that saw more than 133,000 visitors. Murcutt will be the second Australian to design a pavilion for the Melbourne-based program; Sean Godsell designed the inaugural pavilion in 2014.

For those in the northern hemisphere, the last full week in January last week kicks off with Blue Monday - the day claimed to be the most depressing of the year. Weather is bleak, sunsets are early, resolutions are broken, and there’s only the vaguest glimpse of a holiday on the horizon. It’s perhaps this miserable context that is making the field seem extra productive, with a spate of new projects, toppings out and, completions announced this week.

It's a new year, and as we inch closer to February speculation has begun to swirl around who will be named next laureate(s) of the Pritzker Prize. What used to be a somewhat predictable award has become less so in recent years, and if you look at who has won you will realize that anything is possible. Will the jury honor a member of the "old guard," as when they awarded the late Frei Otto? Or will they recognize a young architect, as when they selected Alejandro Aravena? 

With the exhibition »Balkrishna Doshi: Architecture for the People« (30 March to 8 September 2019), Vitra Design Museum presents the first international retrospective about the 2018 Pritzker Prize laureate Balkrishna Doshi outside of Asia.

Architecture, in its realized form, is neither the vision or the labor of a singular person. It is a practice which is inherently group and firm-oriented in its processes. But architecture as we know it is only celebrated after it is completed, and is very rarely celebrated for how it gets made. Few awards recognize the vast network of people that enables those at the very top of the field to put their name to completed works.

Earlier this year, the jury of the Pritzker Prize chose the Indian architect Balkrishna Doshi, also known as B.V. Doshi, or Doshi, as the winner of the 2018 Pritzker Prize. In recent weeks a lot of information has come to light about the winning architect's practice who, as you probably already know, was an apprentice and collaborator of Le Corbusier and Louis Kahn. Being the first Indian architect to receive Architecture's most prestigious award, Doshi has had an active career of more than 70 years, with a poetic architectural style that is based on oriental cultural influences, creating a production that "covers all socioeconomic classes, in a wide spectrum of typologies, since the 1950s," according to the jury's record.

Update: Watch the lecture with the video above!

This article was originally published by Common Edge as "The Genius, Heart and Humility of Indian Architect B.V. Doshi."

Architectural photographer Iwan Baan recently honored 2018 Pritzker Prize Laureate Balkrishna (B.V.) Doshi. It has been a little over a month since the Pritzker jury selected the Indian architect as the latest winner, and his work still remains popular within the online world. The genuine materiality and intricate spatial experience associated with Doshi's work are captured by Baan in multiple projects across India. Baan's Instagram (@iwanbaan), which has nearly 120K followers, acts as "a diary of travels with the iPhone." 

The Daniels Faculty is honoured to welcome Professor Balkrishna Doshi, the 2018 Pritzker Architecture Prize Laureate, to present the public lecture "Paths Uncharted" on Wednesday, May 16, 2018. 

Balkrishna Doshi, also known as B.V. Doshi or simply Doshi, has been named this year’s Pritzker Prize Laureate. His extensive portfolio of educational, cultural, public administration, and residential projects is matched only by his contribution to architectural culture—from founding The School of Architecture at Ahmedabad (now known as the Centre for Environmental Planning and Technology) to co-authoring the Habitat Bill of Rights, among others. Yet, his vividly illustrated conceptual drawings reveal as much, if not more, of the architect’s relationship with building, history, tradition, culture, and modernism. 

Last Wednesday the world knew the name of the latest Pritzker Prize laureate: Balkrishna Doshi, the first Indian architect to receive architecture’s highest honor. The jury stated that "with an understanding and appreciation of the deep traditions of India’s architecture, Doshi united prefabrication and local craft and developed a vocabulary in harmony with the history, culture, local traditions and the changing times of his home country India".

After designing over a hundred buildings and establishing several schools of architecture, Balkrishna Doshi achieved architecture’s highest accolade: the Pritzker Prize Award. Doshi is the first Indian architect to receive this award. He is known as an architectural advocate for social change and the environment.

Balkrishna Doshi, despite his vast number of completed projects, is a little-known name in the Western world. Directed by Premjit Ramachandran, the documentary "Doshi" allows the viewer to appreciate the vision of this important Indian architect, probing his thoughts while getting to know a number of his projects. Filmed in a frank style of conversation, the documentary reveals an original and creative human being who, even in old age, remains passionate about architecture as well as life and learning.

Earlier today, B.V. Doshi was named the winner of the 2018 Pritzker Prize, the profession’s highest accolade. For the past 70 years, Doshi has shaped the discourse of architecture and urban design, with a particularly strong influence in his native India, through projects including private residences, schools, banks, theaters, and low-income housing developments. Here are seven examples of this work that exemplifies Doshi’s respect for eastern culture and his desire to contribute to his country through authentic designs that enhance people's quality of life.