The Society of Architectural Historians is now accepting abstracts for its 72nd Annual International Conference in Providence, Rhode Island, April 24–28. Please submit an abstract no later than 11:59 p.m. CDT on June 5, 2018, to one of the 34 thematic sessions, the Graduate Student Lightning Talks or the Open Sessions. SAH encourages submissions from architectural, landscape, and urban historians; museum curators; preservationists; independent scholars; architects; scholars in related fields; and members of SAH chapters and partner organizations.
Thematic sessions and Graduate Student Lightning Talks are listed below. The thematic sessions have been selected to cover topics across all time periods
The proposal for the 120,000-square-foot (11,500-square-meter) district manifests as a vibrant, public-orientated program, including a gym, child care center, café, food court, and spa. A series of courtyards and plazas are laced throughout the scheme, connecting old and new in a “timeless, classic appearance that is also uniquely contemporary.” The design took 2nd place in a competition in which no first place winner was selected, as the jury felt that no entry fully met the competition criteria. As the highest-placing entry, the competition organizers have committed to begin negotiations with Schmidt Hammer Lassen to refine the design.
The designs by Snøhetta for the renovation of the building at 550 Madison Avenue have launched the building to the forefront of the debate about the preservation of Postmodern heritage. The plans include replacing the stone facade with undulating glass in order to transform the building's street presence. Should plans progress, the once prominent arched entry will sit behind fritted glass and stone covered columns will be unwrapped to create a hovering datum.
In a world where technology is at the forefront of our lives, it’s hard to imagine that many of the jobs that are available now did not exist 10 years ago; uber drivers, social media managers, app developers and even the job of an ArchDaily writer would have seemed an abstract concept! As technology advances further, even more job positions will be created and others left behind, leaving it open to speculation as to what will come next.
It is almost impossible to predict the future, but digital agency AKQA and Mish Global have attempted the impossible and envisioned several potential jobs in the design and construction industry in 2030 following inspiration from several panels they attended at the World Economic Forum. With the speed of changes over the last decade, they don’t seem too far from reality either.
While the exterior of Philip Johnson’s iconic AT&T awaits its fate in an upcoming New York City landmarks designation hearing, demolition of its granite-clad interior lobby has already begun.
Citing the fact that the lobby had already been altered in the 1990s – including the removal of the “Golden Boy” statue – when the building switched tenants from AT&T to the Sony Corporation, the Landmarks Preservation Commission decided last month that the interiors were not deserving of landmark status.
London-based firm Carmody Groarke and the National Trust for Scotland have announced plans for a major project to conserve one of Scotland’s most important buildings: the Hill House in Helensburgh, designed by Scottish architect Charles Rennie Mackintosh.
Today, an application to schedule a hearing to landmark the building was approved unanimously by the city’s Landmarks and Preservation Commission (LPC). In a few months time, the LPC will hold a public forum for the building, followed by a deliberation on whether or not the tower deserves official landmark status.
The Southbank Undercroft, which lies beneath the Queen Elizabeth Hall along the River Thames in London, has been the subjectof muchdebate in recent years following a proposed closure and redevelopment in 2013. Long Live Southbank, an organization born out of this threat of expulsion, gave the diverse community who call the space home a voice. After 17 months of campaigning, they were successful in ensuring the Undercroft was legally protected and fully recognized as an asset of community value. Since then, the group of activists has begun another groundbreaking journey.
In partnership with Southbank Centre, Long Live Southbank recently launched a new crowdfunding campaign to restore the legendary Undercroft. The restoration project will cost £790,000 and is set to open in 2018, improving Londoners’ access to free creative spaces in the heart of the City. These types of space are becoming increasingly rare and the restoration effort reflects a desire to celebrate the authentic cultural sites that make London the vibrant landscape it is.
A Spanish tourist has been killed by a piece of falling masonry in the Basilica of Santa Croce in Florence, Italy. As reported by The Guardian, the 52-year old victim was hit by "a piece of decorative stone that fell from a height of 20 metres (66 ft) as he visited the religious building with his wife." Reports suggest that the fragment was around 15cm by 15cm (6 by 6 inches) in size; according to Yahoo, the fragment "had supported a beam in the right transept of the Basilica."
Following the incident, the attraction has been closed to visitors indefinitely.
https://www.archdaily.com/881997/falling-masonry-kills-tourist-in-florences-deteriorating-basilica-di-santa-croceAD Editorial Team
Since 1989, the James Marston Fitch Charitable Foundation has been in the vanguard of historic preservation practice and theory. The mission of the Fitch Foundation is to support professionals in the field of historic preservation, and to achieve this we provide mid-career grants to those working in preservation, landscape architecture, urban design, environmental planning, materials conservation, decorative arts, architectural design and history, and allied fields.
