<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:georss="http://www.georss.org/georss" xmlns:webfeeds="http://webfeeds.org/rss/1.0">
  <channel>
    <title>Tag: pier-vittorio-aureli | ArchDaily</title>
    <description>ArchDaily | Broadcasting Architecture Worldwide</description>
    <link>https://www.archdaily.com/</link>
    <lastBuildDate>Fri, 8 May 2026 00:00:00 +0000</lastBuildDate>
    <language>en-US</language>
    <atom:link rel="self" type="application/rss+xml" href="https://www.archdaily.com/show.xml"/>
    <sy:updatePeriod>hourly</sy:updatePeriod>
    <sy:updateFrequency>1</sy:updateFrequency>
    <webfeeds:logo>https://assets.adsttc.com/doodles/archdaily-logo-feedly.svg</webfeeds:logo>
    <webfeeds:accentColor>026CB6</webfeeds:accentColor>
    <webfeeds:analytics id="UA-73308-12" engine="GoogleAnalytics"/>
    <item>
      <title>
        <![CDATA[The Project as Argument: What is Architectural Thinking?]]>
      </title>
      <link>https://www.archdaily.com/1033636/the-project-as-argument-what-is-architectural-thinking</link>
      <pubDate>Thu, 25 Sep 2025 07:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1033636/the-project-as-argument-what-is-architectural-thinking</guid>
      <description>
        <![CDATA[<p>Architecture is shaped not only by buildings, but by the ideas that make them possible. Before the constraints of capital, regulation, and procurement, there is a moment when architecture is allowed to think aloud. The first confrontation with this fertile moment usually takes place in academia, in the <a href="https://www.archdaily.com/tag/thesis">thesis</a>. It is not merely a requirement for graduation, but a space of speculative freedom where architecture formulates hypotheses, builds arguments, and tests positions.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/68b5/b2a0/bfa2/0d01/8a1b/b895/newsletter/the-project-as-argument-design-as-critical-form_23.jpg?1756738215"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[DOGMA Receives 2023 RIBA Charles Jencks Award]]>
      </title>
      <link>https://www.archdaily.com/1011769/dogma-receives-2023-riba-charles-jencks-award</link>
      <pubDate>Wed, 03 Jan 2024 05:30:00 +0000</pubDate>
      <dc:creator>Nour Fakharany</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1011769/dogma-receives-2023-riba-charles-jencks-award</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/tag/royal-institute-of-british-architects" target="_blank" rel="noopener">The Royal Institute of British Architects (RIBA),</a> in collaboration with The Jencks Foundation at The Cosmic House, has announced that Dogma is the 2023 recipient of the<a href="https://www.archdaily.com/tag/riba-jencks-award" target="_blank" rel="noopener"> Charles Jencks Award.</a> Previously awarded to <a href="https://www.archdaily.com/office/zaha-hadid-architects" target="_blank" rel="noopener">Zaha Hadid,</a> <a href="https://www.archdaily.com/office/niall-mclaughlin-architects" target="_blank" rel="noopener">Níall McLaughlin</a>, <a href="https://www.archdaily.com/office/herzog-and-de-meuron" target="_blank" rel="noopener">Herzog &amp; de Meuron,</a> and <a href="https://www.archdaily.com/office/oma" target="_blank" rel="noopener">OMA</a>, the award celebrates other forms of thinking and production that can drive architecture beyond design. This year’s recipient, <a href="https://www.archdaily.com/tag/dogma" target="_blank" rel="noopener">Dogma</a>, is a <a href="https://www.archdaily.com/tag/brussels" target="_blank" rel="noopener">Brussels</a>-based architecture practice focusing on the interplay between architecture and urban environments.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6594/6b9a/9936/3f73/b48a/ae5f/newsletter/dogma-receives-2023-riba-charles-jencks-award_1.jpg?1704225718"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Kickstarter Campaign Launches to Fund the Forthcoming 'Real Review']]>
      </title>
      <link>https://www.archdaily.com/774523/kickstarter-campaign-launches-to-fund-the-forthcoming-real-review</link>
      <pubDate>Tue, 29 Sep 2015 11:25:00 +0000</pubDate>
      <dc:creator>James Taylor-Foster</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/774523/kickstarter-campaign-launches-to-fund-the-forthcoming-real-review</guid>
      <description>
        <![CDATA[<p>The <strong><a href="http://www.real.foundation/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Real Estate Architecture Laboratory</a></strong> (REAL) have today announced a <a href="https://www.kickstarter.com/projects/jackself/the-real-review-a-bi-monthly-architecture-magazine?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Kickstarter campaign</a> in preparation for the launch of their flagship publication, the <em>Real Review</em>. Produced by an independent team of editors and designers, this bi-monthly magazine intends to "revive the review as a writing form" to a general readership within the architectural sphere and its orbital subjects.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/560a/8e53/e58e/ce49/2b00/0071/newsletter/REAL_Avatar.jpg?1443532366"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Reflections On Álvaro Siza's Seminal Quinta da Malagueira Housing Scheme]]>