Broken gargoyles and fallen balustrades replaced by plastic pipes and wooden planks. Flying buttresses darkened by pollution and eroded by rainwater. Pinnacles propped up by beams and held together with straps.
According to the Friends of Notre-Dame de Paris, the iconic Parisian cathedral is in "desperate need of attention." Perhaps more concerningly, the holy site and French national monument is also in "a worrisome state of preservation." Built of limestone—a material notoriously susceptible to erosion—the building is in an accelerating state of wear-and-tear, demanding renewed funding efforts and expertise to secure its immediate and long-term future. From the lead roof to the stone buttresses, the world-renowned gargoyles to the stained glass windows, every inch of the structure requires differing levels of attention.
https://www.archdaily.com/881238/iconic-and-revered-notre-dame-de-paris-faces-an-uncertain-futureAD Editorial Team
A few years ago, while visiting, or rather exploring, Notre-Dame, the author of this book found, in an obscure corner of one of the towers, this word carved upon the wall:
These Greek characters, black with age, and cut deep into the stone with the peculiarities of form and arrangement common to Gothic calligraphy that marked them the work of some hand in the Middle Ages, and above all the sad and mournful meaning which they expressed, forcibly impressed the author.
The Getty Foundation has selected 12 significant 20th century buildings to receive 2017 grants as part of its Keeping It Modern initiative, which aims to advance the understanding and preservation of modern architecture through a focus on conservation planning and research. Since its founding in 2014, the program has supported the preservation of 45 projects from around the globe.
This year $1.66 million in grants were awarded to recognizable projects including the Walter Gropius-designed Bauhaus Building in Dessau; the Melnikov House in Moscow (the first Russian project to receive a grant); and Frank Lloyd Wright’s only skyscraper, Price Tower.
In a major victory for preservationists, one of Sydney’s few examples of brutalist architecture, the Sirius Apartment Building, has been saved from the wrecking ball after court ruled against the government’s attempt to deny it a place on the State Heritage Register.
https://www.archdaily.com/876508/sydneys-brutalist-sirius-building-saved-from-demolition-after-court-rulingAD Editorial Team
One of Louis Kahn’s most unique and lesser-known projects, the floating concert hall known as Point Counterpoint II, is at risk of demolition, reports the Pittsburgh Post Gazette.
Built from 1964 to ’67 as part of celebrations for the American Bicentennial, the 195-foot-long vessel has since been used as the waterborne home of the American Wind Symphony Orchestra (AWSO), allowing the group to take their own venue places as far away as Paris, France and St. Petersburg, Russia. Along with circular doorways and portholes, the structure features a 75-foot-wide stage that can be opened and closed using a hydraulic lift system.
DINÂMIA’CET-IUL is delighted to announce the 1st Summer School on the Island of São Miguel in Azores.
“Moytirra 2017, Sketch design for deep-sea mining labour’s housing” includes Master-Classes, studio sessions and field trips, led by lecturers and researchers from ISCTE-IUL and University of Azores (Portugal), Northeastern and Dartmouth College (USA), Kuwait University (Kuwait) and University of Waterloo (Canada), with the support of local architectural offices. On 5th day, the final results of the workshop will be presented and discussed with the local community.
Taking a taxi from Tehran Imam Khomeini International Airport into the city, one cannot help but look at the seemingly random distribution of buildings along the road; an array of mismatched concrete blocks, worlds away from the images of Sheik Lotfollah Mosque that typically adorn the covers of Iran travel guides. “My observations about architecture in Iran are like that of many other countries that have changed in terms of architectural characteristics; Iran has changed too,” says Tehran-based architect, M. Reza Karfar. “Now we are in a time where everything is mass produced and we are just using and using, but not making memories with anything. That sense of belonging will, of course, go away. You see a 50 or 60, or 200-year-old house that just gets demolished and replaced by a 4 or 5-story building, and in 5 years they will demolish that 4 to 5-story building too.”
Not to say that Iran should be an exhibit for tourists, only consisting of beautiful tiled buildings, but this fear of memories fading in disappearing public spaces is one that, despite the numerous historical sites preserved around the country, is noticeable in Iran’s big cities. And while the subject is particularly pertinent in Iran, as Karfar points out this phenomenon is not unique to just one country. As a result, Iran might offer something of a case study for other countries around the world.