      </title>
      <link>https://www.archdaily.com/592436/reflections-on-alvaro-siza-s-quinta-da-malagueira-communist-housing-scheme-in-evora</link>
      <pubDate>Thu, 29 Jan 2015 00:00:00 +0000</pubDate>
      <dc:creator>James Taylor-Foster</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/592436/reflections-on-alvaro-siza-s-quinta-da-malagueira-communist-housing-scheme-in-evora</guid>
      <description>
        <![CDATA[<p>In an essay and accompanying mini-documentary film by <a href="http://www.archdaily.com/tag/ellis-woodman/">Ellis Woodman</a> for <em><a href="http://www.architectural-review.com/essays/revisiting-siza-an-archaeology-of-the-future/8677551.article?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">The Architectural Review</a></em>, Siza's iconic <em>Quinta da Malagueira</em> housing estate (1973-1977) in Évora, <a href="http://www.archdaily.com/tag/portugal/">Portugal</a>, is comprehensively explored and examined with a refreshingly engaging critical weight. Rather than develop multi-story housing in the sensitive landscape around the city, Siza proposed "a plan that distributed the programme between two fields composed of low-rise terraced courtyard houses." As a result, the arrangement of these structures adjust to the "undulating topography ensuring that the narrow, cobbled streets along which the houses are distributed always follow the slope."</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/54c8/bd58/e58e/ce45/7a00/018f/large_jpg/d.jpg?1422441811"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[ARQ DOCS: Pier Vittorio Aureli]]>
      </title>
      <link>https://www.archdaily.com/584420/arq-docs-pier-vittorio-aureli</link>
      <pubDate>Wed, 07 Jan 2015 00:00:00 +0000</pubDate>
      <dc:creator>Emilio De la Cerda</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/584420/arq-docs-pier-vittorio-aureli</guid>
      <description>
        <![CDATA[<p><em>Published by the <a href="http://www.archdaily.com/tag/pontificia-universidad-catolica-de-chile/" target="_blank">Pontificia </a><em><a href="http://www.archdaily.com/tag/pontificia-universidad-catolica-de-chile/" target="_blank">Universidad Católica de Chile</a> as part of their</em></em> ARQ DOCS<em> series</em>,<em> "Pier Vittorio Aureli" features two in depth interviews with Aureli, the high-profile Italian theorist<em> and co-founder of design and research studio <a href="http://www.dogma.name/index.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">DOGMA</a>. The book's introduction, written by Emilio De la Cerda is excerpted below.</em></em></p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/54aa/d9a1/e58e/ceff/e500/00b5/newsletter/PVA-01.jpg?1420482971"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Pier Vittorio Aureli to Exhibit 30 'Non-Compositional' Drawings in London]]>
      </title>
      <link>https://www.archdaily.com/553868/pier-vittorio-aureli-to-exhibit-30-drawings-in-london</link>
      <pubDate>Tue, 07 Oct 2014 00:00:00 +0000</pubDate>
      <dc:creator>James Taylor-Foster</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/553868/pier-vittorio-aureli-to-exhibit-30-drawings-in-london</guid>
      <description>
        <![CDATA[<p><a href="http://www.dogma.name/about.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Pier Vittorio Aureli's</a> collection of thirty 'non-compositional' drawings, exhibited as part of a series entitled <strong>The Marriage of Reason and Squalor</strong>, will open at London's <a href="http://www.bettsproject.com?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Betts Project</a> architecture gallery tomorrow (8th October 2014). The drawings, in development since 2001, are part of an ongoing investigation into "what, in the absence of a better definition, Aureli has described as ‘non-compositional architecture’." This term, referring to the work of art historian <a href="http://www.ias.edu/people/faculty-and-emeriti/bois?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Yve-Alain Bois</a> who was himself prompted by the ambitions of the constructivist artist <a href="http://en.wikipedia.org/wiki/Alexander_Rodchenko?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Alexander Rodchenko</a>, is used to describe works that "aspire to the abandonment of composition and even the self of the artist." This will be Aureli's second recent exhibition in <a href="https://www.archdaily.com/tag/london">London</a> following <em><a href="http://pr2013.aaschool.ac.uk/PUBLICATIONS/Dogma-11-Projects?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Dogma: 11 Projects</a></em>, which was presented at London's Architectural Association in 2013.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5431/3d0b/c07a/809a/0e00/052e/large_jpg/PIER_VITTORIO_AURELI_Untitled_22_from_the_series_THE_MARRIAGE_OF_REASON_AND_SQUALOR_2001-2014_Ink_on_paper_50x50CM.jpg?1412513008"></enclosure>
    </item>
  </channel>
</rss>
